25748 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1987:1045
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1042 - PH1987:1047 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "L 1" through "L 6". Photograph PH1987:1042 would therefore be at the far left of the upper row, while photograph PH1987:1047 would be at the far right of the bottom row (Kicken Pauseback, 1987).
PH1987:1045
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1042 - PH1987:1047 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "L 1" through "L 6". Photograph PH1987:1042 would therefore be at the far left of the upper row, while photograph PH1987:1047 would be at the far right of the bottom row (Kicken Pauseback, 1987).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1961
1961
Titre:
View of a blast furnace of Hainer Hütte steel mill, Siegen, Germany
Actions:
PH1987:1045
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1042 - PH1987:1047 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "L 1" through "L 6". Photograph PH1987:1042 would therefore be at the far left of the upper row, while photograph PH1987:1047 would be at the far right of the bottom row (Kicken Pauseback, 1987).
View of a blast furnace of Hainer Hütte steel mill, Siegen, Germany
Actions:
PH1987:1045
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1042 - PH1987:1047 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "L 1" through "L 6". Photograph PH1987:1042 would therefore be at the far left of the upper row, while photograph PH1987:1047 would be at the far right of the bottom row (Kicken Pauseback, 1987).
Classification:
photographies
photographies
Date:
1961
1961
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1987:1050
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1048 - PH1987:1053 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "M 1" through "M 6",. Photograph PH1987:1048 would therefore be at the far left of the upper row, while photograph PH1987:1053 would be at the far right of the bottom row (Kicken Pauseback, 1987).
PH1987:1050
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1048 - PH1987:1053 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "M 1" through "M 6",. Photograph PH1987:1048 would therefore be at the far left of the upper row, while photograph PH1987:1053 would be at the far right of the bottom row (Kicken Pauseback, 1987).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1971
1971
Titre:
View of a blast furnace of Thyssen Hütte steel mill, Ruhrort, Duisburg, Germany
Actions:
PH1987:1050
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1048 - PH1987:1053 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "M 1" through "M 6",. Photograph PH1987:1048 would therefore be at the far left of the upper row, while photograph PH1987:1053 would be at the far right of the bottom row (Kicken Pauseback, 1987).
View of a blast furnace of Thyssen Hütte steel mill, Ruhrort, Duisburg, Germany
Actions:
PH1987:1050
Description:
- The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 75 views of steel mill blast furnaces and 11 views of mines. There are 45 views of steel mill blast furnaces in Germany, 15 in the United States, and five in each of France, Luxembourg and Belgium. There are five views of mines in Germany, two in Belgium, two in the United States, and one in each of France and Wales. - The group of 86 photographs PH1987:0996 - PH1987:1081 by Bernd and Hilla Becher show 45 views of steel mill blast furnaces in Germany including: 36 views of three blast furnaces of the Metallhüttenwerk in Lübeck-Herrenwyk (PH1987:0996 - PH1987:1031); three views of the Thyssen Hütte steel mill in Ruhrort, Duisburg (PH1987:1033, PH1987:1043 and PH1987:1050); two views of the Gute-Hoffnungs-Hütte steel mill in Oberhausen, Ruhr (PH1987:1044 and PH1987:1070); and one view each of the Klöckner Werke steel mill in Haspe (PH1987:1032), the Schalker Verein steel mill in Gelsenkirchen, Ruhr (PH1987:1042), the Ilseder Hütte steel mill in Ilsede (PH1987:1034) and the Hainer Hütte steel mill in Siegen (PH1987:1045). - The photographers indicate that the group of six photographs PH1987:1048 - PH1987:1053 of views of blast furnaces should be exhibited in two rows arranged from left to right and top to bottom in numerical order according to the photographers' inscriptions "M 1" through "M 6",. Photograph PH1987:1048 would therefore be at the far left of the upper row, while photograph PH1987:1053 would be at the far right of the bottom row (Kicken Pauseback, 1987).
Classification:
photographies
photographies
Date:
1971
1971
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Personnes et institutions:
Date:
1985-1998
1985-1998
Titre:
Russell Residence, Tacoma, Washington (1986)
Actions:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Russell Residence, Tacoma, Washington (1986)
Actions:
AP075.S1.1986.PR08
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Russell Residence in Lake Bay, near in Tacoma, Washington, United States. Oberlander worked on this project in 1986-1989 with architect Arthur Erickson. The project consisted in building a new house and garden on the 300 acres family farm, located on a promotery overlooking Puget Sound. The landscape design included the planting of rhododendrons nestled into the woodland along one side of the looped drive leading to a parking area, and an herbs and vegetables garden next to the house, near the dining room. Oberlander created a meadow area at the centre of the loop entrance drive with spring bulbs and summer wildflowers providing interest at all seasons. The project was completed in 1989. The project series contains sketches, design development drawings, including plans of the herbs and vegetables gardens, planting plans and schematic landscape plans, and working drawings, including planting plans, site plans and grading plans. The project is also documented through Oberlander's concept notes, research material, landscape specifications, correspondence with client and architects, and financial documents. The project series also comprises photographs of Cornelia Hahn Oberlander and other visiting the site, and photographs of the construction of the residence and landspace work.
Niveau de description archivistique:
Project
Project
Date:
1985-1998
1985-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Personnes et institutions:
Titre:
Views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner
Actions:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner
Actions:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Classification:
photographies
photographies
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D18.P8
Description:
exterior and interior views of the completed project, views of presentation drawings, of a typescript text by W. Somerset Maugham on Charlie Chaplin, of a typescript statement on the project by Stirling and Gowan (which is not otherwise present in the project documents), and of several paintings by Laurence Stephen Lowry; also includes views of an incomplete set of working drawings (which are not otherwise present in the project documents), showing diagrammatic and detailed site plans, floor plans (including furnished plans for a bed sitting unit in a ten-storey point block by Lyons, Israel, and Ellis, situated to the north of the site) and elevations for the three and four-storey terraces and the two-storey houses
AP140.S2.SS1.D18.P8
Description:
exterior and interior views of the completed project, views of presentation drawings, of a typescript text by W. Somerset Maugham on Charlie Chaplin, of a typescript statement on the project by Stirling and Gowan (which is not otherwise present in the project documents), and of several paintings by Laurence Stephen Lowry; also includes views of an incomplete set of working drawings (which are not otherwise present in the project documents), showing diagrammatic and detailed site plans, floor plans (including furnished plans for a bed sitting unit in a ten-storey point block by Lyons, Israel, and Ellis, situated to the north of the site) and elevations for the three and four-storey terraces and the two-storey houses
Personnes et institutions:
Date:
1957 or after
1957 or after
Titre:
Exterior and interior views of the completed project
Actions:
AP140.S2.SS1.D18.P8
Description:
exterior and interior views of the completed project, views of presentation drawings, of a typescript text by W. Somerset Maugham on Charlie Chaplin, of a typescript statement on the project by Stirling and Gowan (which is not otherwise present in the project documents), and of several paintings by Laurence Stephen Lowry; also includes views of an incomplete set of working drawings (which are not otherwise present in the project documents), showing diagrammatic and detailed site plans, floor plans (including furnished plans for a bed sitting unit in a ten-storey point block by Lyons, Israel, and Ellis, situated to the north of the site) and elevations for the three and four-storey terraces and the two-storey houses
Exterior and interior views of the completed project
Actions:
AP140.S2.SS1.D18.P8
Description:
exterior and interior views of the completed project, views of presentation drawings, of a typescript text by W. Somerset Maugham on Charlie Chaplin, of a typescript statement on the project by Stirling and Gowan (which is not otherwise present in the project documents), and of several paintings by Laurence Stephen Lowry; also includes views of an incomplete set of working drawings (which are not otherwise present in the project documents), showing diagrammatic and detailed site plans, floor plans (including furnished plans for a bed sitting unit in a ten-storey point block by Lyons, Israel, and Ellis, situated to the north of the site) and elevations for the three and four-storey terraces and the two-storey houses
Classification:
photographies
photographies
Date:
1957 or after
1957 or after
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Umberto Riva
Fonds Umberto Riva
Numéro de référence:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Personnes et institutions:
Date:
1959-2012
1959-2012
Titre:
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1959-2012
1959-2012
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
Personnes et institutions:
Date:
1925-2008, predominant 1960-2007
1925-2008, predominant 1960-2007
Titre:
Projects
Actions:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
Projects
Actions:
AP143.S4
Description:
Series documents competition entries and projects by Peter Eisenman, and by the successive firms of Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Several projects were carried out in association with other architects, institutions, and firms, including Michael Graves, the Institute for Architecture and Urban Studies (IAUS), Hanna/Olin Ltd., Steven Holl Architects, and Robert A.M. Stern Architects. A majority of projects were designed for the United States, Germany, and Japan. Other project locations include Spain, Italy, France, the Netherlands, Austria, Canada, Switzerland, Kuwait, Belgium, South Korea, Australia, and China. Material in this series was produced between 1925 and 2007. Series contains competition drawings, conceptual and design development drawings, publication and presentation drawings and panels, reference drawings, and working drawings. It also contains photographic materials, textual records, models and artefacts. Series is roughly arranged chronologically by project date. Beginning sometime in the 1980s, project documents were sometimes identified by the office using the following numbering system: x-yy-zz AAA x = administrative category 1 - Administrative and General Indirect 2- General Promotion 3- Business Development 4- Publication and Promotion 5- Direct Fee (billable) 6- Products and other Design (non-billable) yy = year zz = Project # (assigned sequentially each year starting with 01) AAA= abbreviated name of project, e.g. PAS for Perth Amboy High School (used intermittently)
Niveau de description archivistique:
Series 4
Series 4
Date:
1925-2008, predominant 1960-2007
1925-2008, predominant 1960-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Castel
Castel
Numéro de référence:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Personnes et institutions:
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Titre:
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Niveau de description archivistique:
File 109
File 109
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Ciudad del Sol collection
Ciudad del Sol collection
Numéro de référence:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Personnes et institutions:
Date:
1907 - 1913
1907 - 1913
Titre:
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Classification:
archives
Niveau de description archivistique:
collection documentaire
archives
Niveau de description archivistique:
collection documentaire
Date:
1907 - 1913
1907 - 1913
Personnes et institutions:
