1341 Résultats
Classification:
livres
livres
Titre:
365/12 Valérie par Eskanazi
365/12 Valérie par Eskanazi
Actions:
Prix:
$200.00
(disponible sur commande)
Résumé:
La collection complète est un coffret exclusif offert en 50 exemplaires uniquement. Elle comprend les douze cahiers conservés dans une chemise sérigraphiée et signée par les artistes. Chaque ensemble numéroté de 1 à 50 est unique.
$200.00
(disponible sur commande)
Résumé:
La collection complète est un coffret exclusif offert en 50 exemplaires uniquement. Elle comprend les douze cahiers conservés dans une chemise sérigraphiée et signée par les artistes. Chaque ensemble numéroté de 1 à 50 est unique.
Sujet:
Monographies photo
Monographies photo
Publication:
août 2015
août 2015
Titre:
365/12 Valérie par Eskanazi
Actions:
Prix:
$200.00
(disponible sur commande)
Résumé:
La collection complète est un coffret exclusif offert en 50 exemplaires uniquement. Elle comprend les douze cahiers conservés dans une chemise sérigraphiée et signée par les artistes. Chaque ensemble numéroté de 1 à 50 est unique.
365/12 Valérie par Eskanazi
Actions:
Prix:
$200.00
(disponible sur commande)
Résumé:
La collection complète est un coffret exclusif offert en 50 exemplaires uniquement. Elle comprend les douze cahiers conservés dans une chemise sérigraphiée et signée par les artistes. Chaque ensemble numéroté de 1 à 50 est unique.
Classification:
livres
livres
Publication:
août 2015
août 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Paris - Geoffrey James
Paris - Geoffrey James
Actions:
Prix:
$40.00
(disponible sur commande)
Résumé:
This collection of photographs of Paris by Geoffrey James was published to coincide with an exhibition at the Canadian Cultural Centre, Paris in the autumn of 2001. / Publié à l'occasion de l'exposition au Centre culturel candadien à Paris en 2001.
$40.00
(disponible sur commande)
Résumé:
This collection of photographs of Paris by Geoffrey James was published to coincide with an exhibition at the Canadian Cultural Centre, Paris in the autumn of 2001. / Publié à l'occasion de l'exposition au Centre culturel candadien à Paris en 2001.
Titre:
Paris - Geoffrey James
Actions:
Prix:
$40.00
(disponible sur commande)
Résumé:
This collection of photographs of Paris by Geoffrey James was published to coincide with an exhibition at the Canadian Cultural Centre, Paris in the autumn of 2001. / Publié à l'occasion de l'exposition au Centre culturel candadien à Paris en 2001.
Paris - Geoffrey James
Actions:
Prix:
$40.00
(disponible sur commande)
Résumé:
This collection of photographs of Paris by Geoffrey James was published to coincide with an exhibition at the Canadian Cultural Centre, Paris in the autumn of 2001. / Publié à l'occasion de l'exposition au Centre culturel candadien à Paris en 2001.
Classification:
livres
livres
Publication:
septembre 2001, Paris
septembre 2001, Paris
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$24.95
(disponible en magasin)
Résumé:
In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
$24.95
(disponible en magasin)
Résumé:
In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
mars 2005, Montréal
mars 2005, Montréal
Titre:
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
Actions:
Prix:
$24.95
(disponible en magasin)
Résumé:
In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Dieter Appelt / Forth Bridge cinema. metric space = espace métrique
Actions:
Prix:
$24.95
(disponible en magasin)
Résumé:
In the 1970s, early in his career, Appelt first saw the spectacular cantilevered steel bridge, a marvel of 19th-century engineering spanning over 8,000 feet and still in regular use today. Fascinated by its kinetic and cinematic appearance, when he was invited to reflect on the works in the CCA’s collection, Appelt took the opportunity to revisit the bridge. He reframed it in light of his long-standing preoccupation with the analysis of architectural constructs in spatial and temporal terms, producing 312 black-and-white 35mm film stills as well as sound recordings. Eight large-scale photographic panels will be presented at the CCA, each comprising a montage of 39 of the film stills edited so as to propose a series of horizontal and vertical readings of the bridge. A selection of albums and photographs from the CCA’s Forth Bridge archives will also be presented accompanied by drawings from Appelt. The beautifully produced publication includes essays by Dieter Appel, Hubertus von Amelunxen, and Louise Désy, as well as a forword by Phyllis Lambert. Au début de sa carrière, dans les années 1970, Appelt avait vu pour la première fois ce spectaculaire pont cantilever en acier, une merveille de l’ingénierie du XIXe siècle, encore en service aujourd’hui, qui s’étend sur 8 000 pieds. Fasciné par son aspect cinétique et cinématique, Appelt a profité de cette invitation pour livrer une réflexion sur les œuvres de la collection du CCA et offrir ainsi une relecture du pont. Fidèle à son intérêt de longue date pour l’analyse spatiale et temporelle des constructions architecturales, il l’a recadré et a produit 312 photos de film 35 mm noir et blanc ainsi que des enregistrements sonores. Huit panneaux photographiques grand format seront exposés au CCA, chacun comportant un montage de 39 photos de films agencées de façon à proposer une série de lectures horizontales et verticales du pont. On pourra aussi voir une sélection d’albums et de photographies des archives du Forth Bridge du CCA, accompagnés de dessins d’Appelt. La publication contient des essais de Dieter Appelt, Hubertus von Amelunxen, et Louise Désy ainsi qu'une préface de Phyllis Lambert.
Classification:
livres
livres
Publication:
mars 2005, Montréal
mars 2005, Montréal
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Titre:
Early works : Martin Parr
Early works : Martin Parr
Actions:
Prix:
$87.95
(disponible sur commande)
Résumé:
Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle(...)
$87.95
(disponible sur commande)
Résumé:
Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle(...)
Titre:
Early works : Martin Parr
Actions:
Prix:
$87.95
(disponible sur commande)
Résumé:
Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle de son écriture dans une Angleterre surannée. Du pur Martin Parr. Un livre qui va rapidement se placer comme incontournable pour la bonne compréhension de l’œuvre de cet immense photographe documentaire.
Early works : Martin Parr
Actions:
Prix:
$87.95
(disponible sur commande)
Résumé:
Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle de son écriture dans une Angleterre surannée. Du pur Martin Parr. Un livre qui va rapidement se placer comme incontournable pour la bonne compréhension de l’œuvre de cet immense photographe documentaire.
Classification:
livres
livres
Publication:
août 2020
août 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Magnum: planches-contacts
Magnum: planches-contacts
Actions:
Prix:
$180.00
(disponible sur commande)
Résumé:
Cet ouvrage présente les meilleures planches-contacts des photographes de l'agence Magnum. Une collection de plus de 120 planches contacts qui couvrent 70 années d’histoire : le débarquement en Normandie vu par Capa, Che Guevara photographié par René Burri, les émeutes de 1968 fixées sur la pellicule par Bruno Barbey, les scènes de rue de New York immortalisées par Bruce(...)
$180.00
(disponible sur commande)
Résumé:
Cet ouvrage présente les meilleures planches-contacts des photographes de l'agence Magnum. Une collection de plus de 120 planches contacts qui couvrent 70 années d’histoire : le débarquement en Normandie vu par Capa, Che Guevara photographié par René Burri, les émeutes de 1968 fixées sur la pellicule par Bruno Barbey, les scènes de rue de New York immortalisées par Bruce(...)
Titre:
Magnum: planches-contacts
Actions:
Prix:
$180.00
(disponible sur commande)
Résumé:
Cet ouvrage présente les meilleures planches-contacts des photographes de l'agence Magnum. Une collection de plus de 120 planches contacts qui couvrent 70 années d’histoire : le débarquement en Normandie vu par Capa, Che Guevara photographié par René Burri, les émeutes de 1968 fixées sur la pellicule par Bruno Barbey, les scènes de rue de New York immortalisées par Bruce Gilden… Chacune d’elles, commentée soit par les photographes eux-mêmes, soit par des proches, retrace le processus du choix photographique et aide à comprendre toute la réalité que recouvre un seul cliché.
Magnum: planches-contacts
Actions:
Prix:
$180.00
(disponible sur commande)
Résumé:
Cet ouvrage présente les meilleures planches-contacts des photographes de l'agence Magnum. Une collection de plus de 120 planches contacts qui couvrent 70 années d’histoire : le débarquement en Normandie vu par Capa, Che Guevara photographié par René Burri, les émeutes de 1968 fixées sur la pellicule par Bruno Barbey, les scènes de rue de New York immortalisées par Bruce Gilden… Chacune d’elles, commentée soit par les photographes eux-mêmes, soit par des proches, retrace le processus du choix photographique et aide à comprendre toute la réalité que recouvre un seul cliché.
Classification:
livres
livres
Publication:
janvier 2012
janvier 2012
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$60.00
(disponible sur commande)
Résumé:
This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
$60.00
(disponible sur commande)
Résumé:
This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
Titre:
The color black: Antinomies of a color in architecture and art
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
The color black: Antinomies of a color in architecture and art
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Classification:
livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the(...)
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the(...)
Titre:
Pandora's camera: photogr@phy after photography
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the motif of Pandora’s box to conceptualise the capricious nature of photography, its fickle relationship to truth – employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora’s camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth. In his signature ironic style and playful tone, Fontcuberta examines the new principles that have arisen within the digital ecosystem, in jocular essays such as I Knew the Spice Girls or The Mystery of the Missing Nipple. His critical reflections and poetic evocations are inspired by the hope that still remains in the notion of a postmodern Pandora’s camera – one that might not only describe our environment, but also bring transparency to it.
Pandora's camera: photogr@phy after photography
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
This book is the first English translation of a renowned collection of essays by Joan Fontcuberta, in which he considers the technological shift that photography has undergone in recent years. The medium finds itself torn between loss and hope, between the disappearance of the silver gelatin photograph and the possibilities of the digital medium. Fontcuberta uses the motif of Pandora’s box to conceptualise the capricious nature of photography, its fickle relationship to truth – employing the Greek myth concerning a large jar containing myriad forms of human unhappiness, or blessings, depending on the version you read. As Pandora’s camera, digital technology spells calamity to some and liberation to others; it is blamed for irretrievably discrediting veracity, but at the same time it introduces a new degree of truth. In his signature ironic style and playful tone, Fontcuberta examines the new principles that have arisen within the digital ecosystem, in jocular essays such as I Knew the Spice Girls or The Mystery of the Missing Nipple. His critical reflections and poetic evocations are inspired by the hope that still remains in the notion of a postmodern Pandora’s camera – one that might not only describe our environment, but also bring transparency to it.
Classification:
livres
livres
Publication:
novembre 2014
novembre 2014
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$71.95
(disponible en magasin)
Résumé:
Cette série inédite de Paolo Pellegrin célèbre le onzième titre de la collection Des oiseaux. Photographe de l'agence Magnum plus connu pour ses reportages témoignant de bouleversements politiques, économiques ou encore écologiques, son esprit curieux le mène à poser son objectif sur des sujets parfois plus contemplatifs, où la nature tient une place majeure. Ainsi, lors(...)
$71.95
(disponible en magasin)
Résumé:
Cette série inédite de Paolo Pellegrin célèbre le onzième titre de la collection Des oiseaux. Photographe de l'agence Magnum plus connu pour ses reportages témoignant de bouleversements politiques, économiques ou encore écologiques, son esprit curieux le mène à poser son objectif sur des sujets parfois plus contemplatifs, où la nature tient une place majeure. Ainsi, lors(...)
Titre:
Paolo Pellegrin : Des oiseaux
Actions:
Prix:
$71.95
(disponible en magasin)
Résumé:
Cette série inédite de Paolo Pellegrin célèbre le onzième titre de la collection Des oiseaux. Photographe de l'agence Magnum plus connu pour ses reportages témoignant de bouleversements politiques, économiques ou encore écologiques, son esprit curieux le mène à poser son objectif sur des sujets parfois plus contemplatifs, où la nature tient une place majeure. Ainsi, lors d’un séjour au Japon en 2019, Paolo Pellegrin, parti assister à la floraison des cerisiers, est davantage saisi par la majesté et le ballet aérien d’une colonie de milans noirs survolant le temple de Shimogamo, sanctuaire shintô du VIIe siècle, au cœur d’une forêt de bambous.
Paolo Pellegrin : Des oiseaux
Actions:
Prix:
$71.95
(disponible en magasin)
Résumé:
Cette série inédite de Paolo Pellegrin célèbre le onzième titre de la collection Des oiseaux. Photographe de l'agence Magnum plus connu pour ses reportages témoignant de bouleversements politiques, économiques ou encore écologiques, son esprit curieux le mène à poser son objectif sur des sujets parfois plus contemplatifs, où la nature tient une place majeure. Ainsi, lors d’un séjour au Japon en 2019, Paolo Pellegrin, parti assister à la floraison des cerisiers, est davantage saisi par la majesté et le ballet aérien d’une colonie de milans noirs survolant le temple de Shimogamo, sanctuaire shintô du VIIe siècle, au cœur d’une forêt de bambous.
Classification:
livres
livres
Publication:
avril 2022
avril 2022
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
$34.95
(disponible sur commande)
Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Titre:
Suspended conversations : the afterlife of memory in photographic albums
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Suspended conversations : the afterlife of memory in photographic albums
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Classification:
livres
livres
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
$29.95
(disponible sur commande)
Résumé:
This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
Titre:
Core curriculum : writings on photography
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
Core curriculum : writings on photography
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
Classification:
livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
