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Link Editions 2016
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Link Editions 2016
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xxiii, 231 pages : illustrations ; 25 cm.
Williamstown, Massachusetts : Sterling and Francine Clark Art Institute, [2014], New Haven ; London : Yale University Press, ©2014
Art history in the wake of the global turn / edited by Jill H. Casid and Aruna D'Souza.
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xxiii, 231 pages : illustrations ; 25 cm.
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Williamstown, Massachusetts : Sterling and Francine Clark Art Institute, [2014], New Haven ; London : Yale University Press, ©2014
Mining photography
$63.00
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Résumé:
Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
mars 2023
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
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469 pages : color illustrations ; 22 x 24 cm
Salt Lake City : Gibbs Smith, ©2003.
Built by hand : vernacular buildings around the world / written by Athena Steen, Bill Steen, and Eiko Komatsu ; photographs by Yoshio Komatsu.
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469 pages : color illustrations ; 22 x 24 cm
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Salt Lake City : Gibbs Smith, ©2003.
$44.95
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Photography in Japan 1853-1912 is a fascinating visual record of Japanese culture during its metamorphosis from a feudal society to a modern, industrial nation at a time when the art of photography was still in its infancy. The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and(...)
Photography in Japan 1853-1912
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Photography in Japan 1853-1912 is a fascinating visual record of Japanese culture during its metamorphosis from a feudal society to a modern, industrial nation at a time when the art of photography was still in its infancy. The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and early Japanese photography. The images are more than just a history of photography in Japan, they are vital in helping to understand the dramatic changes that occurred in Japan during the mid-nineteenth century.
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1 online resource : illustrations
[Cape Town] : Chimurenga, 2011., [New Haven, Connecticut] : Library Stack, [2021]
African cities reader. 2, Mobilities and fixtures / editors: Ntone Edjabe, Edgar Pieterse.
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1 online resource : illustrations
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[Cape Town] : Chimurenga, 2011., [New Haven, Connecticut] : Library Stack, [2021]
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Description:
118 pages, 1 unnumbered leaf of plates : illustrations ; 24 x 30 cm
Millerton, New York : Aperture, [1981], [New York, New York ] : Harper & Row Publishers, ©1981
American frontiers : the photographs of Timothy H. O'Sullivan, 1867-1874 / Joel Snyder.
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118 pages, 1 unnumbered leaf of plates : illustrations ; 24 x 30 cm
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Millerton, New York : Aperture, [1981], [New York, New York ] : Harper & Row Publishers, ©1981
Street photography now
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Résumé:
La street photography connaît aujourd'hui un renouveau sans précédent. À travers le portrait de 46 photographes actuels, les auteurs de ce livre nous donnent à voir le meilleur de la création contemporaine dans un domaine qui n'a cessé depuis Gary Winogrand, Robert Doisneau, Henri Cartier-Bresson et Robert Frank - quatre des plus grands noms de la photographie de rue - de(...)
Street photography now
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La street photography connaît aujourd'hui un renouveau sans précédent. À travers le portrait de 46 photographes actuels, les auteurs de ce livre nous donnent à voir le meilleur de la création contemporaine dans un domaine qui n'a cessé depuis Gary Winogrand, Robert Doisneau, Henri Cartier-Bresson et Robert Frank - quatre des plus grands noms de la photographie de rue - de fasciner photographes, écrivains et un public amateurs d'"instants décisifs ". Toute la magie, la poésie, la beauté mais aussi le comique et le tragique de nos vies urbaines sont révélés par ces photographes capables en une fraction de seconde de rendre compte avec une rare éloquence de la complexité de la condition humaine. A travers quatre essais abordant les grandes thématiques de la street photography et une conversation menée entre plusieurs des principaux protagonistes du genre, les auteurs montrent à quel point la photographie de rue soulève de nombreuses questions passionnantes. Graves, dérisoires, drôles, émouvantes, captivantes, les photographies rassemblées ici affirment de manière éclatante que la street photography est aussi riche et protéiforme que l'homme de la rue - pour qui sait voir et regarder.
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$86.00
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This volume offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages. Award-winning photography(...)
Another country: British documentary photography since 1945
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$86.00
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This volume offers a lively, vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages. Award-winning photography writer and critic Gerry Badger brings vital context and breadth to the conversation. Organized chronologically, each chapter spans a particular period of social and cultural history, focusing on the major photographers, figures, institutions, publications and galleries that shaped the photographic climate of their time, as well as the broader tastes of the era.
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$62.95
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John(...)
Light, paper, process: reinventing photography
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt - who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits.
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