846 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Caspari
Fonds Peter Caspari
Numéro de référence:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Personnes et institutions:
Date:
1928-1941
1928-1941
Titre:
Fonds Peter Caspari
Actions:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Fonds Peter Caspari
Actions:
AP123
Résumé:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-1941
1928-1941
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Personnes et institutions:
Date:
1984-2003
1984-2003
Titre:
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1984-2003
1984-2003
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP140.S2.SS10.D2
Description:
This sub-series documents some of the reference materials used or collection during the activities and procedures of the successive firms of James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Material in this file was produced between 1957 and 1998. Sub-series contains reference materials including typescripts dated from the early 1960s, articles and drafts of articles, translations, publications, regulations, postcards and invitation cards. It contains also materials from the surviving office library of James Stirling and Michael Wilford as it existed in 2000 when it was housed at 8 Fitzroy Square in London. During the processing the office library, a selection publications were transferred in the CCA library collection to facilitate description and access. This sub-series contains part of the published materials that remained in the archives.
AP140.S2.SS10.D2
Description:
This sub-series documents some of the reference materials used or collection during the activities and procedures of the successive firms of James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Material in this file was produced between 1957 and 1998. Sub-series contains reference materials including typescripts dated from the early 1960s, articles and drafts of articles, translations, publications, regulations, postcards and invitation cards. It contains also materials from the surviving office library of James Stirling and Michael Wilford as it existed in 2000 when it was housed at 8 Fitzroy Square in London. During the processing the office library, a selection publications were transferred in the CCA library collection to facilitate description and access. This sub-series contains part of the published materials that remained in the archives.
Personnes et institutions:
Date:
1962-1995
1962-1995
Titre:
Reference materials and library
Actions:
AP140.S2.SS10.D2
Description:
This sub-series documents some of the reference materials used or collection during the activities and procedures of the successive firms of James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Material in this file was produced between 1957 and 1998. Sub-series contains reference materials including typescripts dated from the early 1960s, articles and drafts of articles, translations, publications, regulations, postcards and invitation cards. It contains also materials from the surviving office library of James Stirling and Michael Wilford as it existed in 2000 when it was housed at 8 Fitzroy Square in London. During the processing the office library, a selection publications were transferred in the CCA library collection to facilitate description and access. This sub-series contains part of the published materials that remained in the archives.
Reference materials and library
Actions:
AP140.S2.SS10.D2
Description:
This sub-series documents some of the reference materials used or collection during the activities and procedures of the successive firms of James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Material in this file was produced between 1957 and 1998. Sub-series contains reference materials including typescripts dated from the early 1960s, articles and drafts of articles, translations, publications, regulations, postcards and invitation cards. It contains also materials from the surviving office library of James Stirling and Michael Wilford as it existed in 2000 when it was housed at 8 Fitzroy Square in London. During the processing the office library, a selection publications were transferred in the CCA library collection to facilitate description and access. This sub-series contains part of the published materials that remained in the archives.
Niveau de description archivistique:
File 2
File 2
Date:
1962-1995
1962-1995
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CI007
Résumé:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
CI007
Résumé:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
Personnes et institutions:
Date:
1918-2000
1918-2000
Titre:
Collection Ludwig Mies van der Rohe et ses étudiants
CI007
Résumé:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
Collection Ludwig Mies van der Rohe et ses étudiants
CI007
Résumé:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
Classification:
archives
Niveau de description archivistique:
Collection institutionnelle
archives
Niveau de description archivistique:
Collection institutionnelle
Date:
1918-2000
1918-2000
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Personnes et institutions:
Date:
1996-2014
1996-2014
Titre:
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Renderings of the Kansai-kan of the National Diet Library
Actions:
AP177.S1.001
Description:
This file consists of images corresponding to renderings from CAD software created after the competition, likely for exhibitions or publications. It was transferred to CCA on a CD identified “RUR Architecture Kansai inventory 2/17/14”. Original directory name: "Digital". Most common file formats: Tagged Image File Format.
Classification:
né numérique
né numérique
Date:
1996-2014
1996-2014
Personnes et institutions:
Classification:
expositions
expositions
Titre:
À l’écoute des archives
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
Localisation:
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Date:
18 décembre 2025 au 18 octobre 2026
18 décembre 2025 au 18 octobre 2026
Titre:
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
À l’écoute des archives
Actions:
Description:
L’exposition À l’écoute des archives juxtapose des exemples d’enregistrements numérisés et des artéfacts muets de la collection du CCA, afin de mettre en exergue l’importance du média audio comme outil de recherche.
Classification:
expositions
expositions
Date:
18 décembre 2025 au
18 octobre 2026
18 décembre 2025 au
18 octobre 2026
Localisation:
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Vitrines Mot(s)-clé(s):
son, archives, audio, enregistrement, technologie, médias, émission
Classification:
expositions
expositions
Actions:
Description:
Dans le cadre de cette exposition, une sélection de publications contemporaines et d’ouvrages critiques établissent les bases d’une exploration des relations entre le voyage et le design d’aujourd’hui, tandis que des objets tirés des collections du CCA dévoilent une historiographie du tourisme.
Dans le cadre de cette exposition, une sélection de publications contemporaines et d’ouvrages critiques établissent les bases d’une exploration des relations entre le voyage et le design d’aujourd’hui, tandis que des objets tirés des collections du CCA dévoilent une historiographie du tourisme.
Titre:
Détour : D’autres lectures du voyage
Actions:
Description:
Dans le cadre de cette exposition, une sélection de publications contemporaines et d’ouvrages critiques établissent les bases d’une exploration des relations entre le voyage et le design d’aujourd’hui, tandis que des objets tirés des collections du CCA dévoilent une historiographie du tourisme.
Détour : D’autres lectures du voyage
Actions:
Description:
Dans le cadre de cette exposition, une sélection de publications contemporaines et d’ouvrages critiques établissent les bases d’une exploration des relations entre le voyage et le design d’aujourd’hui, tandis que des objets tirés des collections du CCA dévoilent une historiographie du tourisme.
Classification:
expositions
expositions
Date:
12 décembre 2019 au
15 novembre 2020
12 décembre 2019 au
15 novembre 2020
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
Classification:
articles
articles
Titre:
Laboratoires du futur
Laboratoires du futur
Actions:
Robert J. Kett introduit des visions contre-culturelles pour Alcatraz pendant l'occupation de l'île par des militants autochtones
Mot(s)-clé(s):
Robert Kett, Robert J. Kett, Prospects Beyond Futures, mouvement Red Power, contre-culture, Alcatraz, 1970, CCA Singles
Robert Kett, Robert J. Kett, Prospects Beyond Futures, mouvement Red Power, contre-culture, Alcatraz, 1970, CCA Singles
Publié:
9 novembre 2020
9 novembre 2020
Titre:
Laboratoires du futur
Robert J. Kett introduit des visions contre-culturelles pour Alcatraz pendant l'occupation de l'île par des militants autochtones
Actions:
Laboratoires du futur
Robert J. Kett introduit des visions contre-culturelles pour Alcatraz pendant l'occupation de l'île par des militants autochtones
Actions:
