16899 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
PHCON2002:0016:006:104
PHCON2002:0016:006:104
Personnes et institutions:
Date:
late 1978
late 1978
Classification:
documents textuels
documents textuels
Date:
late 1978
late 1978
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
Personnes et institutions:
Date:
circa 1982
circa 1982
Titre:
Photograph of the installation, A Chicago Construction
Actions:
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
Photograph of the installation, A Chicago Construction
Actions:
DR2012:0015:033
Description:
Panel of A Chicago construction outside the original location of the Museum of Contemporary Art, Chicago.
Classification:
dessins
dessins
Date:
circa 1982
circa 1982
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of the School of Gladiators: the Fight, painting by Giorgio de Chirico, 1928
Actions:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of the School of Gladiators: the Fight, painting by Giorgio de Chirico, 1928
Actions:
PH2018:0005:032
Description:
Photograph by Stefano Graziani of the following work: Giorgio de Chirico, The School of Gladiators: the Fight, 1928, Living room, Casa Museo Boschi Di Stefano, Milan Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
Centro Cultural de la Defensa - 1º Fase - 2º Fase [La Defensa Cultural Centre, first and second phases], Madrid, Spain (1988)
Actions:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Centro Cultural de la Defensa - 1º Fase - 2º Fase [La Defensa Cultural Centre, first and second phases], Madrid, Spain (1988)
Actions:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Niveau de description archivistique:
Project
Project
Date:
1988-1990
1988-1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
Personnes et institutions:
Date:
February 1995
February 1995
Titre:
Sketchbook 389: Serralves - Metro
Actions:
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
Sketchbook 389: Serralves - Metro
Actions:
AP178.S2.1995.002
Description:
This sketchbook includes sketches of people and for the Museum of Contemporary Art of the Serralves Foundation.
Classification:
dessins
dessins
Date:
February 1995
February 1995
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Alternatives in Retrospect
Alternatives in Retrospect
Numéro de référence:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Personnes et institutions:
Date:
1981
1981
Titre:
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Niveau de description archivistique:
File 4
File 4
Date:
1981
1981
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH260277
Description:
4 files labelled "U.S.A. Indianapolis, Indiana" - correspondence (James Architects and Engineers), memos, information on New Indiana State Museum, Indianapolis Art Museum, New State Courts Building, Indianapolis Center General Plan, Indiana Capital Complex Master Plan, aerial photos of central Indianapolis
ARCH260277
Description:
4 files labelled "U.S.A. Indianapolis, Indiana" - correspondence (James Architects and Engineers), memos, information on New Indiana State Museum, Indianapolis Art Museum, New State Courts Building, Indianapolis Center General Plan, Indiana Capital Complex Master Plan, aerial photos of central Indianapolis
Personnes et institutions:
Date:
1984-1987
1984-1987
Titre:
Correspondence, memos, photographs and documentation on Indianapolis, Indiana
Actions:
ARCH260277
Description:
4 files labelled "U.S.A. Indianapolis, Indiana" - correspondence (James Architects and Engineers), memos, information on New Indiana State Museum, Indianapolis Art Museum, New State Courts Building, Indianapolis Center General Plan, Indiana Capital Complex Master Plan, aerial photos of central Indianapolis
Correspondence, memos, photographs and documentation on Indianapolis, Indiana
Actions:
ARCH260277
Description:
4 files labelled "U.S.A. Indianapolis, Indiana" - correspondence (James Architects and Engineers), memos, information on New Indiana State Museum, Indianapolis Art Museum, New State Courts Building, Indianapolis Center General Plan, Indiana Capital Complex Master Plan, aerial photos of central Indianapolis
Classification:
documents textuels
documents textuels
Date:
1984-1987
1984-1987
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Localisation:
Salles principales
Salles principales
Date:
19 juillet 1994 au 25 septembre 1994
19 juillet 1994 au 25 septembre 1994
Titre:
Le renouveau palladien : la villa et les jardins de Lord Burlington à Chiswick
Actions:
Description:
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Le renouveau palladien : la villa et les jardins de Lord Burlington à Chiswick
Actions:
Description:
Tout comme la villa Rotonda d’Andrea Palladio a contribué à définir, pour les générations suivantes, l’architecture de la Renaissance en Italie, Chiswick est le locus classicus du renouveau palladien au XVIIIe siècle. L’exposition suit le déroulement de la pensée d’un grand architecte qui transforme successivement ses sources d’inspiration en projet architectural, puis(...)
Classification:
expositions
expositions
Date:
19 juillet 1994 au
25 septembre 1994
19 juillet 1994 au
25 septembre 1994
Localisation:
Salles principales
Salles principales
Classification:
photographies
photographies
Titre:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
Numéro de référence:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Lucretia, a painting by Lucas Cranach the Elder, ca.1535-40
Actions:
PH2018:0005:001
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, Lucretia, c. 1535-40 oil on wood, 79 x 64 cm, Kunstmuseum Basel, purchased 1934, inv. 1628 Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
Personnes et institutions:
Date:
1991-1997
1991-1997
Titre:
Correspondence, photographs, press clippings, and sketches related to exhibition "Displacements: the Work of Melvin Charney"
Actions:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
Correspondence, photographs, press clippings, and sketches related to exhibition "Displacements: the Work of Melvin Charney"
Actions:
DR2012:0012:085:025
Description:
File containing documents in English (predominant), Hebrew, and French, including correspondence, photographs, and press clippings, and sketches related to the exhibition, Displacements: the Work of Melvin Charney, at the Israel Museum, Jerusalem. Original folder inscribed in graphite: THE ISRAEL MUSEUM / 1991-1996
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
1991-1997
1991-1997
Personnes et institutions:
