1446 Résultats
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest(...)
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest(...)
Publication:
décembre 2023
décembre 2023
Titre:
The ends of research: Indigenous and settler science after the War in the Woods
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Özden-Schilling examines these researchers' lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them not only to survive institutional restructuring but to hold on to the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims. By focusing on researchers' experiences and personal attachments, Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.
The ends of research: Indigenous and settler science after the War in the Woods
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In "The ends of research" Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the "War in the woods," a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Özden-Schilling examines these researchers' lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them not only to survive institutional restructuring but to hold on to the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims. By focusing on researchers' experiences and personal attachments, Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.
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livres
livres
Publication:
décembre 2023
décembre 2023
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory.(...)
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory.(...)
Titre:
Too Many Products Too Much Pressure
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory. In 1980, as a young photographer just beginning her MFA in San Francisco and developing a keen interest in documenting labor, Janet Delaney embarked for a week on the job with her soon-to-retire father. The days are long and exhausting, but there is, in the incessant driving, carrying and chatting, a restless, pulsing energy streaming from Delaney’s photographs. Picturing the beauty parlors with a critical distance (she did, after all, grow up in a time of questioning constricted gender roles and capitalist consumer culture), using frontal, wide shots and often harsh flash, Delaney created a witty documentation of a day in the life of a salesman.
Too Many Products Too Much Pressure
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$78.00
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"You gotta love it", says 65-year-old Bill Delaney, beauty salesman in the greater Los Angeles area. Yes, you gotta love it. You gotta love the hustle, the getting-up-and-going-out, the repeating sales pitches, the flirting and the haggling; the unending calls, all week, Monday to Sunday, all day, morning till night. You gotta love the dance, the rush, and the territory. In 1980, as a young photographer just beginning her MFA in San Francisco and developing a keen interest in documenting labor, Janet Delaney embarked for a week on the job with her soon-to-retire father. The days are long and exhausting, but there is, in the incessant driving, carrying and chatting, a restless, pulsing energy streaming from Delaney’s photographs. Picturing the beauty parlors with a critical distance (she did, after all, grow up in a time of questioning constricted gender roles and capitalist consumer culture), using frontal, wide shots and often harsh flash, Delaney created a witty documentation of a day in the life of a salesman.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
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From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial(...)
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From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial(...)
Publication:
septembre 2023
septembre 2023
Titre:
We are forests: inhabiting territories in struggle
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From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial exploitation. Forests have become a battleground in the struggle between groups with fundamentally divergent aims and objectives. Forests are made up of insurgents. Jean-Baptiste Vidalou went to see some of these forests and meet those who are defending them: he discovered a completely different way of understanding the world, sharply opposed to the mentality of planners who see forests as just one more territory to be managed. Here he recounts this encounter, relays what these forest peoples and struggles convey, not to offer any recipes or ready-made solutions to the crises of our times but to be the forest, like a force that grows, stem by stem, leaf by leaf, slowly becoming ungovernable.
We are forests: inhabiting territories in struggle
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From the Sivens forest in France to the Hambach forest in Germany, from the Broadback forest in Canada to the rainforests of Borneo, something has shifted in these wild spaces over the last decade or two. People have begun to inhabit the forests, oppose the loggers and use their bodies as shields, motivated by the determination to resist the lethal ecosystem of commercial exploitation. Forests have become a battleground in the struggle between groups with fundamentally divergent aims and objectives. Forests are made up of insurgents. Jean-Baptiste Vidalou went to see some of these forests and meet those who are defending them: he discovered a completely different way of understanding the world, sharply opposed to the mentality of planners who see forests as just one more territory to be managed. Here he recounts this encounter, relays what these forest peoples and struggles convey, not to offer any recipes or ready-made solutions to the crises of our times but to be the forest, like a force that grows, stem by stem, leaf by leaf, slowly becoming ungovernable.
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livres
livres
Publication:
septembre 2023
septembre 2023
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize(...)
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize(...)
Titre:
Art, culture, and media under the Third Reich
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups, sowing the psychological seeds for the Holocaust to come. Topics covered by the essays range from the design of the Nuremberg Party Rally Grounds to Nazi experiments with radio. Contributors address nearly every facet of the arts and mass media under the Third Reich-efforts to define degenerate music; the promotion of race hatred and warfare through film, architecture, and public assemblies; visual iconography and style; views of the racially ideal garden and landscape; portrayal and reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and cult. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.
Art, culture, and media under the Third Reich
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Art, Culture, and Media Under the Third Reich explores the ways in which Nazi Germany used art and media to portray their country as a champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda as other studies do, this volume reveals how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups, sowing the psychological seeds for the Holocaust to come. Topics covered by the essays range from the design of the Nuremberg Party Rally Grounds to Nazi experiments with radio. Contributors address nearly every facet of the arts and mass media under the Third Reich-efforts to define degenerate music; the promotion of race hatred and warfare through film, architecture, and public assemblies; visual iconography and style; views of the racially ideal garden and landscape; portrayal and reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and cult. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.
