44145 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
BMI/HQ
BMI/HQ
Numéro de référence:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
Personnes et institutions:
Date:
1967-1971
1967-1971
Titre:
BMI/HQ
Actions:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
BMI/HQ
Actions:
AP144.S2.D74
Description:
File documents the unexecuted design for the headquarters of the Birmingham and Midland Institute (BMI), in Birmingham, England. This project is related to the Shantasea Development (AP144.S2.D72) from which Cedric Price resigned as architect to take on the role of architect for BMI, one of the proposed tenants for the Shantasea project. Cedric Price proposed a municipal and regional "nerve centre" to house seminar and study rooms, workshops, galleries, film, television and music studios, a library, a planetarium, and a theatre. A flexible life-cycle plan (expansion, static, contraction) for the building and the activities would allow BMI to expand in the short and medium term, and to shrink in the long term, when it was assumed that many of its roles would be replaced by the UK's Open University plan (Works II, 42). Work on the project came to a stop in 1970 under a new city council (Architectural Design, June 1971, 368). Existing conditions material consists of maps and a survey of Birmingham. Conceptual sketches and drawings include: annotated diagrammatic plans and sections used to develop the building's massing and the horizontal/vertical relationships between functional areas; axonometric views showing the building's general form/functions; plans used for calculating square footage; diagrams showing visual and physical movement through the building; information and movement charts; and flow charts showing the building's organization. Design development drawings consist of graphs showing how functional areas might be used over time. Design development and working drawings include: diagrammatic plans and sections; exploded axonometric views of the functional relationships between areas; exterior axonometric views; sectional perspectives; space allocation plans; circulation drawings; diagrams showing activities throughout the day; furniture equipment schedules; theatre seating and stair studies; and elevations for exterior cladding. Charts show links between activities/actions; activity distribution; activity/capacity; progress of pre-contract work; and the telephone network. File also includes drawings by engineering consultants Felix Samuely and Partners and Zisman, Bowyer and Partners. Presentation material includes: newspaper clippings and text concerning the project; diagrammatic plans, sections, and charts; and a photo collage of the site; and a text by Cedric Price entitled "The Present Position". Some materials in this file were published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 364-368, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 36, 42. Material in this file was produced between 1967 and 1971. Zisman Bowyer and Partners appear as the mechanical and electrical consulting engineers; Silk and Frazier as the quantity surveyors; and Versa-Serve Ltd as the catering consultants on this project. File contains cartographic materials, conceptual drawings, design development drawings, panels, photographic materials, presentation drawings, presentation panels, publication drawings, technical drawings, and textual records.
Niveau de description archivistique:
File 74
File 74
Date:
1967-1971
1967-1971
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1964.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the sundeck and the flower garden of Dr. and Mrs. Kanee's residence, located on S. W. Marine Drive, in Vancouver. Oberlander worked on this project in the mid-1960s. The project series consists of only two original landscape plans, with a short list of types of plants.
AP075.S1.1964.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the sundeck and the flower garden of Dr. and Mrs. Kanee's residence, located on S. W. Marine Drive, in Vancouver. Oberlander worked on this project in the mid-1960s. The project series consists of only two original landscape plans, with a short list of types of plants.
Personnes et institutions:
Date:
1964
1964
Titre:
Sundeck and Garden for Dr. & Mrs. Ben Kanee, Vancouver, British Columbia (1964)
Actions:
AP075.S1.1964.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the sundeck and the flower garden of Dr. and Mrs. Kanee's residence, located on S. W. Marine Drive, in Vancouver. Oberlander worked on this project in the mid-1960s. The project series consists of only two original landscape plans, with a short list of types of plants.
Sundeck and Garden for Dr. & Mrs. Ben Kanee, Vancouver, British Columbia (1964)
Actions:
AP075.S1.1964.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the sundeck and the flower garden of Dr. and Mrs. Kanee's residence, located on S. W. Marine Drive, in Vancouver. Oberlander worked on this project in the mid-1960s. The project series consists of only two original landscape plans, with a short list of types of plants.
Niveau de description archivistique:
Project
Project
Date:
1964
1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D8
Description:
The project series documents the design of the “deCoro” pattern of urban system railings used in lattice windows, fences, blocking stones, ventilation, etc. The firm identified this project as number 186. Abalos & Herreros worked with Rubén Briongos and Luis Matanzo. Documenting the project are digital materials which have not yet been processed.
AP164.S1.2004.D8
Description:
The project series documents the design of the “deCoro” pattern of urban system railings used in lattice windows, fences, blocking stones, ventilation, etc. The firm identified this project as number 186. Abalos & Herreros worked with Rubén Briongos and Luis Matanzo. Documenting the project are digital materials which have not yet been processed.
Personnes et institutions:
Date:
circa 2004
circa 2004
Titre:
DeCoro: decoración urbana (2004)
Actions:
AP164.S1.2004.D8
Description:
The project series documents the design of the “deCoro” pattern of urban system railings used in lattice windows, fences, blocking stones, ventilation, etc. The firm identified this project as number 186. Abalos & Herreros worked with Rubén Briongos and Luis Matanzo. Documenting the project are digital materials which have not yet been processed.
DeCoro: decoración urbana (2004)
Actions:
AP164.S1.2004.D8
Description:
The project series documents the design of the “deCoro” pattern of urban system railings used in lattice windows, fences, blocking stones, ventilation, etc. The firm identified this project as number 186. Abalos & Herreros worked with Rubén Briongos and Luis Matanzo. Documenting the project are digital materials which have not yet been processed.
Niveau de description archivistique:
Project
Project
Date:
circa 2004
circa 2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1994.PR03
Description:
This project series documents the renovations for Caffè Pedrocchi, an 18th century café in Padua, Italy. Riva worked on this project from 1994-1998. The project is recorded through studies and sketches for floor plans and sections. It also contains design development drawings, such as interior and exterior elevations, sections, floor plans, and furnishing details.
AP180.S1.1994.PR03
Description:
This project series documents the renovations for Caffè Pedrocchi, an 18th century café in Padua, Italy. Riva worked on this project from 1994-1998. The project is recorded through studies and sketches for floor plans and sections. It also contains design development drawings, such as interior and exterior elevations, sections, floor plans, and furnishing details.
Personnes et institutions:
Date:
1994-1998
1994-1998
Titre:
Caffè Pedrocchi [Cafe Pedrocchi], Padua, Italy (1994-1996)
Actions:
AP180.S1.1994.PR03
Description:
This project series documents the renovations for Caffè Pedrocchi, an 18th century café in Padua, Italy. Riva worked on this project from 1994-1998. The project is recorded through studies and sketches for floor plans and sections. It also contains design development drawings, such as interior and exterior elevations, sections, floor plans, and furnishing details.
Caffè Pedrocchi [Cafe Pedrocchi], Padua, Italy (1994-1996)
Actions:
AP180.S1.1994.PR03
Description:
This project series documents the renovations for Caffè Pedrocchi, an 18th century café in Padua, Italy. Riva worked on this project from 1994-1998. The project is recorded through studies and sketches for floor plans and sections. It also contains design development drawings, such as interior and exterior elevations, sections, floor plans, and furnishing details.
Niveau de description archivistique:
Project
Project
Date:
1994-1998
1994-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1996.PR01
Description:
This project series documents Riva's unrealized proposal for the design of a small public space outside of the Galleria Vittorio Emanuele II, a historical shopping mall in Milan, Italy. Riva worked on this project in 1996. The project is recorded through studies and design development drawings, including exterior elevations, site plans, plans, and sections.
AP180.S1.1996.PR01
Description:
This project series documents Riva's unrealized proposal for the design of a small public space outside of the Galleria Vittorio Emanuele II, a historical shopping mall in Milan, Italy. Riva worked on this project in 1996. The project is recorded through studies and design development drawings, including exterior elevations, site plans, plans, and sections.
Personnes et institutions:
Date:
1996
1996
Titre:
Galleria Vittorio Emanuele II, Milan, Italy (1996)
Actions:
AP180.S1.1996.PR01
Description:
This project series documents Riva's unrealized proposal for the design of a small public space outside of the Galleria Vittorio Emanuele II, a historical shopping mall in Milan, Italy. Riva worked on this project in 1996. The project is recorded through studies and design development drawings, including exterior elevations, site plans, plans, and sections.
Galleria Vittorio Emanuele II, Milan, Italy (1996)
Actions:
AP180.S1.1996.PR01
Description:
This project series documents Riva's unrealized proposal for the design of a small public space outside of the Galleria Vittorio Emanuele II, a historical shopping mall in Milan, Italy. Riva worked on this project in 1996. The project is recorded through studies and design development drawings, including exterior elevations, site plans, plans, and sections.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Titre:
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 31
File 31
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Personnes et institutions:
Date:
1949-2001
1949-2001
Titre:
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Tagore Theatre, Chandigarh, India (1960-1962)
Actions:
AP206.S1.1960.PR01
Description:
This project series documents the Tagore Theatre in Sector 18 in Chandigarh, India from 1960-1962. This project consisted of a 600-seat theatre comprised of two square-shaped volumes, turned on their axis to overlap at their corners. The stage was located directly at the overlap, with the back-of-house occupying one square and the audience in the other. Inside, the roof frame was left exposed and meticulous detail was paid to the theatre's acoustics. The building's brick exterior had almost no windows, except those located along the first-level below a canopy that wrapped the theatre. Large-scale alterations have since been made to the iconic theatre. The project is recorded through drawings and textual records dating from 1949-2001. The majority of the drawings are reprographic copies, but many are annotated. There are a number of drawings dating from 1999-2001 that likely show future work to the theatre, since they are outside the scope of the theatre's original construction. The textual records consist of research on theatre design, dating much earlier than this project, and a magazine review of the acoustics in the Tagore Theatre.
Niveau de description archivistique:
Project
Project
Date:
1949-2001
1949-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Personnes et institutions:
Date:
1996-2000
1996-2000
Titre:
Sheff Residence, Toronto (1997-2001)
Actions:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Sheff Residence, Toronto (1997-2001)
Actions:
AP056.S1.1997.PR09
Description:
This project series documents the Sheff Residence at 105 Glen Road in Toronto from 1997-2001. The office identified the project number as 9727. This project consisted of a large home for architect Gerald Sheff and his wife Shanitha Kachan. The work included the demolition of a single-storey dwelling already on the property to create a roughly 7,900 square foot, mixed-level home. This project investigated multiple schemes for the residence, which looked at different room configurations and placements, different building heights, and different levels of finish for certain rooms. Built overlooking a ravine, the house had a stone veneer exterior with accents of wood siding and large glass windows. The home had a maximum height of two-storeys with a basement and included a swimming pool and backyard deck. This residence won the Ontario Association of Architect's Award of Excellence in 2003. The project is recorded through a model and drawings dating from 1996-2000. The majority of the drawings are sketches, but plans, elevations, sections, perspectives and details are included. There are also many drawings of furnishings including closets, benches and custom furniture.
Niveau de description archivistique:
Project
Project
Date:
1996-2000
1996-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
Personnes et institutions:
Date:
1969-1975
1969-1975
Titre:
Banco Borges & Irmão [Borges & Irmão bank], Vila do Conde, Portugal (1969-1975)
Actions:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
Banco Borges & Irmão [Borges & Irmão bank], Vila do Conde, Portugal (1969-1975)
Actions:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
Niveau de description archivistique:
Project
Project
Date:
1969-1975
1969-1975
Personnes et institutions:
