12611 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Study of human settlements
Study of human settlements
Numéro de référence:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Personnes et institutions:
Date:
1985-1993
1985-1993
Titre:
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Niveau de description archivistique:
Project
Project
Date:
1985-1993
1985-1993
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Personnes et institutions:
Date:
circa 1980--2019
circa 1980--2019
Titre:
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Niveau de description archivistique:
Series
Series
Date:
circa 1980--2019
circa 1980--2019
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Personnes et institutions:
Date:
1994-2005
1994-2005
Titre:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1994-2005
1994-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Personnes et institutions:
Date:
1994-2014
1994-2014
Titre:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Niveau de description archivistique:
Project
Project
Date:
1994-2014
1994-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1978-2018
circa 1978-2018
Titre:
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1978-2018
circa 1978-2018
Personnes et institutions:
Classification:
articles
articles
Titre:
Mettre en doute les seuils
Mettre en doute les seuils
Actions:
Tairan An, Pinar Kutluay, Samuel Dubois
Mot(s)-clé(s):
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Publié:
18 septembre 2023
18 septembre 2023
Classification:
expositions
expositions
Titre:
Espaces oscillants
Espaces oscillants
Actions:
Localisation:
Salle octogonale
Salle octogonale
Date:
25 avril 2025 au 1 février 2026
25 avril 2025 au 1 février 2026
Classification:
expositions
expositions
Date:
25 avril 2025 au
1 février 2026
25 avril 2025 au
1 février 2026
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Classification:
documents textuels
documents textuels
Date:
1975-1978
1975-1978
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Ciudad del Sol collection
Ciudad del Sol collection
Numéro de référence:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Personnes et institutions:
Date:
1907 - 1913
1907 - 1913
Titre:
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Classification:
archives
Niveau de description archivistique:
collection documentaire
archives
Niveau de description archivistique:
collection documentaire
Date:
1907 - 1913
1907 - 1913
Personnes et institutions:
