43395 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Exhibitions
Exhibitions
Numéro de référence:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
Personnes et institutions:
Date:
1994-2007
1994-2007
Titre:
Exhibitions
Actions:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
Exhibitions
Actions:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
Niveau de description archivistique:
Series
Series
Date:
1994-2007
1994-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1972.PR03
Description:
This project series documents the Banco Pinto & Sotto Mayor in Régua, Portugal. While the records were held in the office’s archives this project was assigned the number 9/70. In the past the office identified the project as number 130-B. The office assigned the dates 1972-1973 to this project. The project files document renovations to the Pinto & Sotto Mayor bank in Régua. Construction work included the demolition and reconstruction of the façade and the staircase. It also included important modifications to the structure of the building. Documenting this project are sketches, studies, project documentation and correspondence.
AP178.S1.1972.PR03
Description:
This project series documents the Banco Pinto & Sotto Mayor in Régua, Portugal. While the records were held in the office’s archives this project was assigned the number 9/70. In the past the office identified the project as number 130-B. The office assigned the dates 1972-1973 to this project. The project files document renovations to the Pinto & Sotto Mayor bank in Régua. Construction work included the demolition and reconstruction of the façade and the staircase. It also included important modifications to the structure of the building. Documenting this project are sketches, studies, project documentation and correspondence.
Personnes et institutions:
Date:
1972-1974
1972-1974
Titre:
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank agency], Régua, Portugal (1972-1973)
Actions:
AP178.S1.1972.PR03
Description:
This project series documents the Banco Pinto & Sotto Mayor in Régua, Portugal. While the records were held in the office’s archives this project was assigned the number 9/70. In the past the office identified the project as number 130-B. The office assigned the dates 1972-1973 to this project. The project files document renovations to the Pinto & Sotto Mayor bank in Régua. Construction work included the demolition and reconstruction of the façade and the staircase. It also included important modifications to the structure of the building. Documenting this project are sketches, studies, project documentation and correspondence.
Banco Pinto & Sotto Mayor [Pinto & Sotto Mayor bank agency], Régua, Portugal (1972-1973)
Actions:
AP178.S1.1972.PR03
Description:
This project series documents the Banco Pinto & Sotto Mayor in Régua, Portugal. While the records were held in the office’s archives this project was assigned the number 9/70. In the past the office identified the project as number 130-B. The office assigned the dates 1972-1973 to this project. The project files document renovations to the Pinto & Sotto Mayor bank in Régua. Construction work included the demolition and reconstruction of the façade and the staircase. It also included important modifications to the structure of the building. Documenting this project are sketches, studies, project documentation and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1972-1974
1972-1974
Personnes et institutions:
Classification:
dessins
Quantité:
25 File
dessins
Quantité:
25 File
Numéro de référence:
ARCH44751
Description:
floor plans; Building "A", vestibule, copper flashed sill, canopy, elevator shaft, nurses' station; Building "B", altar and lecturn; Building "C", floor plan, toilet, dark room plumbing and ventilation, electrical revisions, altar and lecturn, steel sash, housing for louvres and air intake vents; fire hydrants for all buildings; exhaust fan, metal partition for existing buildings, proposed entrance canopy and mechanical work
ARCH44751
Description:
floor plans; Building "A", vestibule, copper flashed sill, canopy, elevator shaft, nurses' station; Building "B", altar and lecturn; Building "C", floor plan, toilet, dark room plumbing and ventilation, electrical revisions, altar and lecturn, steel sash, housing for louvres and air intake vents; fire hydrants for all buildings; exhaust fan, metal partition for existing buildings, proposed entrance canopy and mechanical work
Personnes et institutions:
Titre:
Building "A", Building "B", Building "C"
Actions:
ARCH44751
Description:
floor plans; Building "A", vestibule, copper flashed sill, canopy, elevator shaft, nurses' station; Building "B", altar and lecturn; Building "C", floor plan, toilet, dark room plumbing and ventilation, electrical revisions, altar and lecturn, steel sash, housing for louvres and air intake vents; fire hydrants for all buildings; exhaust fan, metal partition for existing buildings, proposed entrance canopy and mechanical work
Building "A", Building "B", Building "C"
Actions:
ARCH44751
Description:
floor plans; Building "A", vestibule, copper flashed sill, canopy, elevator shaft, nurses' station; Building "B", altar and lecturn; Building "C", floor plan, toilet, dark room plumbing and ventilation, electrical revisions, altar and lecturn, steel sash, housing for louvres and air intake vents; fire hydrants for all buildings; exhaust fan, metal partition for existing buildings, proposed entrance canopy and mechanical work
Classification:
dessins
Quantité:
25 File
dessins
Quantité:
25 File
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Personnes et institutions:
Date:
1992-2004
1992-2004
Titre:
Museum of Anthropology landscape restoration, University of British Columbia, Vancouver, British Columbia (1992-1997)
Actions:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Museum of Anthropology landscape restoration, University of British Columbia, Vancouver, British Columbia (1992-1997)
Actions:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Niveau de description archivistique:
Project
Project
Date:
1992-2004
1992-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
Personnes et institutions:
Date:
2007-2008
2007-2008
Titre:
Wong Residence, Quadra Island, British Columbia (circa 2007)
Actions:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
Wong Residence, Quadra Island, British Columbia (circa 2007)
Actions:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
Niveau de description archivistique:
Project
Project
Date:
2007-2008
2007-2008
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP177.S2.001
Description:
This file consists of the digital working files that were kept by David Ruy following his work for RUR Architecture on the Kansai-kan project. Ruy transferred the records as part of azip file to the CCA. Original directory name: "kansai (ruy)". Most common file formats: form*Z Project File, Drawing Exchange Format, JPEG File Interchange Format, Plain Text File, Raw JPEG Stream.
AP177.S2.001
Description:
This file consists of the digital working files that were kept by David Ruy following his work for RUR Architecture on the Kansai-kan project. Ruy transferred the records as part of azip file to the CCA. Original directory name: "kansai (ruy)". Most common file formats: form*Z Project File, Drawing Exchange Format, JPEG File Interchange Format, Plain Text File, Raw JPEG Stream.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
David Ruy digital working files of the Kansai-kan of the National Diet Library
Actions:
AP177.S2.001
Description:
This file consists of the digital working files that were kept by David Ruy following his work for RUR Architecture on the Kansai-kan project. Ruy transferred the records as part of azip file to the CCA. Original directory name: "kansai (ruy)". Most common file formats: form*Z Project File, Drawing Exchange Format, JPEG File Interchange Format, Plain Text File, Raw JPEG Stream.
David Ruy digital working files of the Kansai-kan of the National Diet Library
Actions:
AP177.S2.001
Description:
This file consists of the digital working files that were kept by David Ruy following his work for RUR Architecture on the Kansai-kan project. Ruy transferred the records as part of azip file to the CCA. Original directory name: "kansai (ruy)". Most common file formats: form*Z Project File, Drawing Exchange Format, JPEG File Interchange Format, Plain Text File, Raw JPEG Stream.
Classification:
né numérique
né numérique
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1987:0270
Description:
- This sheet of details for the cornice for the Imperial Hotel, Tokyo, was used to work out the decorative treatment of the underside of the cornice. The drawings include small freehand sketches and several larger mechanical drawings with extensive freehand additions. The l.r. drawing, an axonometric view for the corner of the cornice as seen from below, is rendered with coloured pencil and graphite in a few areas.
DR1987:0270
Description:
- This sheet of details for the cornice for the Imperial Hotel, Tokyo, was used to work out the decorative treatment of the underside of the cornice. The drawings include small freehand sketches and several larger mechanical drawings with extensive freehand additions. The l.r. drawing, an axonometric view for the corner of the cornice as seen from below, is rendered with coloured pencil and graphite in a few areas.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1914 or 1915
1914 or 1915
Titre:
Cornice details for the Imperial Hotel, Tokyo
Actions:
DR1987:0270
Description:
- This sheet of details for the cornice for the Imperial Hotel, Tokyo, was used to work out the decorative treatment of the underside of the cornice. The drawings include small freehand sketches and several larger mechanical drawings with extensive freehand additions. The l.r. drawing, an axonometric view for the corner of the cornice as seen from below, is rendered with coloured pencil and graphite in a few areas.
Cornice details for the Imperial Hotel, Tokyo
Actions:
DR1987:0270
Description:
- This sheet of details for the cornice for the Imperial Hotel, Tokyo, was used to work out the decorative treatment of the underside of the cornice. The drawings include small freehand sketches and several larger mechanical drawings with extensive freehand additions. The l.r. drawing, an axonometric view for the corner of the cornice as seen from below, is rendered with coloured pencil and graphite in a few areas.
Classification:
dessins
dessins
Date:
1914 or 1915
1914 or 1915
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
Personnes et institutions:
Date:
1958-1959
1958-1959
Titre:
Showroom for Thomas Green & Son Limited
Actions:
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
Showroom for Thomas Green & Son Limited
Actions:
AP144.S2.D22
Description:
File documents alterations to the showroom and offices of Thomas Green & Son Limited, at New Surrey Works, on Southwark Street, in London, England. The proposal reflects Prices’ objective "to provide maximum flexibility for the display of product", by the use of movable screens, stands, canopies, and a lighting system of adjustable spotlights. The project includes a new reception room and office, and renovations to existing offices. Future construction phases for this project include work on the entrance façade and door, and company signage. A preliminary sketch for an illuminated mural on a showroom wall is fabricated from wheels manufactured by the company. Material in this file was produced between 1958 and 1959. File contains design development drawings and textual records.
Niveau de description archivistique:
File 22
File 22
Date:
1958-1959
1958-1959
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Personnes et institutions:
Date:
circa 1980s-1990s
circa 1980s-1990s
Titre:
Jharia Coalfields, Jharia, India (circa 1980s-1990s)
Actions:
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Jharia Coalfields, Jharia, India (circa 1980s-1990s)
Actions:
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Niveau de description archivistique:
Project
Project
Date:
circa 1980s-1990s
circa 1980s-1990s
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Personnes et institutions:
Date:
1999-2000
1999-2000
Titre:
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Exhibition on James Wines at the Venice Biennale (2000)
Actions:
AP207.S2.SS14
Description:
The sub-series documents the unrealized project of an exhibition curated by Pettena on the work of American architect James Wines for the Venice Biennale of 2000. The exhibition was planned as an installation created by Wines to be placed on a small boat moored in the canal near the Venice Biennale site. The sub-series contains research material on James Wines, including publications. The sub-series also contains correspondence regarding the planning of the exhibition, including correspondence with Wines, exhibition site photographs and plans, and preliminary designs and drawings. This sub-series contains harmful materials including violent and racist imagery.
Niveau de description archivistique:
Subseries
Subseries
Date:
1999-2000
1999-2000
Personnes et institutions:
