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Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is(...)
Expanded field: architectural installation beyond art
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Following the legacy of Rosalind Krauss, EXPANDED FIELD: Installation Architecture Beyond Art by Ila Berman and Douglas Burnham explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is both not-architecture and not-art. Within this book, a wide range of art and architectural works are positioned and mapped as constellations within a newly expanded field suspended between Architecture, Interiors, Sculpture, and Landscape. These four terms are the initial reference points used to elaborate a more extensive taxonomical framework defining twelve distinct territories where the analytical drawings and photographic indexes of seventy-five installation projects are situated. The expanded field diagram is a conceptual framework that operates on many levels. It acts as a lens through which to theorize and classify the trajectories of current installation practices and serves as an infrastructure to organize the content of the book.
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Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
Marshall McLuhan : unbound
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The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Théorie/ philosophie
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The exhibition “Shooting Time. Pompeii and its Surroundings” by Claudio Sabatino allows us to reflect, in a museum such as the Archaeological Museum of Naples, on the tricky issue of the relationship between archaeological context, landscape and the finds that come from them. Preventing the gradual process of change, the result of human interaction, of the remaining(...)
Shooting time: Pompeii and its' surroundings
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The exhibition “Shooting Time. Pompeii and its Surroundings” by Claudio Sabatino allows us to reflect, in a museum such as the Archaeological Museum of Naples, on the tricky issue of the relationship between archaeological context, landscape and the finds that come from them. Preventing the gradual process of change, the result of human interaction, of the remaining landscape would be pure utopia. That it also generates a culture of respect, which goes from a deep knowledge of history and allows for conscious protection, is another. This catalogue allows us to examine how in many symbolic places symbol (Baths of Caracalla, Pompeii, Naples, The Phlegraean Fields), there is an often antithetical ‘before’ and ‘after’, which reveal, on one side, the yielding of a conservation effort in the face of building expansion policies and, on the other, from the fact that in Italy there has been greater attention on the exhibition sites rather than on the territory.
Photographie par région
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''The common camp'' underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel-Palestine and the dramatic changes it has experienced during the past century, this book explores the region's extensive networks of camps and their(...)
The common camp: Architecture of power and resistance in Israel-Palestine
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''The common camp'' underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel-Palestine and the dramatic changes it has experienced during the past century, this book explores the region's extensive networks of camps and their existence as both a tool of colonial power and a makeshift space of resistance. Examining various forms of camps devised by and for Zionist settlers, Palestinian refugees, asylum seekers, and other groups, Irit Katz demonstrates how the camp serves as a common thread in shaping lands and lives of subjects from across the political spectrum. Analyzing the architectural and political evolution of the camp as a modern instrument engaged by colonial and national powers (as well as those opposing them), Katz offers a unique perspective on the dynamics of Israel-Palestine, highlighting how spatial transience has become permanent in the ongoing story of this contested territory.
Théorie de l’architecture
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high(...)
Four honest outlaws: Sala, Ray, Marioni, Gordon
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In this book Michael Fried considers the work of four contemporary artists--video artist and photographer Anri Sala, sculptor Charles Ray, painter Joseph Marioni, and video artist and intervener in movies Douglas Gordon. He shows how their respective projects are best understood as engaging in a variety of ways with some of the core themes and issues associated with high modernism, and indeed with its prehistory in French painting and art criticism from Diderot on. 'Four Honest Outlaws' thus continues the author's exploration of the critical and philosophical territory opened up by his earlier book, 'Why Photography Matters as Art as Never Before.' It presents a vision of the most important contemporary art as not only not repudiating modernism in the name of postmodernism in any of the latter's many forms and manifestations, but also actually as committed to dialectically renewing certain crucial qualities and values that modernism and premodernism brought to the fore, above all those of presentness and anti-theatricality.
Théorie de l’art
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the(...)
avril 2011
Buildings of Pennsylvania: Pittsburgh and western Pennsylvania
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This publication considers the architecture, landscape, and town plans of thirty-one counties west of Blue Mountain and north to Lake Erie, including cities and communities big and small. The first comprehensive look at the built environment in this large and varied territory, the volume spans the years from the late eighteenth century through to the first decade of the new millennium and reveals a range of architectural surprises. The authors discuss exemplary and everyday buildings and places — Harmonist villages, Carnegie libraries, river communities, amusement parks, farms and barns, the crossroads of Breezewood, and Frank Lloyd Wright's Fallingwater among them — and canvass the scores of bridges, railroads, and inclines that cross the region's rivers, hills, and mountains. Descriptions of close to 150 of the commonwealth's small settlements, from coal patches to pike towns, capture the intense dialogue between industry and agriculture that typifies western Pennsylvania. Close to 400 illustrations, including photographs, maps, and drawings, bring the nearly 800 entries to life.
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Rebecca Solnit, author of more than a dozen acclaimed, prizewinning books of nonfiction, brings her writing to the essays in Encyclopedia of Trouble and Spaciousness. As the title suggests, the territory of Solnit’s concerns is vast, and in her signature alchemical style she combines commentary on history, justice, war and peace, and explorations of place,art and(...)
The encyclopedia of trouble and spaciousnes
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Rebecca Solnit, author of more than a dozen acclaimed, prizewinning books of nonfiction, brings her writing to the essays in Encyclopedia of Trouble and Spaciousness. As the title suggests, the territory of Solnit’s concerns is vast, and in her signature alchemical style she combines commentary on history, justice, war and peace, and explorations of place,art and community, all while writing with the lyricism of a poet to achieve incandescence and wisdom. Gathered here are celebrated iconic essays along with little-known pieces that create a powerful survey of the world we live in, from the jungles of the Zapatistas in Mexico to the splendors of the Arctic. This collection tours places as diverse as Haiti and Iceland; movements like Occupy Wall Street and the Arab Spring; an original take on the question of who did Henry David Thoreau's laundry; and a searching look at what the hatred of country music really means.
Théorie de l’architecture
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
Monographies photo
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320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
Networked cultures : parallel architectures and the politics of space / [edited by] Peter Mörtenböck and Helge Mooshammer.
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320 pages : color illustrations, maps (some color) ; 24 cm + 1 videodisc (DVD : sound, color ; 4 3/4 in.)
livres
Rotterdam : NAi Publishers ; New York : D.A.P./Distributed Art Publishers [distributor], ©2008.
AMAA: Seemingly simple
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AMAA reveals their work 10 years after the founding of the studio: a concise narration by Natalie Donat-Cattin aims at providing a model to interpret the studio’s approach over the years. The concept of the ''Seemingly simple'' embraces the comprehensive research and frames the process, focusing on the attention to tradition, historical memory, the mutual influence of the(...)
AMAA: Seemingly simple
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AMAA reveals their work 10 years after the founding of the studio: a concise narration by Natalie Donat-Cattin aims at providing a model to interpret the studio’s approach over the years. The concept of the ''Seemingly simple'' embraces the comprehensive research and frames the process, focusing on the attention to tradition, historical memory, the mutual influence of the arts, the craftsmanship involved in the use of materials. These subjects seem to strengthen a deep connection with the regional context and with its renowned references. They translate into each individual project with the ambitious intention to constitute a new stratification in addition to the complex, existing memory of the territory. Images, drawings and words are put together uninterruptedly, graphically assembled by Lorenzo Mason Studio, offering cause for reflection on the formal outcome achieved by AMAA so far. Loose thoughts, open to a continuously evolving future, which is not familiar with the word 'ending': the conclusion of a process does not necessarily lead to a definite end. Rather, it may result in new developments.
Architecture, monographies