1031 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Castel
Castel
Numéro de référence:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Personnes et institutions:
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Titre:
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Castel
Actions:
AP144.S2.D109
Description:
File documents a project in which Cedric Price was invited to submit a design for a single house to an exhibition entitled "Architecture II: Houses for Sale" organized by the Leo Castelli Gallery, New York City, New York, United States. The four components of Price's submission entitled "Platforms, Pavilions, Pylons and Plants" could be regrouped and redistributed on the one-acre site if and when required. Conceptual, design development and schematic sketches include preliminary plans, sections, and elevations for the house as well as details for the arrangement of the four components. Trees are stamped in black ink on the site plans with a generic rubber "tree" stamp. Design development drawings include preliminary drawings for layouts done in graphite, and a complete sequence of design development drawings done in ink numbered 001 to 013. Several reprographic copies of design development drawings were coloured with adhesive film and pencil and annotated in order to develop preliminary versions for the final presentation drawings. Three panels for the "Houses for Sale" exhibition consist of text describing the project concept mounted on boards, and a photomechanical print enlarged from an original sketch perspective entitled "general view-pavilions and totems". Material in this file was produced between 1979 and 1982, and in 1987, but predominantly in 1980. File contains conceptual drawings, design development drawings, presentation panels, a presentation model, photographic materials, and textual records.
Niveau de description archivistique:
File 109
File 109
Date:
1979-1982, 1987, predominant 1980
1979-1982, 1987, predominant 1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Hair Tent
Hair Tent
Numéro de référence:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1971
1963-1971
Titre:
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 76
File 76
Date:
1963-1971
1963-1971
Personnes et institutions:
Titre:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
Numéro de référence:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
1885
1885
Titre:
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Album on South Asian domestic architecture showing ornaments, crafts and trade advertisements
Actions:
PH1979:0432
Description:
This album titled Indian Domestic Architecture, is by Lockwood de Forest and a combination architectural book and trade catalogue. It reflects de Forest's goal to ensure the preservation of the arts, crafts and trades (with a particular attention given to carving) of South Asian workmen. 25 heliotype plates show Indian architecture and ornaments and the final 14 pages show advertisements, in the Indian graphic style, for various New York building craftsmen and home furnishers. The album comprises a title page, an Introduction by Lockwood de Forest, a list of contents, plates by Heliotype Printing Co., Boston and engravings. Contents I. House at Ahmedabad, 16th century II. House at Ahmedabad, 17th century III. House at Ahmedabad, 18th century IV. Copy of one of the Bhudder windows at Ahmedabad, full size 7 ff. x 10 ft. made by Mr. de Forest's men and sold to the South Kensington Museum V. Copy of the second Bhudder window in Mr. De Forest's possession in New York. VI. Front of a house at Ajmere VII. Tomb of the time of Akbar, red sandstone VIII. Marble tracery in the palace, Delhi IX. Window of a house at Amritza X. Brass door at Amritza XI. Front of a house at Lahore XII. Front of a house at Lahore XIII. Front of a house at Lahore XIV. Doorway of house, red sandstone, Multan XV. Front of a house at Multan XVI. Door of house, Multan XVII. Window of tomb in tile at Multan XVIII. Doorway of house, red sandstone, Multan XIX. Mr. De Forest's rooms, 9 East 17th Street, New York XX. Mr. De Forest's rooms, 9 East 17th Street, New York XXI. Door of a house at Ahmedabad, 19th century XXII. House at Ahmedabad, early 17th century XXIII. Window of a house at Lahore XXIV. Tomb of Ala-Ud-Din Khilji, old Delhi XXV. Marble Gateway of a tomb at Gualior
Date:
1885
1885
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Personnes et institutions:
Date:
ca. 1933-1955
ca. 1933-1955
Titre:
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Niveau de description archivistique:
Sous-série 2
Sous-série 2
Date:
ca. 1933-1955
ca. 1933-1955
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
Personnes et institutions:
Date:
1968 or 1969
1968 or 1969
Titre:
Wooden box containing presentation material
Actions:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
Wooden box containing presentation material
Actions:
AP154.S2.001
Description:
Wooden box with tongue-in-groove sliding cover and label of Giovanni Pasanella Architect on top. Contains photographs and other presentation materials mounted on board. Projects represented: Twin Parks, Bronx, New York, N.Y.; House for Mr. & Mrs. R.C. Lemon, Bedford, New York; Firehouse for Engine Company 283, Ladder Company Squad 4, Brooklyn, New York; vacation house on Cape Cod House for Dr. and Mrs. Alan Grey; House in Winhall, Vermont; Intensive Therapy Center for Infants, Willowbrook State School, Staten Island, New York ; Science Building II, College at Potsdam, State University of New York; Administration Building, College at Potsdam, State University of New York; "The new city: architecture and urban renewal: The Museum of Modern Art, New York" by Jacquelin T. Robertson, Richard Weinstein, Giovanni Pasanella and others; City Hall, Emergency Operating Center Study, University of Kentucky. Also contains 2 Prospectus for Giovanni Pasanella Architect A.I.A. (portfolios)
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1968 or 1969
1968 or 1969
Personnes et institutions:
Classification:
articles
articles
Titre:
Empire
Empire
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
pouvoir, empire, Desert Storm, Victory Day, jet, bombardier, vol, furtif, Lockheed, Boeing, hélicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dôme, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, bassin
pouvoir, empire, Desert Storm, Victory Day, jet, bombardier, vol, furtif, Lockheed, Boeing, hélicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dôme, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, bassin
Publié:
23 juillet 2009
23 juillet 2009
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Niveau de description archivistique:
Projet
Projet
Titre:
Greenbird
Greenbird
Numéro de référence:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Personnes et institutions:
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
Titre:
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Niveau de description archivistique:
File 96
File 96
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Prus
Fonds Victor Prus
Numéro de référence:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Personnes et institutions:
Date:
1945-1992
1945-1992
Titre:
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Fonds Victor Prus
Actions:
AP163
Résumé:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1945-1992
1945-1992
Personnes et institutions:
