1481 Résultats
Classification:
expositions
expositions
Titre:
L’architecte, autrement
L’architecte, autrement
Actions:
Description:
Dès lors que l’architecture ait été réduite à un service de la société ou à une « industrie » dont la finalité est de construire, il y a toujours eut quelqu’un pour l’imaginer plutôt comme un champ de recherche intellectuelle : dynamique, critique et radical. À partir d’une série d’approches provenant de personnes, de périodes et d’endroits divers, l’architecte apparaît,(...)
Dès lors que l’architecture ait été réduite à un service de la société ou à une « industrie » dont la finalité est de construire, il y a toujours eut quelqu’un pour l’imaginer plutôt comme un champ de recherche intellectuelle : dynamique, critique et radical. À partir d’une série d’approches provenant de personnes, de périodes et d’endroits divers, l’architecte apparaît,(...)
Localisation:
Salles principales Mot(s)-clé(s):
L'architecte, autrement, CCA, Montréal, exposition, salles principales
Salles principales Mot(s)-clé(s):
L'architecte, autrement, CCA, Montréal, exposition, salles principales
Date:
28 octobre 2015 au 10 avril 2016
28 octobre 2015 au 10 avril 2016
Titre:
L’architecte, autrement
Actions:
Description:
Dès lors que l’architecture ait été réduite à un service de la société ou à une « industrie » dont la finalité est de construire, il y a toujours eut quelqu’un pour l’imaginer plutôt comme un champ de recherche intellectuelle : dynamique, critique et radical. À partir d’une série d’approches provenant de personnes, de périodes et d’endroits divers, l’architecte apparaît,(...)
L’architecte, autrement
Actions:
Description:
Dès lors que l’architecture ait été réduite à un service de la société ou à une « industrie » dont la finalité est de construire, il y a toujours eut quelqu’un pour l’imaginer plutôt comme un champ de recherche intellectuelle : dynamique, critique et radical. À partir d’une série d’approches provenant de personnes, de périodes et d’endroits divers, l’architecte apparaît,(...)
Classification:
expositions
expositions
Date:
28 octobre 2015 au
10 avril 2016
28 octobre 2015 au
10 avril 2016
Localisation:
Salles principales Mot(s)-clé(s):
L'architecte, autrement, CCA, Montréal, exposition, salles principales
Salles principales Mot(s)-clé(s):
L'architecte, autrement, CCA, Montréal, exposition, salles principales
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
Personnes et institutions:
Date:
1994-2015
1994-2015
Titre:
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
Niveau de description archivistique:
Series
Series
Date:
1994-2015
1994-2015
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1870s-1880s
1870s-1880s
Titre:
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Classification:
photographies
photographies
Date:
1870s-1880s
1870s-1880s
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Localisation:
salle octogonale
salle octogonale
Date:
21 septembre 2018 au 19 mai 2019
21 septembre 2018 au 19 mai 2019
Titre:
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Classification:
expositions
expositions
Date:
21 septembre 2018 au
19 mai 2019
21 septembre 2018 au
19 mai 2019
Localisation:
salle octogonale
salle octogonale
Classification:
articles
articles
Titre:
L’esthétique de l’ingénierie
L’esthétique de l’ingénierie
Actions:
Texte de Katherine Romba
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Mot(s)-clé(s):
20th century, Alfred Gotthold Meyer, Allemagne, Deutscher Werkbund, engineering, Friedrich Naumann, Germany, ingénierie, Ingenieur-Ästhetik, Joseph August Lux, Karl Marx, Katherine Romba, Munich, Rudolf Metzger, William Morris, XXe siècle
20th century, Alfred Gotthold Meyer, Allemagne, Deutscher Werkbund, engineering, Friedrich Naumann, Germany, ingénierie, Ingenieur-Ästhetik, Joseph August Lux, Karl Marx, Katherine Romba, Munich, Rudolf Metzger, William Morris, XXe siècle
Publié:
14 octobre 2010
14 octobre 2010
Dossier:
Désenchantements technologiques
Désenchantements technologiques
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection JJP Oud
Collection JJP Oud
Numéro de référence:
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Personnes et institutions:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Titre:
Collection JJP Oud
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Collection JJP Oud
CI005
Résumé:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Classification:
archives
Niveau de description archivistique:
Collection institutionnelle
archives
Niveau de description archivistique:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Date:
16 mars 2017
16 mars 2017
Titre:
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
C’est toxique ici, mais pas là-bas
Actions:
Description:
La veille du jour de l’An 1987, 4000 tonnes de cendres toxiques sont livrées aux habitants des Gonaïves, une ville portuaire démunie sur la côte occidentale d’Haïti. Dans un contexte politique instable, des fonctionnaires haïtiens ont autorisé l’importation de déchets toxiques des États-Unis, catégorisés comme des «fertilisants». Dans ce cas, la cendre provient de(...)
Classification:
événements
événements
Date:
16 mars 2017
16 mars 2017
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Personnes et institutions:
Date:
1936-2021
1936-2021
Titre:
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Fonds Cornelia Hahn Oberlander
Actions:
AP075
Résumé:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1936-2021
1936-2021
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Design for a Stage Set
Design for a Stage Set
Actions:
Numéro de référence:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
late 18th century
late 18th century
Titre:
Design for a Stage Set
Actions:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Design for a Stage Set
Actions:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Classification:
dessins
dessins
Date:
late 18th century
late 18th century
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
expositions
expositions
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Date:
11 mai 2016 au 16 octobre 2016
11 mai 2016 au 16 octobre 2016
Titre:
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Archéologie du numérique : complexité et convention
Actions:
Description:
Archéologie du numérique : complexité et convention représente le troisième et dernier volet d’une série d’expositions liées à la constitution d’archives numériques au CCA. Le programme Archéologie du numérique comprend vingt-cinq projets pour lesquels les documents numériques constituent des éléments essentiels à la compréhension du processus de conception(...)
Classification:
expositions
expositions
Date:
11 mai 2016 au
16 octobre 2016
11 mai 2016 au
16 octobre 2016
