1732 Résultats
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The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and(...)
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Résumé:
The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and(...)
Publication:
septembre 2013
septembre 2013
Titre:
Explosion in the movie machine: essays and documents on Toronto artists' film and video
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The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and speculates on where we’re headed.
Explosion in the movie machine: essays and documents on Toronto artists' film and video
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The publication is an anthology of contemporary reflections, scholarly texts, historical documents and visual documentation that examines the depth, brilliance and contradictions of Toronto’s media arts history and ecology. With a focus on artists’ film and video organizations, practices, manifestos, and guiding debates, this volume takes stock of where we’ve been and speculates on where we’re headed.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be(...)
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be(...)
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In the studio: Visual creation and its material environments
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be seen. As such, they have actively faded into the background of critical discourse and into the margins of film and media history. Recovering their hidden role in the history of visual creation, ''In the studio'' demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the material, ecological, social, political, and economic dynamics that quietly mark the worlds on our screens.
In the studio: Visual creation and its material environments
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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. On the outside, they have become icons of corporate identity, while on the inside, they have remained invisible in order to be seen. As such, they have actively faded into the background of critical discourse and into the margins of film and media history. Recovering their hidden role in the history of visual creation, ''In the studio'' demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the material, ecological, social, political, and economic dynamics that quietly mark the worlds on our screens.
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livres
livres
Publication:
juillet 2020
juillet 2020
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livres
livres
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Design in a frame of emotion
Design in a frame of emotion
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A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those(...)
$24.00
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A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those(...)
Publication:
février 2021
février 2021
Titre:
Design in a frame of emotion
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$24.00
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A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those stories--"Moonlight", "Miles Ahead", "Creed", "Lemonade", and "Black Panther"--flash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
Design in a frame of emotion
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$24.00
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Résumé:
A conversation about design, filmmaking, Afrofuturism, world-building, and other topics with Hannah Beachler, Academy-Award-winning production designer of "Black Panther". Hannah Beachler is known as an award-winning production designer, but she tells an audience that she considers herself to be more of a story designer. As film stills and concept art from a few of those stories--"Moonlight", "Miles Ahead", "Creed", "Lemonade", and "Black Panther"--flash across a screen, Beachler engages in a meandering conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and illustrates her role: a designer behind on-screen tableaux that provide not only visual feasts of artistry and imagination, but also intimate spaces of emotion, humanity, and constructed memory.
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livres
livres
Publication:
février 2021
février 2021
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$43.95
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
$43.95
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
Titre:
The moving eye: film, television, architecture, visual art, and the modern
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
The moving eye: film, television, architecture, visual art, and the modern
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
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livres
livres
Publication:
juin 2019
juin 2019
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Sergei Eisenstein’s cinematic adaptation of Karl Marx’s Capital was never realized, yet it has haunted the imagination of many filmmakers, historians, and philosophers to the present day. 'Dance of Values' aims to conjure the phantom of Eisenstein’s Capital, presenting for the first time material from the full scope of the film project’s archival body. This 'visual(...)
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Sergei Eisenstein’s cinematic adaptation of Karl Marx’s Capital was never realized, yet it has haunted the imagination of many filmmakers, historians, and philosophers to the present day. 'Dance of Values' aims to conjure the phantom of Eisenstein’s Capital, presenting for the first time material from the full scope of the film project’s archival body. This 'visual(...)
Titre:
Dance of values: Sergei Eisenstein's Capital proect
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Sergei Eisenstein’s cinematic adaptation of Karl Marx’s Capital was never realized, yet it has haunted the imagination of many filmmakers, historians, and philosophers to the present day. 'Dance of Values' aims to conjure the phantom of Eisenstein’s Capital, presenting for the first time material from the full scope of the film project’s archival body. This 'visual instruction in the dialectical method,' as Eisenstein called it, comprises more than five hundred pages of notes, drawings, press clippings, diagrams, negatives, theoretical reflections, and extensive quotations. 'Dance of Values' explores the internal formal necessity underlying Eisenstein’s artistic choices, and argues that its brilliant adaptation of Marx’s Capital relied on the fragmentary and nonlinear state of its material. Published here for the first time, sequences from Eisenstein’s archival materials are presented in this volume not as mere illustrations but as arguments in their own right, a visual theorization of value.