Classification:
livres
livres
Publication:
octobre 2002, Chicago
octobre 2002, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$29.95
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
Titre:
Survival city : adventures among the ruins of atomic America
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
Survival city : adventures among the ruins of atomic America
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
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livres
livres
Publication:
mars 2002, New York
mars 2002, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Anthony Hernandez
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$58.50
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
Titre:
The uses of photography: art, politics and the reinvention of a medium
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
The uses of photography: art, politics and the reinvention of a medium
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$42.95
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli(...)
$42.95
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli(...)
Publication:
octobre 2021
octobre 2021
Titre:
Land. Milk. Honey. Animal stories in imagined landscapes. 17th Venice Biennale
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the seventeenth International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century. ''Land. Milk. Honey'' investigates how colonialism, urbanization, and mechanized agriculture radically reshaped the environment and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the environment, as well as the disruption of human communities. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has, over a century, been the testbed of modernist aspirations for plenitude.
Land. Milk. Honey. Animal stories in imagined landscapes. 17th Venice Biennale
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$42.95
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A unique documentation of how ideology translated into colonialism, settlement, urbanization, infrastructure, and mechanized agriculture radically reshaped the environment of Palestine-Israel. The biblical metaphor of a ''Land of Milk and Honey'' has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the seventeenth International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century. ''Land. Milk. Honey'' investigates how colonialism, urbanization, and mechanized agriculture radically reshaped the environment and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the environment, as well as the disruption of human communities. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has, over a century, been the testbed of modernist aspirations for plenitude.
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livres
livres
Publication:
octobre 2021
octobre 2021
Classification:
livres
livres
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$26.95
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The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of(...)
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The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of(...)
Titre:
Sinister resonance: The mediumship of the listener
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The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of immaterial worlds. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, Algernon Blackwood, M.R. James and Edgar Allen Poe, seventeenth century Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, Ad Reinhardt and Piero Della Francesca, and the writing of many modernist authors, including Virginia Woolf, Samuel Beckett, James Joyce and William Faulkner. Threaded through the book is Marcel Duchamp's curious observation "One can look at seeing but one can't hear hearing" and his concept of the infra-thin, those human experiences so fugitive that they exist only in the imaginative absences of perception.
Sinister resonance: The mediumship of the listener
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The history of listening must be constructed from narratives of myth and fiction, silent arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, instability, forbidden desires, disorder, formlessness, the unknown, unconscious and extra-human, a representation of immaterial worlds. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, Algernon Blackwood, M.R. James and Edgar Allen Poe, seventeenth century Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, Ad Reinhardt and Piero Della Francesca, and the writing of many modernist authors, including Virginia Woolf, Samuel Beckett, James Joyce and William Faulkner. Threaded through the book is Marcel Duchamp's curious observation "One can look at seeing but one can't hear hearing" and his concept of the infra-thin, those human experiences so fugitive that they exist only in the imaginative absences of perception.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Philippe Parreno: C.H.Z.
Philippe Parreno: C.H.Z.
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect(...)
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect(...)
Publication:
septembre 2012
septembre 2012
Titre:
Philippe Parreno: C.H.Z.
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Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect of multiple stars is black vegetation. Working with landscape architect Bas Smets, the artist painstakingly constructed a garden of black plants on the side of a mountain in Portugal, where the garden continues to flourish outside the framework of an art object; Parreno then shot a poetic, abstract film in that alien landscape, rendering the territory inescapably cinematic. C.H.Z. features the artist’s dark, impasto ink drawings, which functioned as a storyboard for the cinematographer Darius Khondji, as well as sequences of stills of the seven stages of the film. Parreno’s reflections and commentary are featured alongside the images and paired with comprehensive essay by Nancy Spector, deputy director and chief curator of the Guggenheim Museum, New York.
Philippe Parreno: C.H.Z.
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Résumé:
Renowned for his sophisticated ruminations on nature and artifice, character and its construction, and the transformative lens of history and nostalgia, Philippe Parreno (born 1964) created C.H.Z. in a zone between science and fiction. According to NASA, any planet hospitable to life will most likely orbit a pair of dwarf stars in a Continuously Habitable Zone. The effect of multiple stars is black vegetation. Working with landscape architect Bas Smets, the artist painstakingly constructed a garden of black plants on the side of a mountain in Portugal, where the garden continues to flourish outside the framework of an art object; Parreno then shot a poetic, abstract film in that alien landscape, rendering the territory inescapably cinematic. C.H.Z. features the artist’s dark, impasto ink drawings, which functioned as a storyboard for the cinematographer Darius Khondji, as well as sequences of stills of the seven stages of the film. Parreno’s reflections and commentary are featured alongside the images and paired with comprehensive essay by Nancy Spector, deputy director and chief curator of the Guggenheim Museum, New York.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
