14780 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CP138.S9.SS3.D2
Description:
File consists of film footage documenting the exhibition "Gordon Matta-Clark: A Retrospective", organized by the Museum of Contemporary Art in Chicago, Illinois. The exhibition was held in Chicago from 10 May to 18 August 1985, and at the Musée d'art contemporain de Montréal, Québec, from January 22 to April 2, 1989. The films show the exhibition at the Musée d'art contemporain de Montréal. File contains film reels.
CP138.S9.SS3.D2
Description:
File consists of film footage documenting the exhibition "Gordon Matta-Clark: A Retrospective", organized by the Museum of Contemporary Art in Chicago, Illinois. The exhibition was held in Chicago from 10 May to 18 August 1985, and at the Musée d'art contemporain de Montréal, Québec, from January 22 to April 2, 1989. The films show the exhibition at the Musée d'art contemporain de Montréal. File contains film reels.
Personnes et institutions:
Date:
1989
1989
Titre:
Gordon Matta-Clark: A Retrospective (Exhibition)
Actions:
CP138.S9.SS3.D2
Description:
File consists of film footage documenting the exhibition "Gordon Matta-Clark: A Retrospective", organized by the Museum of Contemporary Art in Chicago, Illinois. The exhibition was held in Chicago from 10 May to 18 August 1985, and at the Musée d'art contemporain de Montréal, Québec, from January 22 to April 2, 1989. The films show the exhibition at the Musée d'art contemporain de Montréal. File contains film reels.
Gordon Matta-Clark: A Retrospective (Exhibition)
Actions:
CP138.S9.SS3.D2
Description:
File consists of film footage documenting the exhibition "Gordon Matta-Clark: A Retrospective", organized by the Museum of Contemporary Art in Chicago, Illinois. The exhibition was held in Chicago from 10 May to 18 August 1985, and at the Musée d'art contemporain de Montréal, Québec, from January 22 to April 2, 1989. The films show the exhibition at the Musée d'art contemporain de Montréal. File contains film reels.
Niveau de description archivistique:
File 2
File 2
Date:
1989
1989
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2000:0528
Description:
- This photograph shows, clockwise from centre right to centre left, the Engineering Building (later the West Engineering Building, now the West Hall), the William L. Clements Library, Angell Hall (lower centre), the Natural Science Building (also known as the Krauss Natural Science Building) and the Alexander G. Ruthven Museums Building among others (see University of Michigan, 'Central Campus').
PH2000:0528
Description:
- This photograph shows, clockwise from centre right to centre left, the Engineering Building (later the West Engineering Building, now the West Hall), the William L. Clements Library, Angell Hall (lower centre), the Natural Science Building (also known as the Krauss Natural Science Building) and the Alexander G. Ruthven Museums Building among others (see University of Michigan, 'Central Campus').
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1903 and 1973
between 1903 and 1973
Titre:
Aerial view of part of the University of Michigan's central campus, Ann Arbor, Michigan
Actions:
PH2000:0528
Description:
- This photograph shows, clockwise from centre right to centre left, the Engineering Building (later the West Engineering Building, now the West Hall), the William L. Clements Library, Angell Hall (lower centre), the Natural Science Building (also known as the Krauss Natural Science Building) and the Alexander G. Ruthven Museums Building among others (see University of Michigan, 'Central Campus').
Aerial view of part of the University of Michigan's central campus, Ann Arbor, Michigan
Actions:
PH2000:0528
Description:
- This photograph shows, clockwise from centre right to centre left, the Engineering Building (later the West Engineering Building, now the West Hall), the William L. Clements Library, Angell Hall (lower centre), the Natural Science Building (also known as the Krauss Natural Science Building) and the Alexander G. Ruthven Museums Building among others (see University of Michigan, 'Central Campus').
Classification:
photographies
photographies
Date:
between 1903 and 1973
between 1903 and 1973
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Personnes et institutions:
Date:
1974-1985
1974-1985
Titre:
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Niveau de description archivistique:
Project
Project
Date:
1974-1985
1974-1985
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Melvin Charney
Fonds Melvin Charney
Numéro de référence:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Personnes et institutions:
Date:
1947-2012
1947-2012
Titre:
Fonds Melvin Charney
Actions:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Fonds Melvin Charney
Actions:
AP041
Résumé:
The Melvin Charney fonds documents Charney's career from the 1950s to the 2012 over 70 architectural and artistics projects, records related to exhibitions he designed, exhibition in which his projects were presented, his teaching activities, and his writings. The fonds contains a considerable amount of textual records, architectural drawings, photographic materials, some models, and a small number of artefacts related to his projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2012
1947-2012
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Publication Drawings
Publication Drawings
Numéro de référence:
AP140.S2.SS4.D11
Description:
File documents publication drawings for several projects by the firms of James Stirling and Partner and James Stirling, Michael Wilford, and Associates. Projects include the Wallraf-Richartz Museum Competition in Cologne, the Government Centre in Dawhah, the Clore Gallery in London, the Paternoster Square Urban Design Competition in London, Kaiserquelle in Aachen, and the Biennale Bookshop in Venice. Material in this file was probably produced between 1974 and 1993. File contains publications drawings and notes.
