ARCH286641
circa 1996
PH1983:0275
architecture, design d'exposition
1930
architecture, design d'exposition
Projet
CI007.S1.1981.PR01
Description:
This project series contains an exterior view of the reconstructed German Pavilion of the Barcelona International Exhibition in Spain in 1986 by architects Cristian Cirici, Fernando Ramos and Ignasi Solà-Morales Rubió as an hommage to the work of Mies van der Rohe for the first and temporary pavilion designed by Mies van der Rohe, and build in 1929. The material in this series was produced in 1989 and the photograph taken by Klaus Frahm.
1989
German Pavilion Reconstruction for the Barcelona International Exhibition, Spain (1981-1986)
Actions:
CI007.S1.1981.PR01
Description:
This project series contains an exterior view of the reconstructed German Pavilion of the Barcelona International Exhibition in Spain in 1986 by architects Cristian Cirici, Fernando Ramos and Ignasi Solà-Morales Rubió as an hommage to the work of Mies van der Rohe for the first and temporary pavilion designed by Mies van der Rohe, and build in 1929. The material in this series was produced in 1989 and the photograph taken by Klaus Frahm.
project
1989
Projet
CI007.S2.1938.PR01
Description:
This project series contains photographs of the Circuit Exhibition designed by Mies van der Rohe at the Art Institute of Chicago, Illinois, United States between 1938 and 1939. The material in this series was produced in 1938. The photograph was taken by an unidentified photographer.
1938
Circuit Exhibition at the Art Institute of Chicago, United States (1938-1939)
Actions:
CI007.S2.1938.PR01
Description:
This project series contains photographs of the Circuit Exhibition designed by Mies van der Rohe at the Art Institute of Chicago, Illinois, United States between 1938 and 1939. The material in this series was produced in 1938. The photograph was taken by an unidentified photographer.
project
1938
photographies
DR2004:1425
Description:
a printed invitiation to a preview of the exhibition 'Cedric price: the Evolving Image', (RIBA, Heinz Gallery, 1975), views of Sidoli's Buttery in London, portraits, many showing Cedric Price, taken on various occasions, portraits taken at the symposium 'Design, architecture & ville' held under the auspices of Arc en rêve centre d'architecture (1993), and a copyprint of a 1958 group portrait showing Price
1975, 1983, 1993
A printed invitiation to a preview of the exhibition 'Cedric price: the Evolving Image'
Actions:
DR2004:1425
Description:
a printed invitiation to a preview of the exhibition 'Cedric price: the Evolving Image', (RIBA, Heinz Gallery, 1975), views of Sidoli's Buttery in London, portraits, many showing Cedric Price, taken on various occasions, portraits taken at the symposium 'Design, architecture & ville' held under the auspices of Arc en rêve centre d'architecture (1993), and a copyprint of a 1958 group portrait showing Price
photographies
1975, 1983, 1993
Les outils numériques ont changé la nature profonde de la conception et de la réalisation des bâtiments, c’est une évidence. Pourtant, l’innovation et l’inventivité formelles (et les compétences techniques nécessaires pour parvenir à ces fins) ne dépendent pas uniquement de la virtuosité dans la création de formes. Elles font également ressortir l’incidence marquante des(...)
Théâtre Paul-Desmarais
20 octobre 2016, 18h
Conseils judicieux et dessins clairs : conception et calcul au deuxième âge de la machine
Actions:
Description:
Les outils numériques ont changé la nature profonde de la conception et de la réalisation des bâtiments, c’est une évidence. Pourtant, l’innovation et l’inventivité formelles (et les compétences techniques nécessaires pour parvenir à ces fins) ne dépendent pas uniquement de la virtuosité dans la création de formes. Elles font également ressortir l’incidence marquante des(...)
Théâtre Paul-Desmarais
graphique
ARCH197574
1980
graphique
1980
Projet
AP180.S3.1992.PR01
Description:
This project series documents Umberto Riva's design for an exhibition at the Palazzo dell' Arte for the Milan Triennale in 1992, and contains exhibition installation plans.
1994
Mostra Palazzo dell Arte [Palazzo dell'Arte exhibition], Milan Triennale, Milan, Italy (1992)
Actions:
AP180.S3.1992.PR01
Description:
This project series documents Umberto Riva's design for an exhibition at the Palazzo dell' Arte for the Milan Triennale in 1992, and contains exhibition installation plans.
Project
1994
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawings for two installations for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286690
Description:
This item contains harmful materials including violent imagery. The drawing illustrates the discrete elements of an exhibition involving several large-scale installations. One of these installations shows a crane on which a net filled with mannequins is suspended; the mannequins are soaked in oil, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.
circa 1999-2000
Drawing for an installation for the exhibition on James Wines at the Venice Biennale
Actions:
ARCH286670
Description:
This item contains harmful materials including violent and racist imagery. The drawing illustrates an installation involving a crane on which a net filled with mannequins is suspended; the mannequins are painted black, in the words of the designers, to represent the impacts of oil spills on the global population. This image, however, suggests violence beyond environmental disasters.