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xliv, 461 pages ; 27 cm.
New York, NY : Routledge, 2018., ©2018
The Routledge companion to architecture and social engagement / edited by Farhan Karim.
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xliv, 461 pages ; 27 cm.
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New York, NY : Routledge, 2018., ©2018
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416 pages : illustrations (black and white), facsimiles ; 25 cm
Amsterdam : Valiz, [2018]
The long 1980s : constellations of art, politics and identities : a collection of microhistories / editors, Nick Aikens, Teresa Grandas, Nav Haq, Beatriz Herráez, Nataša Petrešin-Bachelez.
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416 pages : illustrations (black and white), facsimiles ; 25 cm
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Amsterdam : Valiz, [2018]
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xiv, 603 pages ; 22 cm
Québec : Presses de l'Université Laval, 2009.
Routes : éloge de l'autonomadie : une anthropologie du voyage, du nomadisme et de l'autonomie / Franck Michel.
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xiv, 603 pages ; 22 cm
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Québec : Presses de l'Université Laval, 2009.
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$86.95
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This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production(...)
Italian Design Beyond the Crisis - Autarky, Austerity, Autonomy
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$86.95
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This catalogue that accompanies the VII edition of the Triennale Design Museum, seeks to explore the creative potential induced by the crisis, ultimately responding to a fundamental question: “what did Italian design do when it found itself operated in a society with ‘its back against the wall’”? The volume focuses its attention on the theme of self-sufficient production in three different time periods: the 1930s (From autarky to autonomy), the 1970s (From austerity to participation) and the Noughties (From self-production to self-sufficiency).
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mai 2014
Design, époques et styles
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In ''The sovereign self', Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy-the sense that art should be autonomous from social forces while retaining the ability to reflect back(...)
The sovereign self: Aesthetic autonomy from the Enlightenment to the Avant-Garde
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In ''The sovereign self', Grant H. Kester examines the evolving discourse of aesthetic autonomy from its origins in the Enlightenment through avant-garde projects and movements in the nineteenth and twentieth centuries. Kester traces the idea of aesthetic autonomy-the sense that art should be autonomous from social forces while retaining the ability to reflect back critically on society-through Kant, Schiller, Hegel, Marx, and Adorno. Kester critiques the use of aesthetic autonomy as the basis for understanding the nature of art and the shifting relationship between art and revolutionary praxis. He shows that dominant discourses of aesthetic autonomy reproduce the very forms of bourgeois liberalism that autonomy discourse itself claims to challenge. Analyzing avant-garde art and political movements in Russia, India, Latin America, and elsewhere, Kester retheorizes the aesthetic beyond autonomy. Ultimately, Kester demonstrates that the question of aesthetic autonomy has ramifications that extend beyond art to encompass the nature of political transformation and forms of anticolonial resistance that challenge the Eurocentric concept of ''Man,'' upon which the aesthetic itself often depends.
Théorie de l’art
$33.00
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The Arctic Perspective Initiative (API) is a non-profit, international group of individuals and organizations focused on the global, cultural and ecological significance of the polar regions. In service of their mission to empower the people of the artic, this second volume in a series of related publications is dedicated to "Geopolitics and Autonomy."
Arctic perspective cahier no.2: Geopolitics and autonomy
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The Arctic Perspective Initiative (API) is a non-profit, international group of individuals and organizations focused on the global, cultural and ecological significance of the polar regions. In service of their mission to empower the people of the artic, this second volume in a series of related publications is dedicated to "Geopolitics and Autonomy."
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214 pages : illustrations ; 22 cm
Newcastle upon Tyne, England : Cambridge Scholars, 2011.
Mental life of the architectural historian : re-opening the early historiography of modern architecture / by Gevork Hartoonian.
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214 pages : illustrations ; 22 cm
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Newcastle upon Tyne, England : Cambridge Scholars, 2011.
$45.00
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This publication offers a renewed and radical theorization of the relations between capital and architecture. It explicates the theoretical gymnastics through which architecture legitimates its services to neoliberalism, examines the discipline’s production of platforms for happily compliant consumers, and challenges its entrepreneurial self-image. 'Critique of(...)
Critique of architecture: essays on theory, autonomy, and political economy
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This publication offers a renewed and radical theorization of the relations between capital and architecture. It explicates the theoretical gymnastics through which architecture legitimates its services to neoliberalism, examines the discipline’s production of platforms for happily compliant consumers, and challenges its entrepreneurial self-image. 'Critique of Architecture' also addresses the discourse of autonomy, questioning its capacity to engage effectively with the terms and conditions of capitalism today, analyses the post-political turns of contemporary architecture theory, and reckons with the legacies and limitations of critical theory.
Théorie de l’architecture
$30.95
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique(...)
The project of autonomy: politics and architecture within and against capitalism
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The Project of Autonomy radically rediscusses the concept of autonomy in politics and architecture by tracing a concise and polemical argument about its history in Italy in the 1960s and early 1970s. Architect and educator Pier Vittorio Aureli analyzes the position of the Operaism movement, formed by a group of intellectuals that produced a powerful and rigorous critique of capitalism and its intersections with two of the most radical architectural-urban theories of the day: Aldo Rossi's redefinition of the architecture of the city and Archizoom's No-stop City. Readers are introduced to major figures like Mario Tronti and Raniero Panzieri, who previously have been little known in the English-speaking world, especially in an architectural context, and to the political motivations behind the theories of Rossi and Archizoom. The book draws on significant new source material, including recent interviews by the author and untranslated documents.
Théorie de l’architecture
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Description:
1 volume : illustrations ; 28 cm + 2 booklets + 1 audio CD
[Paris] : Monum ; Editions du patrimoine, [2006]
Panthéon / Pierre Wachenheim, Hoëlle Corvest, Caroline Jules.
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1 volume : illustrations ; 28 cm + 2 booklets + 1 audio CD
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[Paris] : Monum ; Editions du patrimoine, [2006]