Dance of values: Sergei Eisenstein's Capital proect
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Résumé:
Sergei Eisenstein’s cinematic adaptation of Karl Marx’s Capital was never realized, yet it has haunted the imagination of many filmmakers, historians, and philosophers to the present day. 'Dance of Values' aims to conjure the phantom of Eisenstein’s Capital, presenting for the first time material from the full scope of the film project’s archival body. This 'visual instruction in the dialectical method,' as Eisenstein called it, comprises more than five hundred pages of notes, drawings, press clippings, diagrams, negatives, theoretical reflections, and extensive quotations. 'Dance of Values' explores the internal formal necessity underlying Eisenstein’s artistic choices, and argues that its brilliant adaptation of Marx’s Capital relied on the fragmentary and nonlinear state of its material. Published here for the first time, sequences from Eisenstein’s archival materials are presented in this volume not as mere illustrations but as arguments in their own right, a visual theorization of value.
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livres
Publication:
janvier 2018
janvier 2018
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s.(...)
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s.(...)
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Pierre Jean Giloux : invisible cities : Machinami, Japanese urban landscapes
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s. It follows the films’ production as he explores the connections between four cities (Tokyo, Yokohama, Osaka, Kyoto) to create urban portraits combining digital with filmed or photographed images of social and urban reality. The book includes texts by Pierre Musso, Élie During, and Vincent Romagny.
Pierre Jean Giloux : invisible cities : Machinami, Japanese urban landscapes
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Pierre-Jean Giloux seeks to create a language using sound and image that combines elements of pop culture and mass media with more 'intellectual' cultures which refer to the visual arts and architecture. This first monograph by the artist accompanies a series of videos inspired by the Metabolists, a utopist architecture movement which emerged in Japan in the late 1950s. It follows the films’ production as he explores the connections between four cities (Tokyo, Yokohama, Osaka, Kyoto) to create urban portraits combining digital with filmed or photographed images of social and urban reality. The book includes texts by Pierre Musso, Élie During, and Vincent Romagny.
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livres
livres
Publication:
juin 2018
juin 2018
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively(...)
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively(...)
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Agnes Varda: between film, photography and art
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
Agnes Varda: between film, photography and art
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Agnès Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture.
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livres
livres
Publication:
octobre 2017
octobre 2017
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Originally published in 1963 by Jonas Mekas as a special issue of "Film Culture", and designed by George Maciunas, Stan Brakhage’s (1933–2003) classic "Metaphors on vision" stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as(...)
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Originally published in 1963 by Jonas Mekas as a special issue of "Film Culture", and designed by George Maciunas, Stan Brakhage’s (1933–2003) classic "Metaphors on vision" stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as(...)
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Stan Brakhage: metaphors on vision
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Originally published in 1963 by Jonas Mekas as a special issue of "Film Culture", and designed by George Maciunas, Stan Brakhage’s (1933–2003) classic "Metaphors on vision" stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage’s complete text in its distinctive original layout, as well as annotations by scholar P. Adams Sitney.
Stan Brakhage: metaphors on vision
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Originally published in 1963 by Jonas Mekas as a special issue of "Film Culture", and designed by George Maciunas, Stan Brakhage’s (1933–2003) classic "Metaphors on vision" stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art. Long out of print, the volume is now available in this definitive edition from Anthology Film Archives and Light Industry, featuring Brakhage’s complete text in its distinctive original layout, as well as annotations by scholar P. Adams Sitney.
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livres
livres
Publication:
août 2017
août 2017
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livres
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$95.00
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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of(...)
$95.00
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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of(...)
Titre:
The drama of space: spatial sequences and compositions in architecture
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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.
The drama of space: spatial sequences and compositions in architecture
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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.
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livres
livres
Publication:
novembre 2017
novembre 2017
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$72.00
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his(...)
$72.00
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his(...)
Publication:
novembre 2008, New York
novembre 2008, New York
Titre:
Ken Adams designs the movies: james bond and beyond
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.
Ken Adams designs the movies: james bond and beyond
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This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.
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livres
livres
Publication:
novembre 2008, New York
novembre 2008, New York
