5873 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2009-2015
2009-2015
Titre:
Brano di Città [City Architecture] (2009)
Actions:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
Brano di Città [City Architecture] (2009)
Actions:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2009-2015
2009-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Materiali Da Construzione [Construction Materials] (2012)
Actions:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
Materiali Da Construzione [Construction Materials] (2012)
Actions:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
Classification:
articles
articles
Titre:
Mémoire et dégel
Mémoire et dégel
Actions:
Rebecca Wickham évoque une procession sur le glacier d'Aletsch
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1999.PR04
Description:
This project series documents the Estadio Municipal da Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90 A. The office assigned the date 2000 to this project. This project was assigned to Álvaro Siza by Câmara Municipal da Maia as a part of the Plano de Urbanização da Nova Maia (see AP178.S1.1999.PR03). The new stadium will be built in Parque do Millenium along with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, and a pavillion. The project is in progress. Documenting this project are a model and studies for the project site.
AP178.S1.1999.PR04
Description:
This project series documents the Estadio Municipal da Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90 A. The office assigned the date 2000 to this project. This project was assigned to Álvaro Siza by Câmara Municipal da Maia as a part of the Plano de Urbanização da Nova Maia (see AP178.S1.1999.PR03). The new stadium will be built in Parque do Millenium along with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, and a pavillion. The project is in progress. Documenting this project are a model and studies for the project site.
Personnes et institutions:
Date:
2000
2000
Titre:
Estadio Municipal da Maia, Parque do Millenium [Maia municipal stadium, Millenium Park], Maia, Portugal (2000)
Actions:
AP178.S1.1999.PR04
Description:
This project series documents the Estadio Municipal da Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90 A. The office assigned the date 2000 to this project. This project was assigned to Álvaro Siza by Câmara Municipal da Maia as a part of the Plano de Urbanização da Nova Maia (see AP178.S1.1999.PR03). The new stadium will be built in Parque do Millenium along with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, and a pavillion. The project is in progress. Documenting this project are a model and studies for the project site.
Estadio Municipal da Maia, Parque do Millenium [Maia municipal stadium, Millenium Park], Maia, Portugal (2000)
Actions:
AP178.S1.1999.PR04
Description:
This project series documents the Estadio Municipal da Maia, Parque do Millenium in Maia, Portugal. While the records were held in the office's archives, this project was assigned the number 109/90 A. The office assigned the date 2000 to this project. This project was assigned to Álvaro Siza by Câmara Municipal da Maia as a part of the Plano de Urbanização da Nova Maia (see AP178.S1.1999.PR03). The new stadium will be built in Parque do Millenium along with hotels, restaurants, residential housing, a science and technology park, a nature park, a sports field, and a pavillion. The project is in progress. Documenting this project are a model and studies for the project site.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Peter Galison, professeur Joseph Pellegrino d’histoire des sciences et de physique à l’Université Harvard, parle de son projet actuel, qui combine écriture et film sur les sites de déchets nucléaires et l’avenir des territoires. « Dans leur acception habituelle, les termes “décharge” et “étendue sauvage” sont antinomiques; lorsqu’ils se rejoignent sur les sites abritant(...)
Peter Galison, professeur Joseph Pellegrino d’histoire des sciences et de physique à l’Université Harvard, parle de son projet actuel, qui combine écriture et film sur les sites de déchets nucléaires et l’avenir des territoires. « Dans leur acception habituelle, les termes “décharge” et “étendue sauvage” sont antinomiques; lorsqu’ils se rejoignent sur les sites abritant(...)
Localisation:
Librairie du CCA
Librairie du CCA
Date:
14 février 2010 , 15h
14 février 2010 , 15h
Titre:
Peter Galison : Étendue sauvage de déchets
Actions:
Description:
Peter Galison, professeur Joseph Pellegrino d’histoire des sciences et de physique à l’Université Harvard, parle de son projet actuel, qui combine écriture et film sur les sites de déchets nucléaires et l’avenir des territoires. « Dans leur acception habituelle, les termes “décharge” et “étendue sauvage” sont antinomiques; lorsqu’ils se rejoignent sur les sites abritant(...)
Peter Galison : Étendue sauvage de déchets
Actions:
Description:
Peter Galison, professeur Joseph Pellegrino d’histoire des sciences et de physique à l’Université Harvard, parle de son projet actuel, qui combine écriture et film sur les sites de déchets nucléaires et l’avenir des territoires. « Dans leur acception habituelle, les termes “décharge” et “étendue sauvage” sont antinomiques; lorsqu’ils se rejoignent sur les sites abritant(...)
Classification:
événements
événements
Date:
14 février 2010
15h
14 février 2010
15h
Localisation:
Librairie du CCA
Librairie du CCA
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Personnes et institutions:
Date:
1957-1991
1957-1991
Titre:
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Niveau de description archivistique:
Series
Series
Date:
1957-1991
1957-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2008-2017
2008-2017
Titre:
Montagne Naturali [Natural Mountains] (2014)
Actions:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Montagne Naturali [Natural Mountains] (2014)
Actions:
AP207.S1.2014.PR02
Description:
The project series documents the landscape design "Montagne Naturali" designed by Pettena for the Montellori estate and farm, in Fucecchio, near Florence), in 2014. The installation consisted of a series of metal trellises of various shapes and sizes on which grew shrubs and bushes to create a wall to hide the farming machinery. "[...] architecture is given what is due architecture, that is structure and functionality, and nature is granted the final result, which will not necessarily coincide with the intentions of the designer, whose intervention is predominantly ‘an oneiric quotation’." [1] The project series contains sketches and a booklet with a sketch, plans of the trellises, and drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-natural-mountains-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2008-2017
2008-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
The Curious Mr. Pettena (2012)
Actions:
AP207.S1.2012.PR03
Description:
The project series documents "The Curious Mr. Pettena", a series of photographs taken by Pettena during his stay in the United States from 1971 to 1973. During that time "[Pettena] discovers views and contexts which he feels near to his theoretic and visual work, a temporary architecture as well, documenting research and whatever comes from the mind, making it real, or discovering it in something already built where nature has worked so that it may become part of a common language or subject." [1] The project series contains the photograph series and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-the-curious-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Naoya Hatakeyama : Échelles
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
27 septembre 2007 au 3 février 2008
27 septembre 2007 au 3 février 2008
Titre:
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Naoya Hatakeyama : Échelles
Actions:
Description:
L’œuvre de l’artiste japonais Naoya Hatakeyama interroge en particulier la relation entre ville et nature. Commandées par le CCA, les trois séries de photographies, dont Échelles, captent les maquettes d’architecture existantes de New York et Tokyo sous un angle qui défie les notions d’échelle et la perception de la réalité. Naoya Hatakeyama : Échelles est la quatrième et(...)
Classification:
expositions
expositions
Date:
27 septembre 2007 au
3 février 2008
27 septembre 2007 au
3 février 2008
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Personnes et institutions:
Date:
1966-2018
1966-2018
Titre:
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Niveau de description archivistique:
Series
Series
Date:
1966-2018
1966-2018
Personnes et institutions:
