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Résumé:
With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
The architecture of the screen
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With the birth of film came the birth of a revolutionary visual language. This book examines the relationship between the visual language of film and the onscreen perception of space and architectural design, revealing how film's visual vocabulary influenced architecture in the twentieth century and continues to influence it today.
$27.95
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also(...)
Corridor: media architecture in american fiction
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Corridor offers a series of conceptually provocative readings that illuminate a hidden and surprising relationship between architectural space and modern American fiction. By paying close attention to fictional descriptions of some of modernity's least remarkable structures, Kate Marshall discovers a rich network of connections between corridors and novels, one that also sheds new light on the nature of modern media.
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
World film locations : Venice
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From one of the earliest mobile shots in film history — a voyage up the Grand Canal shot in 1896 — to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the(...)
World film locations : Vancouver
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World Film Locations : Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages.
$27.95
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Résumé:
This book serves as an introduction to the city for film enthusiasts, visitors, and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization, and child poverty.
septembre 2013
World film locations: São Paulo
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This book serves as an introduction to the city for film enthusiasts, visitors, and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization, and child poverty.
$65.00
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In this imaginative and scholarly book, Steven Jacobs explores the architectural elements of Alfred Hitchcock's films and the vital role they played in providing atmosphere and facilitating plot development. Hitchcock famously left nothing to chance, and from the Greenwich Village apartment that provided the set for Rear Window or the now-iconic Bates house in Psycho,(...)
The wrong house: the architecture of Alfred Hitchcock
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In this imaginative and scholarly book, Steven Jacobs explores the architectural elements of Alfred Hitchcock's films and the vital role they played in providing atmosphere and facilitating plot development. Hitchcock famously left nothing to chance, and from the Greenwich Village apartment that provided the set for Rear Window or the now-iconic Bates house in Psycho, every architectural entity plays a significant role both in setting the scene and in advancing the suspenseful narratives of which Hitchcock was master. Having worked as a set designer in the early 1920s, the director remained intimately involved with his films' sets throughout his entire career.
livres
Description:
694 pages : illustrations ; 27 cm
New York : Bard Graduate Center ; Helsinki : Alvar Aalto Foundation, [2021?], New Haven : Yale University Press
Artek and the Aaltos / Nina Stritzler-Levine with Timo Riekko, editors ; Harry Charrington [and others]
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Description:
694 pages : illustrations ; 27 cm
livres
New York : Bard Graduate Center ; Helsinki : Alvar Aalto Foundation, [2021?], New Haven : Yale University Press
livres
Description:
176 pages : illustrations (some color) ; 29 cm
Erin, Ont. : Boston Mills Press, ©1983.
Turn out the stars before leaving / John C. Lindsay.
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Description:
176 pages : illustrations (some color) ; 29 cm
livres
Erin, Ont. : Boston Mills Press, ©1983.
livres
Description:
xi, 228 pages : illustrations (some color) ; 28 cm
Toronto : Lynx Images, ©1999.
Palaces of the night : Canada's grand theatres / by John C. Lindsay.
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Description:
xi, 228 pages : illustrations (some color) ; 28 cm
livres
Toronto : Lynx Images, ©1999.
livres
Description:
15 pages ; 28 cm.
Monticello, Ill. : Vance Bibliographies, 1981.
Movie theater architecture : a bibliography / Donald H. Dyal.
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Description:
15 pages ; 28 cm.
livres
Monticello, Ill. : Vance Bibliographies, 1981.