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Canada’s first mosque, the Al Rashid mosque in Edmonton, was built in 1938. In the years since, as Canada’s Muslim population has grown, close to two hundred mosques, Islamic centres, prayer spaces, and jamatkhanas have been built across the country. ''Beyond the divide'' explores the mosques of Canada in their diversity, beauty, practicality, and versatility. From east(...)
Beyond the divide: A century of Canadian mosque design
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$95.00
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Canada’s first mosque, the Al Rashid mosque in Edmonton, was built in 1938. In the years since, as Canada’s Muslim population has grown, close to two hundred mosques, Islamic centres, prayer spaces, and jamatkhanas have been built across the country. ''Beyond the divide'' explores the mosques of Canada in their diversity, beauty, practicality, and versatility. From east to west and to the north, Tammy Gaber visits ninety mosques in more than fifty cities, including Canada’s most northern places of worship in Nunavut and the Northwest Territories. For nearly a century Muslims have made mosques in a variety of spaces, from converted shops and vacated churches to large, purpose-built complexes. Drawing on site photographs, architectural drawings, and interviews, Gaber explores the extraordinary diversity in how these spaces have been designed, built, and used – as places not only of worship, but of community gathering, education, charitable work, and civic engagement. Throughout, ''Beyond the divide'' provides a groundbreaking analysis of gendered space in Canadian mosques, how these spaces are designed and reinforced, and how these divides shape community experience.
Architecture du Canada
$69.60
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Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate(...)
décembre 2023
Frida Escobedo: The book of hours
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Perhaps as ubiquitous as smartphones today, the books of hours were a private necessity in Europe during the Middle Ages. These manuscripts contained collections of texts that were meaningful to each owner, as well as an organized method of structuring the day around prayer by marking the passing of the canonical hours. Although highly personalized, with intricate miniatures and illuminations, all books of hours contained sections to be recited at regular intervals throughout the twenty-four hours of the day. In them, the public and the private timescales converged, crystallized into a material, perdurable form not devoid of beauty. "The book of hours" by Frida Escobedo is a modern exegesis of this extinct devotional practice: a project in which twenty-four objects were photographed at different intervals of time to capture their evolution, making a new calendar of matter and light. As humanity has transitioned to a secular understanding of time in which hours are organized and conceived in terms of productivity, The Book of Hours interrogates the place of contemplation in our era, its possibility and necessity. Through this book—a public display of a private collection of objects—readers are invited to contemplate these arrays of matter and experience the ways in which they once interacted with light, that burning needle in time’s template.
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Atomic postcards : radioactive messages from the Cold War / by John O'Brian and Jeremy Borsos.
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188 pages : illustrations (chiefly color) ; 23 cm
Bristol, UK ; Chicago, IL : Intellect, 2011, ©2011.
Atomic postcards : radioactive messages from the Cold War / by John O'Brian and Jeremy Borsos.
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188 pages : illustrations (chiefly color) ; 23 cm
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Bristol, UK ; Chicago, IL : Intellect, 2011, ©2011.
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
Monographies photo
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$39.00
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Sylvia Lavin's “Form Follows Libido” argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of(...)
Form follows libido : architecture and Richard Neutra in a psychoanalytic culture
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Sylvia Lavin's “Form Follows Libido” argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of engaging essays weaving through the designs and writings of this Vienna-born, California-based architect, Lavin discovers in Neutra a sustained and poignant psychoanalytic reflection set in the context of a burgeoning psychoanalytic culture in America. Lavin shows that Neutra's redirection of modernism constituted not a lyrical regression to sentimentality but a deliberate advance of architectural theory and technique to engage the unconscious mind, fuelled by the ideas of psychoanalysis that were being rapidly disseminated at the time. In Neutra's responses to a vivid range of issues, from psychoanalysis proper to the popular psychology of tele-evangelical prayer, Lavin uncovers a radical reconstitution of the architectural discipline. Arguing persuasively that the received historical views of both psychoanalysis and architecture have led to a suppression of their compelling coincidences and unorthodoxies, Lavin sets out to unleash mid-century architecture's hidden libido. Neither Neutra nor psychoanalysis emerges unscathed from her investigation of how architecture came to be saturated by the intrigues of affect, often against its will. If Reyner Banham sought to put architecture "on the couch," then Lavin, through Neutra, leaps beyond Banham's ameliorative aim to lure contemporary architecture into the lush and dangerous liaisons of environmental design.
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janvier 2005, Cambridge, Mass.
Architecture, monographies
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Description:
x, 252 pages, 19 unnumbered pages of plates : illustrations, maps ; 22 cm
Amherst : University of Massachusetts Press, 1984, ©1980.
Foreign devils on the Silk Road : the search for the lost cities and treasures of Chinese Central Asia / Peter Hopkirk.
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x, 252 pages, 19 unnumbered pages of plates : illustrations, maps ; 22 cm
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Amherst : University of Massachusetts Press, 1984, ©1980.
livres
Description:
x, 421 pages illustrations, plate (portrait), facsimiles, diagrams 32 cm
London, Phaidon, 1967.
Essays in the history of art presented to Rudolf Wittkower / edited by Douglas Fraser, Howard Hibbard & Milton J. Lewine.
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x, 421 pages illustrations, plate (portrait), facsimiles, diagrams 32 cm
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London, Phaidon, 1967.
livres
Description:
ix, 340 pages : illustrations ; 23 cm
Collegeville, Minn. : Liturgical Press, ©1993.
The pilgrim's guide to Rome's principal churches / Joseph N. Tylenda.
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ix, 340 pages : illustrations ; 23 cm
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Collegeville, Minn. : Liturgical Press, ©1993.
livres
Description:
2 volumes : illustrations, map, plans ; 31 cm
Princeton, N.J. : Princeton University Press, ©1992.
The rotunda of Arsinoe / by James R. McCredie, Georges Roux, Stuart M. Shaw and John Kurtich ; with contributions by Phyllis Williams Lehmann, Phyllis Pray Bober and Günter Kopcke [and others].
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2 volumes : illustrations, map, plans ; 31 cm
livres
Princeton, N.J. : Princeton University Press, ©1992.
livres
Description:
x, 382 pages ; 24 cm
Chicago : University of Chicago Press, 1980.
The three orders : feudal society imagined / Georges Duby ; translated by Arthur Goldhammer ; with a foreword by Thomas N. Bisson.
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x, 382 pages ; 24 cm
livres
Chicago : University of Chicago Press, 1980.