World film location : Prague
$28.95
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Prague, the “Hollywood of the East,” has played an important role in the history of cinema and this publication traverses the city’s topography to examine an internationally diverse range of movies made in the Czech capital. Exploring legendary Prague landmarks as they appear onscreen — including the Charles Bridge, Old Town, Malá Strana, Liechtenstein Palace, Wenceslas(...)
World film location : Prague
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Prague, the “Hollywood of the East,” has played an important role in the history of cinema and this publication traverses the city’s topography to examine an internationally diverse range of movies made in the Czech capital. Exploring legendary Prague landmarks as they appear onscreen — including the Charles Bridge, Old Town, Malá Strana, Liechtenstein Palace, Wenceslas Square, and Prague Castle — the book also discusses the intersection of the capital city and its cinematic representations; Prague and the Czech New Wave; the iconic Barrandov Studios; and the impact of political events such as the Prague Spring, the Soviet Invasion of 1968, and the Velvet Revolution on the city’s film industry.
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Sarai, CSDS 2013
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Sarai, CSDS 2013
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87 pages : illustrations ; 34 cm
Ostfildern : Hatje Cantz, 2012.
Hiroshi Sugimoto : Revolution / herausgegeben von Armin Zweite ; Texte von Hiroshi Sugimoto und Armin Zweite ; [Übersetzungen: Susanne Hondl, Bronwen Saunders und Michael Wolf].
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87 pages : illustrations ; 34 cm
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Ostfildern : Hatje Cantz, 2012.
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ix, 230 pages : illustrations ; 24 cm
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1984.
The repertory movement : a history of regional theatre in Britain / George Rowell and Anthony Jackson.
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ix, 230 pages : illustrations ; 24 cm
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Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1984.
$19.95
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
septembre 2012
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.
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183 pages : illustrations (some color) ; 25 cm
New York : Whitney Museum of American Art : Distributed by H.N. Abrams, ©2001.
Into the light : the projected image in American art, 1964-1977 / Chrissie Iles.
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183 pages : illustrations (some color) ; 25 cm
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New York : Whitney Museum of American Art : Distributed by H.N. Abrams, ©2001.
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279 pages : illustrations (chiefly color), plans ; 31 cm
Munich ; London ; New York : Prestel, [2024], ©2024
Gregory Crewdson / edited by Walter Moser ; texts by David Fincher, Daniela Hammer-Tugendhat, Beate Hofstadler, Astrid Mahler, Walter Moser, Matthieu Orléan, Emily St. John Mandel ; translations, Gérard A. Goodrow, David Wharry.
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279 pages : illustrations (chiefly color), plans ; 31 cm
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Munich ; London ; New York : Prestel, [2024], ©2024
Tu n'as rien vu à Hiroshima
$49.50
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Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à(...)
août 2009
Tu n'as rien vu à Hiroshima
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Le 28 juillet 1958, le cinéaste Alain Resnais partait au Japon tourner l'essentiel de ce qui allait devenir un film mythique de l'histoire du cinéma : Hiroshima mon amour. C'est son premier long-métrage et le premier scénario de l'écrivain Marguerite Duras. Le cinquantième anniversaire de ce tournage historique est l'occasion de proposer un regard nouveau sur ce film à travers des textes de Chihiro Minato, Marie-Christine de Navacelle, Dominique Noguez, et aussi d'un entretien avec Emmanuelle Riva. Un remarquable ensemble de photographies, qu'elle a prises avant le tournage, de la ville d'Hiroshima, de ses habitants et surtout de ses enfants, est présenté pour la première fois. Ces images exceptionnelles éclairent le film comme elles éclairent la résurrection, treize ans après le drame du 6 août 1945, de la première ville frappée par la bombe atomique.
$219.95
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by(...)
mars 2023
Reframing Berlin: Architecture, Memory-Making and Film Locations
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$219.95
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by politicians, developers, and other powerful figures to shape the nature and future of buildings, streets, and districts. Organizing these strategies from demolition to memorialization, the authors study the ways these actions forget or recall aspects of place. Using cinematic representations of Berlin as an audiovisual archive, the study details how the city has adjusted to its traumatic twentieth-century history through architectural transformations. Two dissimilar case studies frame each strategy, indicating that an approach that works for one building may not be sufficient for another.
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin(...)
World film locations : Berlin
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$41.50
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Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.