33487 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1989-2002
1989-2002
Titre:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1989-2002
1989-2002
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Personnes et institutions:
Date:
1984-2003
1984-2003
Titre:
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Fonds Kuwabara Payne Mckenna Blumberg
Actions:
AP056
Résumé:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1984-2003
1984-2003
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Localisation:
Salles principales
Salles principales
Date:
19 octobre 1994 au 8 janvier 1995
19 octobre 1994 au 8 janvier 1995
Titre:
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Classification:
expositions
expositions
Date:
19 octobre 1994 au
8 janvier 1995
19 octobre 1994 au
8 janvier 1995
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Localisation:
Salles principales
Salles principales
Date:
10 juin 1992 au 2 août 1992
10 juin 1992 au 2 août 1992
Titre:
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Le cubisme tchèque : architecture et design, 1910-1925
Actions:
Description:
Enthousiasmés par les vues radicalement nouvelles de l’art cubiste, et animés par le désir d’introduire une esthétique entièrement différente et de manifester leur présence sur la scène politique, les cubistes tchèques ont créé non seulement des œuvres remarquables et visionnaires, mais ils sont passés de la théorie à la pratique. Le cubisme tchèque : architecture et(...)
Classification:
expositions
expositions
Date:
10 juin 1992 au
2 août 1992
10 juin 1992 au
2 août 1992
Localisation:
Salles principales
Salles principales
Classification:
dessins
dessins
Titre:
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
Numéro de référence:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1929
1929
Titre:
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Date:
May 1937
May 1937
Titre:
Wayfarers' Chapel, Palos Verdes, California: Contour map of Filiorum Corporation property, including chapel site
Actions:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Wayfarers' Chapel, Palos Verdes, California: Contour map of Filiorum Corporation property, including chapel site
Actions:
DR1987:0567
Description:
- This graphite drawing of the contour lines and topographical features of the property held by the Filiorum Corporation on the Palos Verdes estates shows the future site for Wayfarers' Chapel. The graphite drawing is partitioned with a square grid, which was possibly drawn by a member of Lloyd Wright's office, because it is in the same media as the inscription "JESTER CHAPEL", one of the early names used by the architect for the project.
Classification:
dessins
dessins
Date:
May 1937
May 1937
Personnes et institutions:
Sujet:
architecture, topographique
architecture, topographique
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Wall House 2 (Bye House)
Wall House 2 (Bye House)
Numéro de référence:
AP145.S2.D31.SD2
Description:
Sub-file documents a project for a house for landscape architect A.E. Bye for a site in Ridgefield, Connecticut. The original commission fell through, but the house was eventually built, enlarged by 20 percent, on a new commission in Groningen, Netherlands in 2001. Material in this file was produced between 1972 and 1976. Sub-file contains conceptual drawings, design development drawings, presentation drawings, working drawings, and textual records.
AP145.S2.D31.SD2
Description:
Sub-file documents a project for a house for landscape architect A.E. Bye for a site in Ridgefield, Connecticut. The original commission fell through, but the house was eventually built, enlarged by 20 percent, on a new commission in Groningen, Netherlands in 2001. Material in this file was produced between 1972 and 1976. Sub-file contains conceptual drawings, design development drawings, presentation drawings, working drawings, and textual records.
Personnes et institutions:
Date:
1972-1976
1972-1976
Titre:
Wall House 2 (Bye House)
Actions:
AP145.S2.D31.SD2
Description:
Sub-file documents a project for a house for landscape architect A.E. Bye for a site in Ridgefield, Connecticut. The original commission fell through, but the house was eventually built, enlarged by 20 percent, on a new commission in Groningen, Netherlands in 2001. Material in this file was produced between 1972 and 1976. Sub-file contains conceptual drawings, design development drawings, presentation drawings, working drawings, and textual records.
Wall House 2 (Bye House)
Actions:
AP145.S2.D31.SD2
Description:
Sub-file documents a project for a house for landscape architect A.E. Bye for a site in Ridgefield, Connecticut. The original commission fell through, but the house was eventually built, enlarged by 20 percent, on a new commission in Groningen, Netherlands in 2001. Material in this file was produced between 1972 and 1976. Sub-file contains conceptual drawings, design development drawings, presentation drawings, working drawings, and textual records.
Niveau de description archivistique:
Sub-file 2
Sub-file 2
Date:
1972-1976
1972-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Expo'67 Stadium
Expo'67 Stadium
Numéro de référence:
AP163.S2.SS1.D40
Description:
File documents Victor Prus's project for the Expo '67 Stadium in Montréal, in collaboration with architect Maurice Desnoyers. Materials in this file were produced between 1962 and 1971 but predominantly between 1962 and 1967. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meetings notes, reports and specifications, periodical issues with articles about the Stadium and a book.
AP163.S2.SS1.D40
Description:
File documents Victor Prus's project for the Expo '67 Stadium in Montréal, in collaboration with architect Maurice Desnoyers. Materials in this file were produced between 1962 and 1971 but predominantly between 1962 and 1967. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meetings notes, reports and specifications, periodical issues with articles about the Stadium and a book.
Personnes et institutions:
Date:
1962-1971
1962-1971
Titre:
Expo'67 Stadium
Actions:
AP163.S2.SS1.D40
Description:
File documents Victor Prus's project for the Expo '67 Stadium in Montréal, in collaboration with architect Maurice Desnoyers. Materials in this file were produced between 1962 and 1971 but predominantly between 1962 and 1967. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meetings notes, reports and specifications, periodical issues with articles about the Stadium and a book.
Expo'67 Stadium
Actions:
AP163.S2.SS1.D40
Description:
File documents Victor Prus's project for the Expo '67 Stadium in Montréal, in collaboration with architect Maurice Desnoyers. Materials in this file were produced between 1962 and 1971 but predominantly between 1962 and 1967. The file contains drawings, including conceptual, design development, presentation and working drawings, textual records, including correspondence, meetings notes, reports and specifications, periodical issues with articles about the Stadium and a book.
Niveau de description archivistique:
File 40
File 40
Date:
1962-1971
1962-1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S5.D1
Description:
Le dossier documente la participation de Rousseau à l'exposition "Les tables urbaines 1, une idée en or", tenue dans la Galerie Christiane Chassay, à Montréal, Québec, du 4 au 25 octobre 1986. L'exposition collective comptait 11 artistes et des architectes. Le dossier contient des documents textuels, des reprographies, des photographies et des dessins. Description du projet : "Dans la mesure du présentable et dans la démesure de l'imprésentable, la maquette de Jacques Rousseau met en situation deux lieux construits en parallèle, la surface terrestre et le sous-sol s'occultant réciproquement." Gaston St-Pierre, " Du poétique de la maquette et de ses répliques ", p. 5. 66-E-001-002T.
AP066.S5.D1
Description:
Le dossier documente la participation de Rousseau à l'exposition "Les tables urbaines 1, une idée en or", tenue dans la Galerie Christiane Chassay, à Montréal, Québec, du 4 au 25 octobre 1986. L'exposition collective comptait 11 artistes et des architectes. Le dossier contient des documents textuels, des reprographies, des photographies et des dessins. Description du projet : "Dans la mesure du présentable et dans la démesure de l'imprésentable, la maquette de Jacques Rousseau met en situation deux lieux construits en parallèle, la surface terrestre et le sous-sol s'occultant réciproquement." Gaston St-Pierre, " Du poétique de la maquette et de ses répliques ", p. 5. 66-E-001-002T.
Personnes et institutions:
Date:
4-25 octobre 1986
4-25 octobre 1986
Titre:
Du poétique de la maquette et de ses répliques - "Les tables urbaines I - une idée en or"
Actions:
AP066.S5.D1
Description:
Le dossier documente la participation de Rousseau à l'exposition "Les tables urbaines 1, une idée en or", tenue dans la Galerie Christiane Chassay, à Montréal, Québec, du 4 au 25 octobre 1986. L'exposition collective comptait 11 artistes et des architectes. Le dossier contient des documents textuels, des reprographies, des photographies et des dessins. Description du projet : "Dans la mesure du présentable et dans la démesure de l'imprésentable, la maquette de Jacques Rousseau met en situation deux lieux construits en parallèle, la surface terrestre et le sous-sol s'occultant réciproquement." Gaston St-Pierre, " Du poétique de la maquette et de ses répliques ", p. 5. 66-E-001-002T.
Du poétique de la maquette et de ses répliques - "Les tables urbaines I - une idée en or"
Actions:
AP066.S5.D1
Description:
Le dossier documente la participation de Rousseau à l'exposition "Les tables urbaines 1, une idée en or", tenue dans la Galerie Christiane Chassay, à Montréal, Québec, du 4 au 25 octobre 1986. L'exposition collective comptait 11 artistes et des architectes. Le dossier contient des documents textuels, des reprographies, des photographies et des dessins. Description du projet : "Dans la mesure du présentable et dans la démesure de l'imprésentable, la maquette de Jacques Rousseau met en situation deux lieux construits en parallèle, la surface terrestre et le sous-sol s'occultant réciproquement." Gaston St-Pierre, " Du poétique de la maquette et de ses répliques ", p. 5. 66-E-001-002T.
Niveau de description archivistique:
Dossier 1
Dossier 1
Date:
4-25 octobre 1986
4-25 octobre 1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP066.S5.D4
Description:
Le dossier documente la participation de Jacques Rousseau à l'exposition "Fondation", tenu dans la salle Sottsass au Centre Canadien d'Architecture, à Montréal, Québec, en 1996, du 24 mai au 4 aout 1996. Le dossier contient des documents textuels, des documents photographique et une peinture. Description du projet: "Sur le toît de cette maison-table-mausolée sont déposées, comme des offrandes, les maquettes des projets fondateurs de la démarche de Jacques Rousseau; un appel à l'engagement dans le travail personnel plutôt qu'à la recherche de dogme, de modes ou de paroles salvatrices." Georges Adamczyk, "Paroles", dans Installations architecturales: 5 architectes québécois au CCA, Montréal, Centre Canadien d'Architecture, 1999, p. 20.
AP066.S5.D4
Description:
Le dossier documente la participation de Jacques Rousseau à l'exposition "Fondation", tenu dans la salle Sottsass au Centre Canadien d'Architecture, à Montréal, Québec, en 1996, du 24 mai au 4 aout 1996. Le dossier contient des documents textuels, des documents photographique et une peinture. Description du projet: "Sur le toît de cette maison-table-mausolée sont déposées, comme des offrandes, les maquettes des projets fondateurs de la démarche de Jacques Rousseau; un appel à l'engagement dans le travail personnel plutôt qu'à la recherche de dogme, de modes ou de paroles salvatrices." Georges Adamczyk, "Paroles", dans Installations architecturales: 5 architectes québécois au CCA, Montréal, Centre Canadien d'Architecture, 1999, p. 20.
Personnes et institutions:
Date:
24 mai-4 aout 1996
24 mai-4 aout 1996
Titre:
Exposition "Fondation" au Centre Canadien d'Architecture
Actions:
AP066.S5.D4
Description:
Le dossier documente la participation de Jacques Rousseau à l'exposition "Fondation", tenu dans la salle Sottsass au Centre Canadien d'Architecture, à Montréal, Québec, en 1996, du 24 mai au 4 aout 1996. Le dossier contient des documents textuels, des documents photographique et une peinture. Description du projet: "Sur le toît de cette maison-table-mausolée sont déposées, comme des offrandes, les maquettes des projets fondateurs de la démarche de Jacques Rousseau; un appel à l'engagement dans le travail personnel plutôt qu'à la recherche de dogme, de modes ou de paroles salvatrices." Georges Adamczyk, "Paroles", dans Installations architecturales: 5 architectes québécois au CCA, Montréal, Centre Canadien d'Architecture, 1999, p. 20.
Exposition "Fondation" au Centre Canadien d'Architecture
Actions:
AP066.S5.D4
Description:
Le dossier documente la participation de Jacques Rousseau à l'exposition "Fondation", tenu dans la salle Sottsass au Centre Canadien d'Architecture, à Montréal, Québec, en 1996, du 24 mai au 4 aout 1996. Le dossier contient des documents textuels, des documents photographique et une peinture. Description du projet: "Sur le toît de cette maison-table-mausolée sont déposées, comme des offrandes, les maquettes des projets fondateurs de la démarche de Jacques Rousseau; un appel à l'engagement dans le travail personnel plutôt qu'à la recherche de dogme, de modes ou de paroles salvatrices." Georges Adamczyk, "Paroles", dans Installations architecturales: 5 architectes québécois au CCA, Montréal, Centre Canadien d'Architecture, 1999, p. 20.
Niveau de description archivistique:
Dossier 4
Dossier 4
Date:
24 mai-4 aout 1996
24 mai-4 aout 1996
Personnes et institutions:
