12553 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1978-2018
circa 1978-2018
Titre:
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
La Mia Casa All'Elba [My House on Elba], Vittocio, Italy (1978-2012)
Actions:
AP207.S1.1978.PR01
Description:
The project series documents "La Mia Casa All'Elba", Pettena's house in Viticcio on the Island of Elba. The project, started in 1978, remained an ongoing project as the house has undergone many transformations over the years. The residence "is conditioned by its relationship with the physical context, the material and the working of space." [1] Pettena even reused some of the material already on site to build the residence. The house is comprised of different pavilions and spaces interconnected by small paths: "The house has progressively been defined as a sequence of spaces connected by routes, just like in a village. So it goes on growing almost like a primitive village, through intentions, successive organizations of spaces that define one another and are linked together." [2] The project series contains a sketch, plans, perspective drawings of the house and later additions. The project series is also comprised of photographs, including interior views showing artworks, photographs of Elba possibly used for research, and two videocassettes possibly with recordings of TV shows presenting the house. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-my-house-on-elba-1978-12/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1978-2018
circa 1978-2018
Personnes et institutions:
Classification:
articles
articles
Titre:
Mettre en doute les seuils
Mettre en doute les seuils
Actions:
Tairan An, Pinar Kutluay, Samuel Dubois
Mot(s)-clé(s):
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Outils d’aujourd’hui 2021, Légalités pour vivre, Programme de résidences de recherche pour doctorants, recherche, Mettre en doute,
Publié:
18 septembre 2023
18 septembre 2023
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Personnes et institutions:
Date:
1975-1978
1975-1978
Titre:
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
Classification:
documents textuels
documents textuels
Date:
1975-1978
1975-1978
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Ciudad del Sol collection
Ciudad del Sol collection
Numéro de référence:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Personnes et institutions:
Date:
1907 - 1913
1907 - 1913
Titre:
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Ciudad del Sol collection
Actions:
CD050
Résumé:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
Classification:
archives
Niveau de description archivistique:
collection documentaire
archives
Niveau de description archivistique:
collection documentaire
Date:
1907 - 1913
1907 - 1913
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1978.PR05
Description:
This project series documents the Ontario Congress and Trade Centre in Toronto from 1978-1980. The office identified the project number as 7807. This project consisted of the investigation of building a congress and trade centre on Front Street West. The project proposed a 519,500 square foot building with a 200,000 square foot exhibition hall that could be divided for smaller events. The building would also contain a multiuse hall, theatres, meeting rooms, offices, food and beverage facilities, and a 1300 car parking area. The project was proposed to cost around $73 million. The project is also referred to as the Toronto Convention Centre or Ontario Convention Centre. The majority of the textual documentation shows the controversial debate over whether the centre should be built, including numerous press clippings that highlight the issue. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, this project contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings and textual records dating from 1976-1981. The drawings largely show designs for the proposed building and site plans. The textual records include correspondence, meeting minutes, interoffice memos, project proposals, feasibility reports, press clippings on the project and on other convention centres, research documentation on other convention centres, documentation on a proposed hotel to be built on the centre and promotional materials.
AP018.S1.1978.PR05
Description:
This project series documents the Ontario Congress and Trade Centre in Toronto from 1978-1980. The office identified the project number as 7807. This project consisted of the investigation of building a congress and trade centre on Front Street West. The project proposed a 519,500 square foot building with a 200,000 square foot exhibition hall that could be divided for smaller events. The building would also contain a multiuse hall, theatres, meeting rooms, offices, food and beverage facilities, and a 1300 car parking area. The project was proposed to cost around $73 million. The project is also referred to as the Toronto Convention Centre or Ontario Convention Centre. The majority of the textual documentation shows the controversial debate over whether the centre should be built, including numerous press clippings that highlight the issue. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, this project contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings and textual records dating from 1976-1981. The drawings largely show designs for the proposed building and site plans. The textual records include correspondence, meeting minutes, interoffice memos, project proposals, feasibility reports, press clippings on the project and on other convention centres, research documentation on other convention centres, documentation on a proposed hotel to be built on the centre and promotional materials.
Personnes et institutions:
Date:
1976-1981
1976-1981
Titre:
Ontario Congress and Trade Centre, Toronto (1978-1981)
Actions:
AP018.S1.1978.PR05
Description:
This project series documents the Ontario Congress and Trade Centre in Toronto from 1978-1980. The office identified the project number as 7807. This project consisted of the investigation of building a congress and trade centre on Front Street West. The project proposed a 519,500 square foot building with a 200,000 square foot exhibition hall that could be divided for smaller events. The building would also contain a multiuse hall, theatres, meeting rooms, offices, food and beverage facilities, and a 1300 car parking area. The project was proposed to cost around $73 million. The project is also referred to as the Toronto Convention Centre or Ontario Convention Centre. The majority of the textual documentation shows the controversial debate over whether the centre should be built, including numerous press clippings that highlight the issue. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, this project contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings and textual records dating from 1976-1981. The drawings largely show designs for the proposed building and site plans. The textual records include correspondence, meeting minutes, interoffice memos, project proposals, feasibility reports, press clippings on the project and on other convention centres, research documentation on other convention centres, documentation on a proposed hotel to be built on the centre and promotional materials.
Ontario Congress and Trade Centre, Toronto (1978-1981)
Actions:
AP018.S1.1978.PR05
Description:
This project series documents the Ontario Congress and Trade Centre in Toronto from 1978-1980. The office identified the project number as 7807. This project consisted of the investigation of building a congress and trade centre on Front Street West. The project proposed a 519,500 square foot building with a 200,000 square foot exhibition hall that could be divided for smaller events. The building would also contain a multiuse hall, theatres, meeting rooms, offices, food and beverage facilities, and a 1300 car parking area. The project was proposed to cost around $73 million. The project is also referred to as the Toronto Convention Centre or Ontario Convention Centre. The majority of the textual documentation shows the controversial debate over whether the centre should be built, including numerous press clippings that highlight the issue. It should be noted that Congress Centre and Convention Centre are used interchangeably in the materials. Eventually, this project contract was given to another architectural firm and today is known as the Metropolitan Toronto Convention Centre. The project is recorded through drawings and textual records dating from 1976-1981. The drawings largely show designs for the proposed building and site plans. The textual records include correspondence, meeting minutes, interoffice memos, project proposals, feasibility reports, press clippings on the project and on other convention centres, research documentation on other convention centres, documentation on a proposed hotel to be built on the centre and promotional materials.
Niveau de description archivistique:
Project
Project
Date:
1976-1981
1976-1981
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
Personnes et institutions:
Sujet:
architecture, design d'exposition
architecture, design d'exposition
Date:
negative exposed between 1949 and 1969
negative exposed between 1949 and 1969
Titre:
View of exhibition panels showing various projects by Mies van der Rohe
Actions:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
View of exhibition panels showing various projects by Mies van der Rohe
Actions:
DR1994:0014:016
Description:
- This photograph is of 19 photographic exhibition panels showing Tugendhat House (Brno, Czech Republic) [3 panels]; Pabellón Mies van der Rohe (Barcelona, Spain) [3 panels]; Promontory Apartment Building (Chicago, Ill.) [2 panels]; 860 and 880 Lake Shore Drive Apartments (Chicago, Ill.) [2 panels]; model for Cantor Commercial Center Office Building (Indianapolis, Indiana) [1 panel]; model for Cantor Drive-in Restaurant (Indianapolis, Indiana) [1 panel]; and various Illinois Institute of Technology (Chicago, Illinois) buildings including the Boiler Plant [2 panels], Minerals and Metals Research Building [1 panel]; unidentified views [2 panels]; and perspective drawings for unidentified buildings [2 panels].
Classification:
photographies
photographies
Date:
negative exposed between 1949 and 1969
negative exposed between 1949 and 1969
Personnes et institutions:
Sujet:
architecture, design d'exposition
architecture, design d'exposition
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Personnes et institutions:
Date:
2002-2010
2002-2010
Titre:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Niveau de description archivistique:
Series
Series
Date:
2002-2010
2002-2010
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Personnes et institutions:
Date:
1998-2002
1998-2002
Titre:
Documents d’archives de Peter Yeadon pour le Prix de Rome
Actions:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Documents d’archives de Peter Yeadon pour le Prix de Rome
Actions:
AP119
Résumé:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2002
1998-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
Niveau de description archivistique:
Project
Project
Date:
2001-2016
2001-2016
Personnes et institutions:
