7553 Résultats
Classification:
dessins
Quantité:
2 drawing(s)
dessins
Quantité:
2 drawing(s)
Titre:
China Drawings, 1978
China Drawings, 1978
Actions:
Numéro de référence:
DR2007:0013:001-003
Description:
Pair of drawings completed after and reflecting on L.W. Richards' 1977 study tour of The People's Republic of China: a) "Preliminary Drawing for a Bank for The People's Republic of China" and b) "Preliminary Drawings for a Factory for The People's Republic of China"; 2 mixed media on tracing paper, each approx. 15" x 25"; dated 11/78. These drawings follow and are related to 1977 Post Card project in the CCA collections.
DR2007:0013:001-003
Description:
Pair of drawings completed after and reflecting on L.W. Richards' 1977 study tour of The People's Republic of China: a) "Preliminary Drawing for a Bank for The People's Republic of China" and b) "Preliminary Drawings for a Factory for The People's Republic of China"; 2 mixed media on tracing paper, each approx. 15" x 25"; dated 11/78. These drawings follow and are related to 1977 Post Card project in the CCA collections.
Personnes et institutions:
Titre:
China Drawings, 1978
Actions:
DR2007:0013:001-003
Description:
Pair of drawings completed after and reflecting on L.W. Richards' 1977 study tour of The People's Republic of China: a) "Preliminary Drawing for a Bank for The People's Republic of China" and b) "Preliminary Drawings for a Factory for The People's Republic of China"; 2 mixed media on tracing paper, each approx. 15" x 25"; dated 11/78. These drawings follow and are related to 1977 Post Card project in the CCA collections.
China Drawings, 1978
Actions:
DR2007:0013:001-003
Description:
Pair of drawings completed after and reflecting on L.W. Richards' 1977 study tour of The People's Republic of China: a) "Preliminary Drawing for a Bank for The People's Republic of China" and b) "Preliminary Drawings for a Factory for The People's Republic of China"; 2 mixed media on tracing paper, each approx. 15" x 25"; dated 11/78. These drawings follow and are related to 1977 Post Card project in the CCA collections.
Classification:
dessins
Quantité:
2 drawing(s)
dessins
Quantité:
2 drawing(s)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Personnes et institutions:
Date:
1991
1991
Titre:
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH277035
Description:
Group contains oversize "presentation folders" for several projects. Photographs and presentation plans are the originals prints from Arthur Erickson Architects for media release, publication and presentation reproduction. Projects include: Vancouver Art Gallery, Man in the Community Pavilion, Midtown Terrace, Christ Church Cathedral, Bagley Wright Residence, Napp Laboratories, Roy Thompson Hall (includes press clippings), National Gallery Competition, Abu Dhabi Office Tower United Arab Emirates, Waterfront Center, UBC Faculty Club Addition & Alterations, Ministry of Foreign Affairs Interim Headquarters, Jeddah, University of Victoria Development Plan.
ARCH277035
Description:
Group contains oversize "presentation folders" for several projects. Photographs and presentation plans are the originals prints from Arthur Erickson Architects for media release, publication and presentation reproduction. Projects include: Vancouver Art Gallery, Man in the Community Pavilion, Midtown Terrace, Christ Church Cathedral, Bagley Wright Residence, Napp Laboratories, Roy Thompson Hall (includes press clippings), National Gallery Competition, Abu Dhabi Office Tower United Arab Emirates, Waterfront Center, UBC Faculty Club Addition & Alterations, Ministry of Foreign Affairs Interim Headquarters, Jeddah, University of Victoria Development Plan.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs and presentation plans for various projects
Actions:
ARCH277035
Description:
Group contains oversize "presentation folders" for several projects. Photographs and presentation plans are the originals prints from Arthur Erickson Architects for media release, publication and presentation reproduction. Projects include: Vancouver Art Gallery, Man in the Community Pavilion, Midtown Terrace, Christ Church Cathedral, Bagley Wright Residence, Napp Laboratories, Roy Thompson Hall (includes press clippings), National Gallery Competition, Abu Dhabi Office Tower United Arab Emirates, Waterfront Center, UBC Faculty Club Addition & Alterations, Ministry of Foreign Affairs Interim Headquarters, Jeddah, University of Victoria Development Plan.
