12553 Résultats
Classification:
dessins
dessins
![Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s](/img-collection/yhlqF2gHeRgyaFHuQPZYmznRFwY=/500x294/9335.jpg)
Numéro de référence:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
contracted 20 September 1862
contracted 20 September 1862
Titre:
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Classification:
dessins
dessins
Date:
contracted 20 September 1862
contracted 20 September 1862
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Personnes et institutions:
Date:
1949-2001
1949-2001
Titre:
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Niveau de description archivistique:
Project
Project
Date:
1949-2001
1949-2001
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S2.002
Description:
This directory chiefly contains working files related to MarkeTrac and OrderTrac. This includes a large number of renderings and other image files, as well as some related presentation files, meeting notes, and documentation. Notably, there are also a number of videos which show projectors using light to manipulate a room, possibly related to Asymptote's research into virtual reality. This material was initially located on the hard drive. Most common file formats: JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format
AP184.S2.002
Description:
This directory chiefly contains working files related to MarkeTrac and OrderTrac. This includes a large number of renderings and other image files, as well as some related presentation files, meeting notes, and documentation. Notably, there are also a number of videos which show projectors using light to manipulate a room, possibly related to Asymptote's research into virtual reality. This material was initially located on the hard drive. Most common file formats: JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format
Personnes et institutions:
Date:
8 December 1995 - 17 October 2005
8 December 1995 - 17 October 2005
Titre:
Digital presentation handout files of MarkeTrac and OrderTrac
Actions:
AP184.S2.002
Description:
This directory chiefly contains working files related to MarkeTrac and OrderTrac. This includes a large number of renderings and other image files, as well as some related presentation files, meeting notes, and documentation. Notably, there are also a number of videos which show projectors using light to manipulate a room, possibly related to Asymptote's research into virtual reality. This material was initially located on the hard drive. Most common file formats: JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format
Digital presentation handout files of MarkeTrac and OrderTrac
Actions:
AP184.S2.002
Description:
This directory chiefly contains working files related to MarkeTrac and OrderTrac. This includes a large number of renderings and other image files, as well as some related presentation files, meeting notes, and documentation. Notably, there are also a number of videos which show projectors using light to manipulate a room, possibly related to Asymptote's research into virtual reality. This material was initially located on the hard drive. Most common file formats: JPEG File Interchange Format, Adobe Photoshop, Tagged Image File Format
Classification:
né numérique
né numérique
Date:
8 December 1995 - 17 October 2005
8 December 1995 - 17 October 2005
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH267676
Description:
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s), including plans, facades, details, and building materials, as well as furniture. Some sketches are annotated by the artist and include mathematical calculations. It is likely that sketche(s) depict buildings in Chandigarh, India. Further research is required. Also contains: - A drawing depicting a colossus with a foot in Chandigarh and a foot in Durgapur. - Notes pertaning to the construction and design of unidentified buildings. - Notes pertaining to the use of building materials.
ARCH267676
Description:
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s), including plans, facades, details, and building materials, as well as furniture. Some sketches are annotated by the artist and include mathematical calculations. It is likely that sketche(s) depict buildings in Chandigarh, India. Further research is required. Also contains: - A drawing depicting a colossus with a foot in Chandigarh and a foot in Durgapur. - Notes pertaning to the construction and design of unidentified buildings. - Notes pertaining to the use of building materials.
Personnes et institutions:
Date:
between 1951-1962
between 1951-1962
Titre:
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s)
Actions:
ARCH267676
Description:
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s), including plans, facades, details, and building materials, as well as furniture. Some sketches are annotated by the artist and include mathematical calculations. It is likely that sketche(s) depict buildings in Chandigarh, India. Further research is required. Also contains: - A drawing depicting a colossus with a foot in Chandigarh and a foot in Durgapur. - Notes pertaning to the construction and design of unidentified buildings. - Notes pertaining to the use of building materials.
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s)
Actions:
ARCH267676
Description:
Sketches by Pierre Jeanneret depicting studies for dwelling(s) and other building(s), including plans, facades, details, and building materials, as well as furniture. Some sketches are annotated by the artist and include mathematical calculations. It is likely that sketche(s) depict buildings in Chandigarh, India. Further research is required. Also contains: - A drawing depicting a colossus with a foot in Chandigarh and a foot in Durgapur. - Notes pertaning to the construction and design of unidentified buildings. - Notes pertaining to the use of building materials.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
between 1951-1962
between 1951-1962
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AR1996:1001:231
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
AR1996:1001:231
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
contracted 20 September 1862
contracted 20 September 1862
Titre:
Sections for a pilaster for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:231
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Sections for a pilaster for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:231
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Classification:
dessins
dessins
Date:
contracted 20 September 1862
contracted 20 September 1862
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
événements
événements
Titre:
Images parlantes, un circuit
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Mot(s)-clé(s):
Andrew W. Mellon Foundation, photographie, photographies, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
Andrew W. Mellon Foundation, photographie, photographies, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
Date:
14 octobre 2017, 16h
14 octobre 2017, 16h
Titre:
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Images parlantes, un circuit
Actions:
Description:
Tout au long d’un parcours d’interventions et d’installations en neuf segments à travers les espaces du CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela et Peter Sealy nous proposent de réfléchir aux relations essentielles et créatives qui unissent photographie et architecture. Au cours des dix huit(...)
Classification:
événements
événements
Date:
14 octobre 2017
16h
14 octobre 2017
16h
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Niveau de description archivistique:
Series
Series
Date:
1963-1996
1963-1996
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Personnes et institutions:
Date:
2003-2005
2003-2005
Titre:
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Exhibition at the Smith College, Northampton, Massachusetts (circa 2003)
Actions:
AP075.S2.SS4
Description:
This sub-series documents an exhibition held at the Smith College in Northampton, Massachusetts on Cornelia Hahn Oberlander and a selection of her landscape project in 2003. Oberlander's projects exhibited included Robson Square Provincial Government Complex (1974-1982), Museum of Anthropology (1975-1977), National Gallery of Canada (1983-1990), Canadian Chancery (1983-1990), Library Square (1992-1995), Liu Centre for Global Studies (1992), C. K. Choi Institute of Asian Research, University of British Columbia (1993-1996), Jim Everett Memorial Park (2000-2001), New York Times Building (2001), and Wellesley Central Health Corporation Neighbourhood Project (2003). Each projects were divided under five themes: Nature, Science, Space, Art and the Future. The sub-series also includes some documents related to the application for another exhibition at the Smith College in 2005 entitled "Designed Landscape: A Smith College Alumnae Exhibit". The sub-series contains correspondence, draft exhibition texts, proof of the presentation panels, including digital versions, and some installation plans. Document related to the 2005 exhibition project includes correspondence with Smith College and application form.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
2003-2005
2003-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Personnes et institutions:
Date:
2004-2009
2004-2009
Titre:
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Niveau de description archivistique:
Project
Project
Date:
2004-2009
2004-2009
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications
Publications
Numéro de référence:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Personnes et institutions:
Date:
1992-2018
1992-2018
Titre:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Niveau de description archivistique:
Series
Series
Date:
1992-2018
1992-2018
Personnes et institutions:
