1642 Résultats
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
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Cataloguing culture: legacies of colonialism in museum documentation
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
Cataloguing culture: legacies of colonialism in museum documentation
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
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livres
livres
Publication:
décembre 2020
décembre 2020
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Martín Chambi: Photography
Martín Chambi: Photography
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging(...)
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging(...)
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Martín Chambi: Photography
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging Indigenous discourse that was starting to gain force in South America. While he was not the first to photograph Machu Picchu, Chambi was among the first Peruvian chroniclers of the Inca citadel. Drawing on Machu Picchu’s geometric forms, Chambi’s work entered a new phase in which shape, space and texture build toward more complex compositions and starker contrasts, making him an emblem of contemporary documentary photography in Peru and Latin America. This clothbound volume compiles 170 of Chambi’s black-and-white images.
Martín Chambi: Photography
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Of Indigenous origin, Peruvian photographer Martín Chambi (1891–1973) dedicated a large part of his life to photographing the Peruvian Andes, reclaiming the pre-Hispanic past through images of Inca ruins and portraits of life in Andean communities in the early 20th century. Chambi’s work brings a new perspective to photography of the time, highlighting the emerging Indigenous discourse that was starting to gain force in South America. While he was not the first to photograph Machu Picchu, Chambi was among the first Peruvian chroniclers of the Inca citadel. Drawing on Machu Picchu’s geometric forms, Chambi’s work entered a new phase in which shape, space and texture build toward more complex compositions and starker contrasts, making him an emblem of contemporary documentary photography in Peru and Latin America. This clothbound volume compiles 170 of Chambi’s black-and-white images.
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livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Monographies photo
Monographies photo
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livres
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Description:
445 pages : illustrations, portraits ; 24 cm.
Description:
445 pages : illustrations, portraits ; 24 cm.
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Toronto : Cinematheque Ontario, ©2001.
Toronto : Cinematheque Ontario, ©2001.
Titre:
Kon Ichikawa / edited by James Quandt.
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Description:
445 pages : illustrations, portraits ; 24 cm.
Kon Ichikawa / edited by James Quandt.
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Description:
445 pages : illustrations, portraits ; 24 cm.
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livres
livres
Publication:
Toronto : Cinematheque Ontario, ©2001.
Toronto : Cinematheque Ontario, ©2001.
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
Titre:
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
livres
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$60.00
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
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The bitter years: Edward Steichen and the Farm Security Administration photographs
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
The bitter years: Edward Steichen and the Farm Security Administration photographs
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Titre:
Le premier homme
Le premier homme
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"Le premier homme" is a semi-fictional documentary that tells the story of a mysterious man called Mr. B. living as a hermit in nature. In fact, after spending an entire life working tirelessly trying to survive and a few years from retirement, Mr. B. abandoned everything to lead a simple and authentic life. This man, crushed by an increasingly inhuman and deleterious(...)
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"Le premier homme" is a semi-fictional documentary that tells the story of a mysterious man called Mr. B. living as a hermit in nature. In fact, after spending an entire life working tirelessly trying to survive and a few years from retirement, Mr. B. abandoned everything to lead a simple and authentic life. This man, crushed by an increasingly inhuman and deleterious(...)
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Le premier homme
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"Le premier homme" is a semi-fictional documentary that tells the story of a mysterious man called Mr. B. living as a hermit in nature. In fact, after spending an entire life working tirelessly trying to survive and a few years from retirement, Mr. B. abandoned everything to lead a simple and authentic life. This man, crushed by an increasingly inhuman and deleterious system, found refuge far from his fellow men and developed extraordinary abilities there. He's able to control the elements, communicate with animals and even levitate. By refusing to participate in the exploitation of nature and humans, by adopting a humble and responsible attitude, he's rising against the excesses of neoliberalism. It’s a sort of David’s fight against Goliath - a highly topical issue - that he embodies in his own way and will lead without compromise when he will feel ready to get back to – what is paradoxically called – civilization.
Le premier homme
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"Le premier homme" is a semi-fictional documentary that tells the story of a mysterious man called Mr. B. living as a hermit in nature. In fact, after spending an entire life working tirelessly trying to survive and a few years from retirement, Mr. B. abandoned everything to lead a simple and authentic life. This man, crushed by an increasingly inhuman and deleterious system, found refuge far from his fellow men and developed extraordinary abilities there. He's able to control the elements, communicate with animals and even levitate. By refusing to participate in the exploitation of nature and humans, by adopting a humble and responsible attitude, he's rising against the excesses of neoliberalism. It’s a sort of David’s fight against Goliath - a highly topical issue - that he embodies in his own way and will lead without compromise when he will feel ready to get back to – what is paradoxically called – civilization.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$52.95
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and(...)
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and(...)
Titre:
Sasha Maslov: Ukrainian railroad ladies
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''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraine’s railroad system. While working on the project, Sasha Maslov – known for his social documentary portraits, where the main focus is always the hero in his substantive environment – has traveled all over Ukraine. ''Ukrainian railroad ladies'' is more than 50 photos of women who work on Ukrainian Railways. They seem to be a symbol of certain things in the country that don’t change, standing firm in the present as a defiant nod to the past. Unfazed by the passing of trains and time, they are here to stay.
Sasha Maslov: Ukrainian railroad ladies
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Résumé:
''Ukrainian railroad ladies'' is a series of portraits of traffic controllers and safety officers at railroads of Ukraine. This project is also an exploration of why these professions still exist in the 21st century, given the almost entire automatization of railroad crossings in the country. It is a study of the anthropological and social aspects of this phenomenon and the overall role of Ukraine’s railroad system. While working on the project, Sasha Maslov – known for his social documentary portraits, where the main focus is always the hero in his substantive environment – has traveled all over Ukraine. ''Ukrainian railroad ladies'' is more than 50 photos of women who work on Ukrainian Railways. They seem to be a symbol of certain things in the country that don’t change, standing firm in the present as a defiant nod to the past. Unfazed by the passing of trains and time, they are here to stay.
Classification:
livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$125.00
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In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American(...)
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In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American(...)
Titre:
Lee Friedlander: the mind and the hand
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In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, "The Mind and the Hand" presents the photographer’s intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject.
Lee Friedlander: the mind and the hand
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In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, "The Mind and the Hand" presents the photographer’s intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$39.95
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Résumé:
Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
Publication:
décembre 2007, New York
décembre 2007, New York
Titre:
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.
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livres
livres
Publication:
décembre 2007, New York
décembre 2007, New York
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livres
livres
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids(...)
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Titre:
Peter MacCallum : material world
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids obvious commentary, allowing the material presence of the subject matter to emerge. The work comes from a keen interest in social history and the series of photographs represented here tell a story of commerce, labour and the economic relationship of cities to their industrial hinterlands. Accompanying the plates are contextual texts by novelist and media columnist Russell Smith, curator Michael Baker and artist Terence Dick, as well as an illuminating interview with the artist. This beautiful, accessible book presents the remarkable work of Peter MacCallum to a broad range of readers.
Peter MacCallum : material world
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids obvious commentary, allowing the material presence of the subject matter to emerge. The work comes from a keen interest in social history and the series of photographs represented here tell a story of commerce, labour and the economic relationship of cities to their industrial hinterlands. Accompanying the plates are contextual texts by novelist and media columnist Russell Smith, curator Michael Baker and artist Terence Dick, as well as an illuminating interview with the artist. This beautiful, accessible book presents the remarkable work of Peter MacCallum to a broad range of readers.
Classification:
livres
livres
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Sujet:
Monographies photo
Monographies photo