Photographs and presentation plans for various projects
Actions:
ARCH277035
Description:
Group contains oversize "presentation folders" for several projects. Photographs and presentation plans are the originals prints from Arthur Erickson Architects for media release, publication and presentation reproduction. Projects include: Vancouver Art Gallery, Man in the Community Pavilion, Midtown Terrace, Christ Church Cathedral, Bagley Wright Residence, Napp Laboratories, Roy Thompson Hall (includes press clippings), National Gallery Competition, Abu Dhabi Office Tower United Arab Emirates, Waterfront Center, UBC Faculty Club Addition & Alterations, Ministry of Foreign Affairs Interim Headquarters, Jeddah, University of Victoria Development Plan.
Classification:
documents textuels
documents textuels
Date:
n.d.
n.d.
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1987:0399
Description:
- This drawing is blackened with graphite on the verso so that the design could be transferred to another surface, in this case the submitted competition panel, DR1987:0359. There are drops of black watercolour and a series of black ink lines in the upper right corner. These media were used for the submitted panel and their presence here also suggests that this drawing was used in preparation of the submitted panel. There are a series of design sketches, along the left side and at the centre of the drawing, which appear to deal with the relationship of the airfield to hangars.
DR1987:0399
Description:
- This drawing is blackened with graphite on the verso so that the design could be transferred to another surface, in this case the submitted competition panel, DR1987:0359. There are drops of black watercolour and a series of black ink lines in the upper right corner. These media were used for the submitted panel and their presence here also suggests that this drawing was used in preparation of the submitted panel. There are a series of design sketches, along the left side and at the centre of the drawing, which appear to deal with the relationship of the airfield to hangars.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1929
1929
Titre:
Lehigh Airports Competition Entry: Bird's-eye perspective
Actions:
DR1987:0399
Description:
- This drawing is blackened with graphite on the verso so that the design could be transferred to another surface, in this case the submitted competition panel, DR1987:0359. There are drops of black watercolour and a series of black ink lines in the upper right corner. These media were used for the submitted panel and their presence here also suggests that this drawing was used in preparation of the submitted panel. There are a series of design sketches, along the left side and at the centre of the drawing, which appear to deal with the relationship of the airfield to hangars.
Lehigh Airports Competition Entry: Bird's-eye perspective
Actions:
DR1987:0399
Description:
- This drawing is blackened with graphite on the verso so that the design could be transferred to another surface, in this case the submitted competition panel, DR1987:0359. There are drops of black watercolour and a series of black ink lines in the upper right corner. These media were used for the submitted panel and their presence here also suggests that this drawing was used in preparation of the submitted panel. There are a series of design sketches, along the left side and at the centre of the drawing, which appear to deal with the relationship of the airfield to hangars.
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
né numérique
Quantité:
25 digital file(s)
né numérique
Quantité:
25 digital file(s)
Numéro de référence:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Personnes et institutions:
Date:
2006-2014
2006-2014
Titre:
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Classification:
né numérique
Quantité:
25 digital file(s)
né numérique
Quantité:
25 digital file(s)
Date:
2006-2014
2006-2014
Personnes et institutions:
Numéro de référence:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
Personnes et institutions:
Date:
1966-2006
1966-2006
Titre:
Various certificates and awards
Actions:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
Various certificates and awards
Actions:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
Date:
1966-2006
1966-2006
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Personnes et institutions:
Date:
1966-2017
1966-2017
Titre:
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Roderick Robbie Katimavik project records
Actions:
AP225
Résumé:
The Roderick Robbie Katimavik project records describe Robbie's collaboration with his architectural partners at the Toronto-based firm Ashworth Robbie Vaughan and Williams to create Katimavik, an entry for the competition for the design of the Canadian Government’s pavilion at Expo 67. The records in this fonds relate to the project's design process, the reception of the completed structure in Canadian and international architectural discourse, reporting on the project to the Canadian government, and Expo 67 memerobilia.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1966-2017
1966-2017
Personnes et institutions:
Classification:
photographies
photographies
Titre:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
Numéro de référence:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
