8844 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ernest Cormier
Fonds Ernest Cormier
Numéro de référence:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Personnes et institutions:
Date:
1857-1980
1857-1980
Titre:
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente de la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1857-1980
1857-1980
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Personnes et institutions:
Date:
1971-1977
1971-1977
Titre:
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Date:
1971-1977
1971-1977
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personnes et institutions:
Date:
1991-1994
1991-1994
Titre:
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Personal and professional correspondence for names A-K from 1991-1994
Actions:
AP197.S3.003
Description:
The box is comprised of correspondence for the years of 1991-1994, organized in alphabetical order by last name, from A-K. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Botond Bognar; Norman Foster; Yukio Futagawa; Gevork Hartoonian; and the commissioning editor of Phaidon Press Limited, David Jenkins. Correspondence relates to Kenneth Frampton’s involvement/participation in the publication of Hopkins: The Work of Michael Hopkins and Partners; as a lecturer at the Association of Collegiate Schools of Architecture (ASCA) Conference, the Berlage Institute and the École polytechnique fédérale de Lausanne; and as a jury member for the Carlsberg Architectural Prize.
Classification:
documents textuels
documents textuels
Date:
1991-1994
1991-1994
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Classification:
documents textuels
documents textuels
Date:
1997-1998
1997-1998
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Personnes et institutions:
Date:
2001
2001
Titre:
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Classification:
documents textuels
documents textuels
Date:
2001
2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Hair Tent
Hair Tent
Numéro de référence:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1971
1963-1971
Titre:
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Hair Tent
Actions:
AP144.S2.D76
Description:
File documents the Hair Tent, a temporary theatre structure which was to house performances of the musical 'Hair', in Holland, for David Convyers Productions Ltd. Cedric Price was hired to convert a tent into a theatre venue. The tent structure was designed for an audience of 1,200 and was to be used for a six-month period. Due to cost and time constraints, the materials were recycled: the seating came from a demolished cinema; the steel structure from a field near Hartlepool; and the mobile heating was provided by the Dutch Military (Cedric Price-Works II). Design development drawings show numerous plans and sections of the tent structure and structural components; a plan and section show the seating arrangements; a section through the tent shows various internal stackable structures; and an axonometric view of the site shows the main tent, a tin hut entrance bar, and military mobile heaters. Reprographic copies of construction drawings of a Cinerama and circus structure with details of trussing configurations, mast layout and anchor plans were possibly for reference purposes. Some material in this file was published in "Cedric Price Supplement", 'Architectural Design', vol. 40, (October 1970), 516, and Price, Cedric, 'Cedric Price-Works II' (London: Architectural Press, 1984), 72, 76. Material in this file was produced between 1963 and 1971. Reference drawings included with the design development drawings are inscribed with the name L. Stromeyer, engineer, or Leonard Allen, architect. Tom Parkinson and Victor Spinetti are involved in the project. File contains design development drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 76
File 76
Date:
1963-1971
1963-1971
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP154.S1
Description:
Series AP154.S1, Architectural projects, is chiefly composed of drawings related to architectural projects from the period 1966-2007. Most projects are located in the Northeastern United States, a notable exception being a study for resort development in Negril, Jamaica. The series includes published projects, such as the master plan for a new campus at Wykeham Rise School in Washington, Connecticut, housing projects at Twin Parks in the Bronx, N.Y. and at Little Italy in Manhattan, new and renovated buildings for the State University College at Potsdam, New York, and the George & Annette Murphy Center at Asphalt Green, New York. Small, lesser-known projects are also present, including two renovation projects in Brooklyn and a design for a Manhattan apartment. In general, the projects in this series are documented at a specific phase in their development, often at the stage of working drawings, although some project series are composed of design or presentation drawings. A substantial number of documents in this series are related to the Seagram Building at 375 Park Avenue, New York, N.Y., a landmark skyscraper designed by Ludwig Mies van der Rohe and Philip Johnson and completed in 1958. Beginning in 1971, Giovanni Pasanella and his partners were responsible for the interior design and space planning of national and regional administrative and sales offices of Joseph E. Seagram & Sons. The series documents three decades of activities related to the maintenance and renovation of the Seagram Building as well as some renovations for Seagram offices at 800 Third Avenue.
AP154.S1
Description:
Series AP154.S1, Architectural projects, is chiefly composed of drawings related to architectural projects from the period 1966-2007. Most projects are located in the Northeastern United States, a notable exception being a study for resort development in Negril, Jamaica. The series includes published projects, such as the master plan for a new campus at Wykeham Rise School in Washington, Connecticut, housing projects at Twin Parks in the Bronx, N.Y. and at Little Italy in Manhattan, new and renovated buildings for the State University College at Potsdam, New York, and the George & Annette Murphy Center at Asphalt Green, New York. Small, lesser-known projects are also present, including two renovation projects in Brooklyn and a design for a Manhattan apartment. In general, the projects in this series are documented at a specific phase in their development, often at the stage of working drawings, although some project series are composed of design or presentation drawings. A substantial number of documents in this series are related to the Seagram Building at 375 Park Avenue, New York, N.Y., a landmark skyscraper designed by Ludwig Mies van der Rohe and Philip Johnson and completed in 1958. Beginning in 1971, Giovanni Pasanella and his partners were responsible for the interior design and space planning of national and regional administrative and sales offices of Joseph E. Seagram & Sons. The series documents three decades of activities related to the maintenance and renovation of the Seagram Building as well as some renovations for Seagram offices at 800 Third Avenue.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Architectural projects
Actions:
AP154.S1
Description:
Series AP154.S1, Architectural projects, is chiefly composed of drawings related to architectural projects from the period 1966-2007. Most projects are located in the Northeastern United States, a notable exception being a study for resort development in Negril, Jamaica. The series includes published projects, such as the master plan for a new campus at Wykeham Rise School in Washington, Connecticut, housing projects at Twin Parks in the Bronx, N.Y. and at Little Italy in Manhattan, new and renovated buildings for the State University College at Potsdam, New York, and the George & Annette Murphy Center at Asphalt Green, New York. Small, lesser-known projects are also present, including two renovation projects in Brooklyn and a design for a Manhattan apartment. In general, the projects in this series are documented at a specific phase in their development, often at the stage of working drawings, although some project series are composed of design or presentation drawings. A substantial number of documents in this series are related to the Seagram Building at 375 Park Avenue, New York, N.Y., a landmark skyscraper designed by Ludwig Mies van der Rohe and Philip Johnson and completed in 1958. Beginning in 1971, Giovanni Pasanella and his partners were responsible for the interior design and space planning of national and regional administrative and sales offices of Joseph E. Seagram & Sons. The series documents three decades of activities related to the maintenance and renovation of the Seagram Building as well as some renovations for Seagram offices at 800 Third Avenue.
Architectural projects
Actions:
AP154.S1
Description:
Series AP154.S1, Architectural projects, is chiefly composed of drawings related to architectural projects from the period 1966-2007. Most projects are located in the Northeastern United States, a notable exception being a study for resort development in Negril, Jamaica. The series includes published projects, such as the master plan for a new campus at Wykeham Rise School in Washington, Connecticut, housing projects at Twin Parks in the Bronx, N.Y. and at Little Italy in Manhattan, new and renovated buildings for the State University College at Potsdam, New York, and the George & Annette Murphy Center at Asphalt Green, New York. Small, lesser-known projects are also present, including two renovation projects in Brooklyn and a design for a Manhattan apartment. In general, the projects in this series are documented at a specific phase in their development, often at the stage of working drawings, although some project series are composed of design or presentation drawings. A substantial number of documents in this series are related to the Seagram Building at 375 Park Avenue, New York, N.Y., a landmark skyscraper designed by Ludwig Mies van der Rohe and Philip Johnson and completed in 1958. Beginning in 1971, Giovanni Pasanella and his partners were responsible for the interior design and space planning of national and regional administrative and sales offices of Joseph E. Seagram & Sons. The series documents three decades of activities related to the maintenance and renovation of the Seagram Building as well as some renovations for Seagram offices at 800 Third Avenue.
Niveau de description archivistique:
Series 1
Series 1
Date:
1955-2007
1955-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Personnes et institutions:
Date:
1974-2006
1974-2006
Titre:
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Niveau de description archivistique:
Series
Series
Date:
1974-2006
1974-2006
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Gianni Pettena fonds
Gianni Pettena fonds
Numéro de référence:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Personnes et institutions:
Date:
1960-2019
1960-2019
Titre:
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1960-2019
1960-2019
Personnes et institutions:
