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Photography and death
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
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livres
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Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$57.50
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is(...)
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is(...)
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Pandora's box: Jan Dibbets on another photography
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is that it was invented at the wrong time. As Baudelaire so rightly pointed out, the first photographers were doing their best to imitate artists like Ingres and other ‘realists.’ All this imitation ... blocked the process of emancipation.”The result of Dibbets' alternative history is some 300 images, with Nicéphore Niépce, Gustave Le Gray, Étienne-Jules Marey and Edward Muybridge rubbing shoulders with photographers less well known but, in Dibbets’ view, equally crucial.
Pandora's box: Jan Dibbets on another photography
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Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of the entire history of art photography, arguing that scientific photography was the realm where the medium’s real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium,” says Dibbets. “The whole problem with photography is that it was invented at the wrong time. As Baudelaire so rightly pointed out, the first photographers were doing their best to imitate artists like Ingres and other ‘realists.’ All this imitation ... blocked the process of emancipation.”The result of Dibbets' alternative history is some 300 images, with Nicéphore Niépce, Gustave Le Gray, Étienne-Jules Marey and Edward Muybridge rubbing shoulders with photographers less well known but, in Dibbets’ view, equally crucial.
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août 2016
août 2016
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Photographie- collections
Photographie- collections
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109 pages : illustrations (chiefly color) ; 25 cm
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109 pages : illustrations (chiefly color) ; 25 cm
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Ostfildern, Germany : Hatje Cantz, ©2013.
Ostfildern, Germany : Hatje Cantz, ©2013.
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Allied Works Architecture : Clyfford Still Museum.
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109 pages : illustrations (chiefly color) ; 25 cm
Allied Works Architecture : Clyfford Still Museum.
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Ostfildern, Germany : Hatje Cantz, ©2013.
Ostfildern, Germany : Hatje Cantz, ©2013.
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145 pages : chiefly illustrations ; 23 x 31 cm
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145 pages : chiefly illustrations ; 23 x 31 cm
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New York : A.A. Knopf : Distributed by Random House, 1995.
New York : A.A. Knopf : Distributed by Random House, 1995.
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Landscapes of the Civil War : newly discovered photographs from the Medford Historical Society / edited by Constance Sullivan ; preface by Mark E. Neely, Jr. ; introduction by William F. Stapp ; text by Brian C. Pohanka.
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145 pages : chiefly illustrations ; 23 x 31 cm
Landscapes of the Civil War : newly discovered photographs from the Medford Historical Society / edited by Constance Sullivan ; preface by Mark E. Neely, Jr. ; introduction by William F. Stapp ; text by Brian C. Pohanka.
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145 pages : chiefly illustrations ; 23 x 31 cm
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New York : A.A. Knopf : Distributed by Random House, 1995.
New York : A.A. Knopf : Distributed by Random House, 1995.
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1 volume (unpaged) : color illustrations ; 26 x 31 cm
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1 volume (unpaged) : color illustrations ; 26 x 31 cm
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San Francisco : Chronicle Books, ©1996.
San Francisco : Chronicle Books, ©1996.
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On this site : landscape in memoriam / Joel Sternfeld.
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1 volume (unpaged) : color illustrations ; 26 x 31 cm
On this site : landscape in memoriam / Joel Sternfeld.
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1 volume (unpaged) : color illustrations ; 26 x 31 cm
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San Francisco : Chronicle Books, ©1996.
San Francisco : Chronicle Books, ©1996.
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293 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm.
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293 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm.
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London ; Boston : Butterworths, in association with the International Institute for Conservation of Historic and Artistic Works, 1986.
London ; Boston : Butterworths, in association with the International Institute for Conservation of Historic and Artistic Works, 1986.
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The museum environment / Garry Thomson.
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293 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm.
The museum environment / Garry Thomson.
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293 pages, 8 unnumbered pages of plates : illustrations (some color) ; 25 cm.
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London ; Boston : Butterworths, in association with the International Institute for Conservation of Historic and Artistic Works, 1986.
London ; Boston : Butterworths, in association with the International Institute for Conservation of Historic and Artistic Works, 1986.
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audio
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Editions.
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1 online resource.
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[Place of publication not identified] : JPEG2000, 2022.
[Place of publication not identified] : JPEG2000, 2022.
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audio
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[Place of publication not identified] : JPEG2000, 2022.
[Place of publication not identified] : JPEG2000, 2022.
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism,(...)
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism,(...)
Titre:
See the light : photography, perception, cognition
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism, experimental modernism and romantic modernism.
See the light : photography, perception, cognition
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$54.95
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Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organised them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism, experimental modernism and romantic modernism.
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novembre 2013
novembre 2013
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Photographie- collections
Photographie- collections
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511 pages : illustrations (chiefly color), plates, facsimiles, portraits ; 25 cm
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511 pages : illustrations (chiefly color), plates, facsimiles, portraits ; 25 cm
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Zurich, Switzerland : Lars Müller Publishers, [2021], ©2021
Zurich, Switzerland : Lars Müller Publishers, [2021], ©2021
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Karl Blossfeldt : variations / Ulrike Meyer Stump ; translated by Christopher Jenkin-Jones.
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511 pages : illustrations (chiefly color), plates, facsimiles, portraits ; 25 cm
Karl Blossfeldt : variations / Ulrike Meyer Stump ; translated by Christopher Jenkin-Jones.
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511 pages : illustrations (chiefly color), plates, facsimiles, portraits ; 25 cm
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Zurich, Switzerland : Lars Müller Publishers, [2021], ©2021
Zurich, Switzerland : Lars Müller Publishers, [2021], ©2021
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699 pages : illustrations some color) ; 23 cm
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699 pages : illustrations some color) ; 23 cm
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[Place of publication not identified] : Fiell Publishing Ltd., 2011.
[Place of publication not identified] : Fiell Publishing Ltd., 2011.
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Memories of a lost world : travels through the magic lantern / Charlotte Fiell, with additional introductory text by James R. Ryan.
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699 pages : illustrations some color) ; 23 cm
Memories of a lost world : travels through the magic lantern / Charlotte Fiell, with additional introductory text by James R. Ryan.
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699 pages : illustrations some color) ; 23 cm
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[Place of publication not identified] : Fiell Publishing Ltd., 2011.
[Place of publication not identified] : Fiell Publishing Ltd., 2011.
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