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$49.00
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Résumé:
The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to(...)
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to(...)
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mars 2016
mars 2016
Titre:
The anatomy of the architectural book
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to assess these dynamics and intersections. This investigation confronts us with the rise of the industrialized book, and thus of the editor as an important intermediary between the author and the printer, as well as with the configuration of the book as a unique visual device (with the designer taking part in a progressively more complex chain of decision-making). Richly illustrated with samples from the CCA library, the volume discusses work by authors including William Morris, Gottfried Semper, El Lissitzky, Le Corbusier, and Frank Lloyd Wright, among others. A large portion of the research for the book was undertaken while Tavares was a Visiting Scholar at the CCA. It is co-published in English by Lars Müller Publishers and in Portuguese by Dafne Editora.
The anatomy of the architectural book
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$49.00
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The Anatomy of the Architectural Book examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Using five conceptual tools—texture, surface, rhythm, structure, and scale—Tavares analyzes the material qualities of a wide range of books in order to assess these dynamics and intersections. This investigation confronts us with the rise of the industrialized book, and thus of the editor as an important intermediary between the author and the printer, as well as with the configuration of the book as a unique visual device (with the designer taking part in a progressively more complex chain of decision-making). Richly illustrated with samples from the CCA library, the volume discusses work by authors including William Morris, Gottfried Semper, El Lissitzky, Le Corbusier, and Frank Lloyd Wright, among others. A large portion of the research for the book was undertaken while Tavares was a Visiting Scholar at the CCA. It is co-published in English by Lars Müller Publishers and in Portuguese by Dafne Editora.
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livres
livres
Publication:
mars 2016
mars 2016
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2 volumes 25 cm
Description:
2 volumes 25 cm
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's-Gravenhage, Nijhoff, 1936-49.
's-Gravenhage, Nijhoff, 1936-49.
Titre:
Repertorium voor de geschiedenis der Nederlandsche schilder- en graveerkunst sedert het begin der 12de eeuw ... Uitg. van het Frederik Muller-Fonds.
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2 volumes 25 cm
Repertorium voor de geschiedenis der Nederlandsche schilder- en graveerkunst sedert het begin der 12de eeuw ... Uitg. van het Frederik Muller-Fonds.
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2 volumes 25 cm
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livres
livres
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's-Gravenhage, Nijhoff, 1936-49.
's-Gravenhage, Nijhoff, 1936-49.
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livres
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Rafael Vinoly
Rafael Vinoly
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$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
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Rafael Vinoly
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$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
Rafael Vinoly
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$140.00
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Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
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livres
livres
Publication:
novembre 2002, New York
novembre 2002, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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$52.00
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail,(...)
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail,(...)
Titre:
Adolf Loos : architecture 1903-1932
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work : the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.
Adolf Loos : architecture 1903-1932
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work : the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.
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livres
livres
Publication:
août 2009
août 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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60 pages : illustrations, maps ; 22 cm
Description:
60 pages : illustrations, maps ; 22 cm
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Halifax, N.S. : Resource Centre Publications, Faculty of Architecture, Technical University of Nova Scotia, 1991.
Halifax, N.S. : Resource Centre Publications, Faculty of Architecture, Technical University of Nova Scotia, 1991.
Titre:
Four communities : Bunbury, Cross Roads, Keppoch-Kinlock, Southport, Prince Edward Island / project team co-ordinator, Frank Palermo ; assistants, Nelli Agingu, Gary Muller, Stephen Parsons ; contributors, René Babin [and others].
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60 pages : illustrations, maps ; 22 cm
Four communities : Bunbury, Cross Roads, Keppoch-Kinlock, Southport, Prince Edward Island / project team co-ordinator, Frank Palermo ; assistants, Nelli Agingu, Gary Muller, Stephen Parsons ; contributors, René Babin [and others].
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60 pages : illustrations, maps ; 22 cm
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livres
livres
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Halifax, N.S. : Resource Centre Publications, Faculty of Architecture, Technical University of Nova Scotia, 1991.
Halifax, N.S. : Resource Centre Publications, Faculty of Architecture, Technical University of Nova Scotia, 1991.
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livres
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Description:
xxii, 369 pages ; 26 cm
Description:
xxii, 369 pages ; 26 cm
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Publication:
Minneapolis : University of Minnesota Press, [2015]
Minneapolis : University of Minnesota Press, [2015]
Titre:
Making things international, 1. Circuits and motion / Mark B. Salter, editor.
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xxii, 369 pages ; 26 cm
Making things international, 1. Circuits and motion / Mark B. Salter, editor.
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xxii, 369 pages ; 26 cm
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livres
livres
Publication:
Minneapolis : University of Minnesota Press, [2015]
Minneapolis : University of Minnesota Press, [2015]
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$63.95
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Works by : Actar Arquitectura, njiric + njiric, Neutelings Riedjik Architekten bv, NL Architects, Périfériques, IaN+, WMA Willy Muller Arquitectos, and many others.
$63.95
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Works by : Actar Arquitectura, njiric + njiric, Neutelings Riedjik Architekten bv, NL Architects, Périfériques, IaN+, WMA Willy Muller Arquitectos, and many others.
Publication:
janvier 1900, Barcelone
janvier 1900, Barcelone
Titre:
Opop! : operative optimism in architecture
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$63.95
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Works by : Actar Arquitectura, njiric + njiric, Neutelings Riedjik Architekten bv, NL Architects, Périfériques, IaN+, WMA Willy Muller Arquitectos, and many others.
Opop! : operative optimism in architecture
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$63.95
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Works by : Actar Arquitectura, njiric + njiric, Neutelings Riedjik Architekten bv, NL Architects, Périfériques, IaN+, WMA Willy Muller Arquitectos, and many others.
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livres
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janvier 1900, Barcelone
janvier 1900, Barcelone
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587 pages : chiefly illustrations (some color) ; 16 cm
Description:
587 pages : chiefly illustrations (some color) ; 16 cm
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Baden, Switzerland : Lars Müllers Publishers ; New York : Distributed in the U.S.A. through Princeton Architectural Press, ©1997.
Baden, Switzerland : Lars Müllers Publishers ; New York : Distributed in the U.S.A. through Princeton Architectural Press, ©1997.
Titre:
Chairman : Rolf Fehlbaum / by Tibor Kalman.
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587 pages : chiefly illustrations (some color) ; 16 cm
Chairman : Rolf Fehlbaum / by Tibor Kalman.
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587 pages : chiefly illustrations (some color) ; 16 cm
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livres
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Baden, Switzerland : Lars Müllers Publishers ; New York : Distributed in the U.S.A. through Princeton Architectural Press, ©1997.
Baden, Switzerland : Lars Müllers Publishers ; New York : Distributed in the U.S.A. through Princeton Architectural Press, ©1997.
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livres
livres
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$43.95
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
$43.95
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
Sujet:
Jardins
Jardins
Publication:
janvier 2006, Queens
janvier 2006, Queens
Titre:
Down the garden path : the artist's garden after modernism
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$43.95
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
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livres
livres
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janvier 2006, Queens
janvier 2006, Queens
Sujet:
Jardins
Jardins
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livres
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7 volumes in 8 : illustrations, maps ; 24 cm
Description:
7 volumes in 8 : illustrations, maps ; 24 cm
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Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
Titre:
The New Cambridge medieval history.
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7 volumes in 8 : illustrations, maps ; 24 cm
The New Cambridge medieval history.
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7 volumes in 8 : illustrations, maps ; 24 cm
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livres
livres
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Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1995-2005.
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