1537 Résultats
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David Helbich (born 1973) is a German-born, Brussels-based conceptual artist who has created various experimental works on stage, in writing, online and in public spaces. In 2006, Helbich began a series of photographs of witty, at times hilarious, hands-on "solutions" for the everyday environment. Helbich began posting the photos of these Belgian solutions to his social(...)
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David Helbich (born 1973) is a German-born, Brussels-based conceptual artist who has created various experimental works on stage, in writing, online and in public spaces. In 2006, Helbich began a series of photographs of witty, at times hilarious, hands-on "solutions" for the everyday environment. Helbich began posting the photos of these Belgian solutions to his social(...)
Titre:
David Helbich: Belgian solutions volume 1
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David Helbich (born 1973) is a German-born, Brussels-based conceptual artist who has created various experimental works on stage, in writing, online and in public spaces. In 2006, Helbich began a series of photographs of witty, at times hilarious, hands-on "solutions" for the everyday environment. Helbich began posting the photos of these Belgian solutions to his social media platform and the project grew to include contributions from viewers around the globe and eventually garnered international attention. This book gathers over 300 images from Helbich's series, including many from the project's contributors.
David Helbich: Belgian solutions volume 1
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David Helbich (born 1973) is a German-born, Brussels-based conceptual artist who has created various experimental works on stage, in writing, online and in public spaces. In 2006, Helbich began a series of photographs of witty, at times hilarious, hands-on "solutions" for the everyday environment. Helbich began posting the photos of these Belgian solutions to his social media platform and the project grew to include contributions from viewers around the globe and eventually garnered international attention. This book gathers over 300 images from Helbich's series, including many from the project's contributors.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$44.00
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In Come Together author and visual artist Francesco Spampinato assembles an international roster of forty of today's most exciting and influential collectives, from design studios like Project Projects and political performance artists The Yes Men to flash mob provocateurs Improv Everywhere and the multimedia artists Assume Vivid Astro Focus. Alongside visual portfolios(...)
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In Come Together author and visual artist Francesco Spampinato assembles an international roster of forty of today's most exciting and influential collectives, from design studios like Project Projects and political performance artists The Yes Men to flash mob provocateurs Improv Everywhere and the multimedia artists Assume Vivid Astro Focus. Alongside visual portfolios(...)
Titre:
Come together: the rise of cooperative art and design
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In Come Together author and visual artist Francesco Spampinato assembles an international roster of forty of today's most exciting and influential collectives, from design studios like Project Projects and political performance artists The Yes Men to flash mob provocateurs Improv Everywhere and the multimedia artists Assume Vivid Astro Focus. Alongside visual portfolios of their best work are in-depth interviews addressing each group's unique motivations, processes, and objectives. What emerges is a shared desire to turn viewers into producers and to use commercial mass-media strategies to challenge prevailing social, political, and cultural power structures.
Come together: the rise of cooperative art and design
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In Come Together author and visual artist Francesco Spampinato assembles an international roster of forty of today's most exciting and influential collectives, from design studios like Project Projects and political performance artists The Yes Men to flash mob provocateurs Improv Everywhere and the multimedia artists Assume Vivid Astro Focus. Alongside visual portfolios of their best work are in-depth interviews addressing each group's unique motivations, processes, and objectives. What emerges is a shared desire to turn viewers into producers and to use commercial mass-media strategies to challenge prevailing social, political, and cultural power structures.
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livres
livres
Publication:
novembre 2014
novembre 2014
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livres
livres
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$22.00
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David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as(...)
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David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
août 2005, New York
août 2005, New York
Titre:
Between the eyes : essays on photography and politics
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David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as "Photography and propaganda," the imagery of dreams, Sebastião Salgado’s epic social documents, and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and belief," and in "The highest degree of illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss's to bring clarity to our vision.
Between the eyes : essays on photography and politics
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David Levi Strauss is a writer whose visual and intellectual sensibilities are both acute and expansive. His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including Aperture, Artforum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects as diverse as "Photography and propaganda," the imagery of dreams, Sebastião Salgado’s epic social documents, and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and belief," and in "The highest degree of illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss's to bring clarity to our vision.
Classification:
livres
livres
Publication:
août 2005, New York
août 2005, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$60.00
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Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
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Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking(...)
Titre:
Shrinking cities, volume 2: interventions
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Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
Shrinking cities, volume 2: interventions
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Shrinking cities have pushed urban design and classical city planning to their limits. This new challenge requires new approaches in which the "hard" tools of construction are joined by the "soft" tools of political, social, cultural, and communicative interventions. This book provides an international overview of experimental concepts for taking action in shrinking cities from the fields of architecture, landscape architecture, urban construction, the media, performance, and art. The approaches range from artistic intercessions and self-empowerment projects to architectural and landscape interventions, and from strategies of media communication and city marketing to new legal regulations and utopian designs. A series of essays provides a critical discussion of both successful and failed projects of recent decades from such countries as the United States, Great Britain, the Netherlands, Austria, Russia, and Japan. Projects featured (selection): William Alsop, Crimson, Jeremy Deller, Gordon Matta-Clark, OMA, Cedric Price, Andreas Siekmann, Robert Smithson, Superflex, O. M. Ungers
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livres
livres
Publication:
juin 2006, Ostfildern
juin 2006, Ostfildern
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$134.99
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated(...)
$134.99
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated(...)
Titre:
Architectural tourism: Monumental Itineraries, Cultural Heritage, and Sites of memory
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated with a range of studies of key buildings from history and the present-day, the book engagingly sheds light on topics such as the culture of ruins, the evolution of how tourists capture images of places, the rise of the designer museum, and architecture on television, film, and in other media. It asks why architectural monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites, and monuments, and how national identity is galvanised through its architecture and tourism. Sightseeing is, whether virtual or actual, site-seeing.
Architectural tourism: Monumental Itineraries, Cultural Heritage, and Sites of memory
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$134.99
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Since the era of pre-industrial religious pilgrimages, architecture has beckoned travellers. This book charts the relationship, and even the entanglement, between architecture and tourism. It reveals how architecture is always tied to its physical site, yet is transportable in our imagination—and into the virtual spheres of social media and armchair travel. Illustrated with a range of studies of key buildings from history and the present-day, the book engagingly sheds light on topics such as the culture of ruins, the evolution of how tourists capture images of places, the rise of the designer museum, and architecture on television, film, and in other media. It asks why architectural monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites, and monuments, and how national identity is galvanised through its architecture and tourism. Sightseeing is, whether virtual or actual, site-seeing.
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livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$49.00
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Even as the media environment has changed dramatically in recent years, one thing at least remains true: photographs are everywhere. From professional news photos to smartphone selfies, images have become part of the fabric of modern life. And that may be the problem. Even as photography bears witness, it provokes anxieties about fraudulent representation; even as it(...)
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Even as the media environment has changed dramatically in recent years, one thing at least remains true: photographs are everywhere. From professional news photos to smartphone selfies, images have become part of the fabric of modern life. And that may be the problem. Even as photography bears witness, it provokes anxieties about fraudulent representation; even as it(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
novembre 2016
novembre 2016
Titre:
The public image: photography and civic spectatorship
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Even as the media environment has changed dramatically in recent years, one thing at least remains true: photographs are everywhere. From professional news photos to smartphone selfies, images have become part of the fabric of modern life. And that may be the problem. Even as photography bears witness, it provokes anxieties about fraudulent representation; even as it evokes compassion, it prompts anxieties about excessive exposure. Parents and pundits alike worry about the unprecedented media saturation that transforms society into an image world. And yet a great news photo can still stop us in our tracks, and the ever-expanding photographic archive documents an era of continuous change. By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the medium’s capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.
The public image: photography and civic spectatorship
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$49.00
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Résumé:
Even as the media environment has changed dramatically in recent years, one thing at least remains true: photographs are everywhere. From professional news photos to smartphone selfies, images have become part of the fabric of modern life. And that may be the problem. Even as photography bears witness, it provokes anxieties about fraudulent representation; even as it evokes compassion, it prompts anxieties about excessive exposure. Parents and pundits alike worry about the unprecedented media saturation that transforms society into an image world. And yet a great news photo can still stop us in our tracks, and the ever-expanding photographic archive documents an era of continuous change. By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the medium’s capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Cyberfeminism index
Cyberfeminism index
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$62.00
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social(...)
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social(...)
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Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art.
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art.
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livres
livres
Publication:
octobre 2022
octobre 2022
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livres
livres
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$32.95
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In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed(...)
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In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed(...)
Titre:
Blanket toss under midnight sun
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In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time. ''Blanket toss under midnight sun'' collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, ''Blanket Toss'' is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.
Blanket toss under midnight sun
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In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time. ''Blanket toss under midnight sun'' collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, ''Blanket Toss'' is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Autochtone
Autochtone
Classification:
périodiques
périodiques
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$43.95
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social(...)
$43.95
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social(...)
Titre:
Pavilions, pop ups and parasols: the impact of real and virtual meeting on physical space
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$43.95
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social media such as Facebook, Twitter and Instagram. The nexus between real and virtual meeting is effectively being reinvented by innovative and creative architectural practices. People meet in new and responsive ways, architects meet their clients in new forums, knowledge is ‘met’ and achieved in new and interactive frameworks. It contrasts bluntly with the commercially structured interactions of shopping malls and the increasingly deliberate interactions available in cultural institutions. These experiences imbue a new type of client; casually engaged, flocking, hacking, crowd funding and self-helping.
Pavilions, pop ups and parasols: the impact of real and virtual meeting on physical space
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$43.95
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Résumé:
Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social media such as Facebook, Twitter and Instagram. The nexus between real and virtual meeting is effectively being reinvented by innovative and creative architectural practices. People meet in new and responsive ways, architects meet their clients in new forums, knowledge is ‘met’ and achieved in new and interactive frameworks. It contrasts bluntly with the commercially structured interactions of shopping malls and the increasingly deliberate interactions available in cultural institutions. These experiences imbue a new type of client; casually engaged, flocking, hacking, crowd funding and self-helping.
Classification:
périodiques
périodiques
Publication:
juin 2015
juin 2015
Sujet:
Revues
Revues
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livres
livres
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Description:
x, 580 pages : illustrations, maps ; 26 cm
Description:
x, 580 pages : illustrations, maps ; 26 cm
Auteur:
Sujet:
Publication:
Minneapolis : University of Minnesota Press, ©1999.
Minneapolis : University of Minnesota Press, ©1999.
Titre:
New York, Chicago, Los Angeles : America's global cities / Janet L. Abu-Lughod.
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Description:
x, 580 pages : illustrations, maps ; 26 cm
New York, Chicago, Los Angeles : America's global cities / Janet L. Abu-Lughod.
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Description:
x, 580 pages : illustrations, maps ; 26 cm
Classification:
livres
livres
Publication:
Minneapolis : University of Minnesota Press, ©1999.
Minneapolis : University of Minnesota Press, ©1999.
Auteur:
Sujet:
