1279 Résultats
Classification:
photographies
photographies
Numéro de référence:
PH1979:0148
Description:
- The subject of photograph PH1979:0148 is identified as cliff dwellings near Fort Wingate, New Mexico based on the inscription in the negative on the almost identical photograph PH1982:0047: "CLIFF RUINS NEAR FORT WINGATE, N.M.". The inscription on photograph PH1979:0148 "Cliff Dwellings, Arizona" is presumed to be erroneous.
PH1979:0148
Description:
- The subject of photograph PH1979:0148 is identified as cliff dwellings near Fort Wingate, New Mexico based on the inscription in the negative on the almost identical photograph PH1982:0047: "CLIFF RUINS NEAR FORT WINGATE, N.M.". The inscription on photograph PH1979:0148 "Cliff Dwellings, Arizona" is presumed to be erroneous.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1872-1885
1872-1885
Titre:
View of ruins of cliff dwellings near Fort Wingate, New Mexico
Actions:
PH1979:0148
Description:
- The subject of photograph PH1979:0148 is identified as cliff dwellings near Fort Wingate, New Mexico based on the inscription in the negative on the almost identical photograph PH1982:0047: "CLIFF RUINS NEAR FORT WINGATE, N.M.". The inscription on photograph PH1979:0148 "Cliff Dwellings, Arizona" is presumed to be erroneous.
View of ruins of cliff dwellings near Fort Wingate, New Mexico
Actions:
PH1979:0148
Description:
- The subject of photograph PH1979:0148 is identified as cliff dwellings near Fort Wingate, New Mexico based on the inscription in the negative on the almost identical photograph PH1982:0047: "CLIFF RUINS NEAR FORT WINGATE, N.M.". The inscription on photograph PH1979:0148 "Cliff Dwellings, Arizona" is presumed to be erroneous.
Classification:
photographies
photographies
Date:
1872-1885
1872-1885
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Personnes et institutions:
Date:
1984-1992
1984-1992
Titre:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Niveau de description archivistique:
Project
Project
Date:
1984-1992
1984-1992
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, sculpture
architecture, ingénierie, militaire, sculpture
Date:
published 1859-1860
published 1859-1860
Titre:
Album of views of cities and towns showing public, religious and domestic architecture, Ottoman Empire (now in Lebanon, Syria, Turkey and Israel)
Actions:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Album of views of cities and towns showing public, religious and domestic architecture, Ottoman Empire (now in Lebanon, Syria, Turkey and Israel)
Actions:
PH1980:0048.01:001-049
Description:
Album PH1980:0048.01:001-0049 comprises 49 views of the Ottoman Empire, including views of subjects which are now located in Lebanon, Syria, Turkey, and Israel. The 24 views of Lebanon include ten views of Tripoli, eight of Baalbek, four of Beirut and two of Jubayl. The photographs show: eight cityscapes; seven views of temples; three views of mosques; 2 views of towers; and one view each of a convent, the ruins of a castle, the foundations of a Phoenician building, and the Consulate General of France in Beirut. The 12 views of Syria include seven views of Damascus, two of Jebel ed Druz, two of Tartus and one view of Latakia. The photographs show: three views of Jewish houses; two views of the ruins of a Roman amphitheater; two views of the French Consulate in Damascus; and one view each of a Christian house, the ruins of a castle, a church, a cityscape and a city gate. The seven views of Turkey include six views of Antioch and one view of Seleucia Pieria (both now Antakya). The photographs show: three views of fortifications; and one view each of a city gate, a statue, a cityscape and the entry to the Iron Canyon. The six views of Israel include two views of Acre, two of Mount Carmel and one view each of Haifa and Nazareth. The photographs show three cityscapes, and one view each of batteries, a convent and a palace.
Classification:
photographies
photographies
Date:
published 1859-1860
published 1859-1860
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire, sculpture
architecture, ingénierie, militaire, sculpture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Robert Duchesnay
Fonds Robert Duchesnay
Numéro de référence:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Personnes et institutions:
Date:
1985-1992
1985-1992
Titre:
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Fonds Robert Duchesnay
Actions:
AP115
Résumé:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1985-1992
1985-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Personnes et institutions:
Date:
1948-1999
1948-1999
Titre:
Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado [Restoration of Grandella building, Block C, Reconstruction of the Chiado], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado [Restoration of Grandella building, Block C, Reconstruction of the Chiado], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS8
Description:
This project series documents the restoration of the Grandella building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N5. The office assigned the date 1988-1998 for this project. The destructive fire of 1988 started in The Grandella building. It was part of Bloco C and identified as building 5 in Siza's reconstruction plan. It was originally designed by French architect George Demaye and built by Francisco de Almeida Grandella in 1907. Siza's program included the introduction of new functions, including cultural, administrative, and retail activities. Due to the historic importance of the building in Lisbon, a particular effort was made to restore the original façade. Drawings include studies, working drawings, mechanical drawings and structural drawings. Textual materials include project documentation, studies, meeting reports and correspondence. Photographic material includes photographs of the building before the fire, ruins, and construction work. There is also a study model for this project. Documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco C (AP178.S1.1988.PR07.SS7).
Niveau de description archivistique:
Project
Project
Date:
1948-1999
1948-1999
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
Personnes et institutions:
Date:
1968-1984, 1991-2000
1968-1984, 1991-2000
Titre:
Assorted newspaper clippings, notes, and sketches, Walking stiffs
Actions:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
Assorted newspaper clippings, notes, and sketches, Walking stiffs
Actions:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
Classification:
documents textuels
documents textuels
Date:
1968-1984, 1991-2000
1968-1984, 1991-2000
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
ca. 1854-1857
ca. 1854-1857
Titre:
Album of views of topography and religious and secular architecture, Scotland and England, United Kingdom
Actions:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Album of views of topography and religious and secular architecture, Scotland and England, United Kingdom
Actions:
PH1993:0428:001-100
Description:
Album comprising 100 salted paper prints from waxed paper negatives showing views of Scotland, mostly Edinburgh, from Holyrood Abbey to Greyfriars Churchyard, but also, the ruins of Iona, Inverkeithing, Old Aberdeen, Orkney, Durham, Kirkcaldy, St-Andrews and possibly Braemar, Brunstan, Musselburgh, Aberdeenshire and several unlocated landscapes. The album is the most significant and the most extensive body of salted paper prints by Thomas Keith and John Forbes White. Most of the prints in this album are the only known salt prints from their particular negatives. (Larry J. Schaaf, 'Sun Pictures').
Classification:
photographies
photographies
Date:
ca. 1854-1857
ca. 1854-1857
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Personnes et institutions:
Date:
1970-2003
1970-2003
Titre:
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Reconstrução do Chiado [Master plans and exterior space, reconstruction of the Chiado area], Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS1
Description:
This project subseries documents the reconstruction of Chiado in Lisbon, Portugal. The office assigned the dates 1988-1998 for this project. This subseries documents the master plans and exterior spaces work. It also includes general documentation and photographic studies for the project. Drawings include studies, working drawings, mechanical drawings, technical drawings, and structural drawings. Textual material includes project documentation, studies, meeting reports, and correspondence. Photographic material includes photographs of the building before the fire, ruins, model, and construction work. Related subseries to this project includes : 2) AP178.S1.1988.PR07.SS2 Bloco A, 3) AP178.S1.1988.PR07.SS3 Edificio Camara Chaves building, 4) AP178.S1.1988.PR07.SS4 Edifício Castro e Melo, 5) AP178.S1.1988.PR07.SS5 Bloco B, 6) AP178.S1.1988.PR07.SS6– Bloco, B Chiado, Edifício Leonel, Lisboa, Portugal (1988-1998), 7) AP178.S1.1988.PR07.SS7 Bloco C, 8) AP178.S1.1988.PR07.SS8 - Bloco C, Chiado, Recuperaçäo do Edifício Grandella, 9) AP178.S1.1988.PR07.SS9 - Bloco C, Chiado, Recuperaçäo do Edifício dos Grandes Armazéns, 10) AP178.S1.1988.PR07.SS10 Ligacao Pedonal do Patio B, 11) AP178.S1.1988.PR07.SS11 Chiado, Estação de Metropolitano Baixa Chiado. It is important to note that the project AP178.S1.1994.PR08 Renovação do Elevador de Santa Justa, Chiado, 1994 is also related to the Reconstruction of the Chiado. All documentation for this project series, including the project subseries, has been kept together to maintain the office's arrangement.
Niveau de description archivistique:
Project
Project
Date:
1970-2003
1970-2003
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Personnes et institutions:
Date:
1978-1980
1978-1980
Titre:
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Date:
1978-1980
1978-1980
Personnes et institutions:
