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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Modernisme
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"Ornament is crime" is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects(...)
Ornament is crime: modernist architecture
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"Ornament is crime" is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
Modernisme
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal(...)
Moduli 225: a gem of modern architecture. Juhani Pallasmaa, Kristian Gullichsen
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Moduli 225 is a modular timber frame system for holiday homes developed from 1968 to 1974 by the Finnish architects Kristian Gullichsen and Juhani Pallasmaa. Through the use of prefabricated standard elements, the system allowed anyone to construct a building of high aesthetic quality in a flexible and modifiable way by combining components according to their personal preferences. Through the Moduli system, the industrial serial production of components was successfully combined with freedom of choice, individuality, proportional harmony, and modernist expression. The simple standard shape and geometry and the humane scale and harmony of proportion of Moduli all represent universal aesthetics.
Modernisme
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Opening a long-closed window into the 1960s Communist Eastern Bloc, Motel Trogir explores the history and planning culture that produced a modernist utopian architecture in Yugoslavia. Conceived and built in 1965 by renowned architect Ivan Viti during a period of increased transit tourism, the motel stands by a highway on the Dalmatian coast. A fine example of(...)
Motel Trogir: it is not future that always comes after
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Opening a long-closed window into the 1960s Communist Eastern Bloc, Motel Trogir explores the history and planning culture that produced a modernist utopian architecture in Yugoslavia. Conceived and built in 1965 by renowned architect Ivan Viti during a period of increased transit tourism, the motel stands by a highway on the Dalmatian coast. A fine example of 20th-century modernism, the motel is in a derelict state today due to unresolved property issues, and stands as a reminder of the former political economy.
Modernisme
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A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the(...)
Bauhaus travel book: Weimar Dessau Berlin
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A comprehensive travel guide dedicated to Germany’s Bauhaus architecture, this book takes an in-depth look at over 100 locations that can still be visited today. Established in 1919 in Weimar, the Bauhaus college for design influenced one of the world’s most important Modernist movements. Divided into three geographic sections that follow the locations of the school—Weimar (1919–25), Dessau (1925–33), and Berlin (1933)—this unique travel guide leads readers through the most important Bauhaus structures in Germany.
Modernisme
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after(...)
The new masters’ houses in Dessau, 1925–2014
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Edition Bauhaus 46 When Dessau was bombed in early 1945, the Director’s House and Moholy-Nagy’s Master House were reduced to rubble as well. After the Dessau Masters’ Houses – epitome of the 20th-century artists’ colony – had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after consultation with the British star architect David Chipperfield, the decision was made to recreate the Master Houses of Gropius and Moholy-Nagy using contemporary means, rather than rebuilding them 1:1. And so they have now been reconstructed on the basis of designs by the Berlin firm Bruno-Fioretti-Marquez, as innovative reductions and abstractions of the original houses. This volume describes the chequered history of the Dessau Masters’ Houses, presenting the reconstructed buildings for the first time in book form, with photographs by Armin Linke and Heidi Specker.
Modernisme
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were(...)
The good life: a guided visit to the houses of modernity
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What is the role of architecture if not to realize a shared vision of the “good life,” a vision that in the age of architectural modernism shaped—and was shaped by—a range of ideas about the home? With "The good life", Iñaki Ábalos serves as our guide for a tour of seven iconic twentieth-century homes that represent various concepts for living. Some of the homes were actually built, while others were merely planned, painted, or created as part of a film set. We see Mies van der Rohe’s House with Three Patios, Martin Heidegger’s cabin in the Black Forest, Picasso’s Villa La Californie in Cannes, and the New York loft that Andy Warhol called The Factory. From the ultramodern geometric houses and gardens in Jacques Tati’s Mon Oncle, we travel to the famed hobby-kit house in Buster Keaton’s One Week and on to the sunny swimming pool and home in David Hockney’s painting A Bigger Splash. Ábalos guides readers through the key philosophical precepts that likely guided the creation of these homes, making insightful points about the relationship between ideas about a particular modern way of living and approaches to architecture and design. What he concludes is that modernism marks less a coherent triumph of positivism, as is often assumed, than a loose celebration of the radical pluralism of the twentieth century.
Modernisme
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
Modern architecture in Mexico city
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Kathryn E. O’Rourke offers a new interpretation of the development of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform.
Modernisme
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da(...)
Kenneth Frampton: L'altro Movimento Moderno
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Questo libro nasce da una serie di lezioni tenute da Kenneth Frampton a Mendrisio, all’Accademia di architettura dell’Università della Svizzera italiana, ed è dedicato all’analisi del Movimento Moderno, una corrente progettuale complessa e assai variegata nelle sue molteplici manifestazioni. Il libro è organizzato in 18 capitoli dedicati ciascuno a un architetto – da Schindler a Jacobsen, da Neutra a Bill, da Duiker a Krejcar –, del quale si dà una breve introduzione storico-biografica e si analizza un’opera di riferimento.
Modernisme
Le siège de l'Unesco
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage(...)
Le siège de l'Unesco
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Fruit du travail commun de trois architectes - le Français Bernard Zehrfuss, l'Américain d'origine hongroise Marcel Breuer et l'Italien Pier Luigi Nervi - le siège de l'Unesco est inauguré à Paris, le 3 novembre 1958 à la suite d'une consultation qui rassembla les plus grands noms de l'architecture mondiale. Leur réalisation est l'une des plus belles prouesses de l'usage du béton armé. Au bâtiment principal - la célèbre " étoile à trois branches " - s'ajouteront par la suite trois autres édifices. A l'ombre des bâtiments, Isamu Noguchi réalise son fameux jardin japonais, ou " Jardin de la Paix ". Pendant le chantier, un " comité pour l'architecture et les oeuvres d'art " est mis en place pour sélectionner des artistes chargés d'exécuter une ouvre monumentale pour un emplacement précis : on compte ainsi des sculptures d'Henry Moore, d'Alexander Calder et d'Eduardo Chillida à l'extérieur, et à l'intérieur une céramique de Joan Miró ainsi qu'une fresque monumentale de Picasso. En plus de ce noyau initial, l'Unesco a acquis au fil des ans d'autres ouvres et cette " maison de l'Unesco ", symbole de paix universelle et de diversité culturelle, compte aujourd'hui plus de 700 oeuvres d'art.
Modernisme