AP140.S2.SS4.D11
Description:
File documents publication drawings for several projects by the firms of James Stirling and Partner and James Stirling, Michael Wilford, and Associates. Projects include the Wallraf-Richartz Museum Competition in Cologne, the Government Centre in Dawhah, the Clore Gallery in London, the Paternoster Square Urban Design Competition in London, Kaiserquelle in Aachen, and the Biennale Bookshop in Venice. Material in this file was probably produced between 1974 and 1993. File contains publications drawings and notes.
Personnes et institutions:
Date:
circa 1971-1993
circa 1971-1993
Titre:
Publication Drawings
Actions:
AP140.S2.SS4.D11
Description:
File documents publication drawings for several projects by the firms of James Stirling and Partner and James Stirling, Michael Wilford, and Associates. Projects include the Wallraf-Richartz Museum Competition in Cologne, the Government Centre in Dawhah, the Clore Gallery in London, the Paternoster Square Urban Design Competition in London, Kaiserquelle in Aachen, and the Biennale Bookshop in Venice. Material in this file was probably produced between 1974 and 1993. File contains publications drawings and notes.
Publication Drawings
Actions:
AP140.S2.SS4.D11
Description:
File documents publication drawings for several projects by the firms of James Stirling and Partner and James Stirling, Michael Wilford, and Associates. Projects include the Wallraf-Richartz Museum Competition in Cologne, the Government Centre in Dawhah, the Clore Gallery in London, the Paternoster Square Urban Design Competition in London, Kaiserquelle in Aachen, and the Biennale Bookshop in Venice. Material in this file was probably produced between 1974 and 1993. File contains publications drawings and notes.
Niveau de description archivistique:
File 11
File 11
Date:
circa 1971-1993
circa 1971-1993
Personnes et institutions:
Classification:
événements
événements
Titre:
SO–IL veut vous parler
SO–IL veut vous parler
Actions:
Description:
SO-IL est dirigé par les associés Florian Idenburg, Jing Liu et Ilias Papageorgiou. Leurs travaux comprennent le plan directeur d’un campus culturel à Shanghai, des logements étudiants à Athènes, le Shrem Museum of Art de l’Université de Californie à Davis, la Foire d’art « Frieze » à New York, et la Kukje Gallery de Séoul. La série Ils veulent vous parler invite les(...)
SO-IL est dirigé par les associés Florian Idenburg, Jing Liu et Ilias Papageorgiou. Leurs travaux comprennent le plan directeur d’un campus culturel à Shanghai, des logements étudiants à Athènes, le Shrem Museum of Art de l’Université de Californie à Davis, la Foire d’art « Frieze » à New York, et la Kukje Gallery de Séoul. La série Ils veulent vous parler invite les(...)
Date:
30 octobre 2014 , 18h
30 octobre 2014 , 18h
Titre:
SO–IL veut vous parler
Actions:
Description:
SO-IL est dirigé par les associés Florian Idenburg, Jing Liu et Ilias Papageorgiou. Leurs travaux comprennent le plan directeur d’un campus culturel à Shanghai, des logements étudiants à Athènes, le Shrem Museum of Art de l’Université de Californie à Davis, la Foire d’art « Frieze » à New York, et la Kukje Gallery de Séoul. La série Ils veulent vous parler invite les(...)
SO–IL veut vous parler
Actions:
Description:
SO-IL est dirigé par les associés Florian Idenburg, Jing Liu et Ilias Papageorgiou. Leurs travaux comprennent le plan directeur d’un campus culturel à Shanghai, des logements étudiants à Athènes, le Shrem Museum of Art de l’Université de Californie à Davis, la Foire d’art « Frieze » à New York, et la Kukje Gallery de Séoul. La série Ils veulent vous parler invite les(...)
Classification:
événements
événements
Date:
30 octobre 2014
18h
30 octobre 2014
18h
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Personnes et institutions:
Date:
1976-1989
1976-1989
Titre:
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Niveau de description archivistique:
Project
Project
Date:
1976-1989
1976-1989
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Personnes et institutions:
Date:
1990-1992
1990-1992
Titre:
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Niveau de description archivistique:
Série
Série
Date:
1990-1992
1990-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
General Textual Files
General Textual Files
Numéro de référence:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
Personnes et institutions:
Date:
1993-1998, predominant 1996-1998
1993-1998, predominant 1996-1998
Titre:
General Textual Files
Actions:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
General Textual Files
Actions:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
Niveau de description archivistique:
File 1
File 1
Date:
1993-1998, predominant 1996-1998
1993-1998, predominant 1996-1998
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Personnes et institutions:
Date:
2001-2014
2001-2014
Titre:
Documents d'archives des projects de Testa & Weiser
Actions:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Documents d'archives des projects de Testa & Weiser
Actions:
AP174
Résumé:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2014
2001-2014
Personnes et institutions:
