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'Would they still call me a diva if I were a man?' asked Zaha Hadid, challenging as she did so more than a century of stereotypes about female architects. In the same spirited approach, ''Breaking ground'' is a pioneering visual manifesto of more than 200 buildings designed by women all over the world. Featuring twentieth-century icons such as Julia Morgan, Eileen Gray(...)
Breaking ground: architecture by women
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'Would they still call me a diva if I were a man?' asked Zaha Hadid, challenging as she did so more than a century of stereotypes about female architects. In the same spirited approach, ''Breaking ground'' is a pioneering visual manifesto of more than 200 buildings designed by women all over the world. Featuring twentieth-century icons such as Julia Morgan, Eileen Gray and Lina Bo Bardi, and the best contemporary talent, from Kazuyo Sejima to Elizabeth Diller and Grafton Architects, this book is, above all else, a ground-breaking celebration of extraordinary architecture.
Architecture contemporaine
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" Maisons japonaises contemporaines " dresse un panorama de maisons novatrices construites récemment au Japon. Les vingt-cinq maisons présentées ici ont été réalisées à la fois par les architectes Shigeru Ban, Kazuyo Sejima, Jun Aoki, Hitoshi Abe et Shuhei Endo, Ryue Nishizawa ou Hitoshi Nakao. Les maisons étudiées sont réparties en cinq chapitres thématiques reflétant(...)
Maisons japonaises contemporaines
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" Maisons japonaises contemporaines " dresse un panorama de maisons novatrices construites récemment au Japon. Les vingt-cinq maisons présentées ici ont été réalisées à la fois par les architectes Shigeru Ban, Kazuyo Sejima, Jun Aoki, Hitoshi Abe et Shuhei Endo, Ryue Nishizawa ou Hitoshi Nakao. Les maisons étudiées sont réparties en cinq chapitres thématiques reflétant les problématiques actuelles de l'habitat japonais : le manque de place, notamment dans les villes ; le rapport entre l'intérieur et l'extérieur ; la réunion de différentes générations dans un même lieu ; la relation entre espace de vie et espace de travail ; et la résidence secondaire.
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Junya Ishigami introduces this monographic issue with a personal essay entitled “My Practice”. Before establishing his own firm in 2004, he worked with Kazuyo Sejima at SANAA. The issue traces Ishigami’s diverse career, highlighting numerous projects in Japan, Asia, and elsewhere around the globe. Featured are the 2019 Serpentine Pavilion, the Japan Pavilion at the 11th(...)
a+u 638 11:23 Junya Ishigami From the First Work
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Junya Ishigami introduces this monographic issue with a personal essay entitled “My Practice”. Before establishing his own firm in 2004, he worked with Kazuyo Sejima at SANAA. The issue traces Ishigami’s diverse career, highlighting numerous projects in Japan, Asia, and elsewhere around the globe. Featured are the 2019 Serpentine Pavilion, the Japan Pavilion at the 11th Venice Biennale of Architecture, KAIT Plaza at the Kanagawa Institute of Technology, Vijversburg Visitor Centre in the Netherlands, Yohji Yamamoto New York Gansevoort Street Store, the proposed public artwork Cloud Arch in Sydney, Kinmen International Passenger Centre in Taiwan, and much more.
Revues
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Architectural details are typically communicated through technical drawings, and from such drawings details are archived, revised, and appropriated. This book presents case studies of the technical constitution and construction of thirteen exemplary buildings realised in seven countries over the past fifteen years. Through an investigative matrix of scaled drawings and(...)
février 2017
Detail Kultur. If buildings had DNA: case studies of mutations
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Architectural details are typically communicated through technical drawings, and from such drawings details are archived, revised, and appropriated. This book presents case studies of the technical constitution and construction of thirteen exemplary buildings realised in seven countries over the past fifteen years. Through an investigative matrix of scaled drawings and analytical texts, the fundamental importance of the detail is discovered afresh, giving insight into the technical complexities behind the often dynamic simplicity of the building’s final form. Including interviews with Zaha Hadid, Eric Owen Moss, Kazuyo Sejima, Thom Mayne, Ada Tolla, Steven Holl, Carme Pinós, more.
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Le Rolex Learning Center de l’EPFL à Lausanne a ouvert ses portes en 2010. Conçu par le bureau japonais SANAA (Kazuyo Sejima et Ryue Nishizawa), lauréats du Pritzker Prize, il est rapidement devenu l’un des bâtiments les plus connus des temps récents. Dans ce livre – une nouvelle d’architecture – l’histoire variée de cette pièce d’architecture est racontée, à partir de(...)
Savoir Supérieur : le Rolex Learning Center de SANAA à l'EPFL depuis 2010
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Le Rolex Learning Center de l’EPFL à Lausanne a ouvert ses portes en 2010. Conçu par le bureau japonais SANAA (Kazuyo Sejima et Ryue Nishizawa), lauréats du Pritzker Prize, il est rapidement devenu l’un des bâtiments les plus connus des temps récents. Dans ce livre – une nouvelle d’architecture – l’histoire variée de cette pièce d’architecture est racontée, à partir de nombreux points de vue, avec des rebondissements assez inattendus, et accompagnée d’images insolites. Le Rolex Learning Center apparaît non seulement comme une réalisation architecturale remarquable, mais aussi comme un bâtiment qui contient des connaissances, et qui peut nous parler de diverses manières.
Architecture, monographies
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The Rolex Learning Center at EPFL Lausanne opened in 2010. Designed by Pritzker Prize laureates SANAA (Kazuyo Sejima and Ryue Nishizawa) from Japan, it soon became one of the more well-known buildings of recent times. In this book, akin to an architectural novella, Christophe Van Gerrewey tells the variegated story of this piece of architecture—from many points of view,(...)
Higher knowledge: SANAA's Rolex Learning Center at EPFL since 2010
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The Rolex Learning Center at EPFL Lausanne opened in 2010. Designed by Pritzker Prize laureates SANAA (Kazuyo Sejima and Ryue Nishizawa) from Japan, it soon became one of the more well-known buildings of recent times. In this book, akin to an architectural novella, Christophe Van Gerrewey tells the variegated story of this piece of architecture—from many points of view, with some unexpected twists, and accompanied by unusual images. Through Higher Knowledge, the Rolex Learning Center emerges not only as a remarkable architectural achievement, but also as a building that contains knowledge, and that can speak to us in different ways.
Architecture, monographies
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This hybrid essay involves theory, history and building design. The narrative thread places very particular emphasis on the period between 1850 and 1950, a time at which new techniques and aesthetic rules came to the fore, leading to the development of a concern with turning the roof into an habitable space. "Dwelling on the Roof" ends with a selection of projects(...)
Habitar la cubierta / Dwelling on the roof
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This hybrid essay involves theory, history and building design. The narrative thread places very particular emphasis on the period between 1850 and 1950, a time at which new techniques and aesthetic rules came to the fore, leading to the development of a concern with turning the roof into an habitable space. "Dwelling on the Roof" ends with a selection of projects spanning the past fifty years which have continued to develop this theme. Included are works by modern architects such as Alejandro de la Sota and Giancarlo De Carlo, as well as works by contemporary architects such as Foreign Office Architects and Kazuyo Sejima.
Toits verts
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Devoted to Kazuyo Sejima and Ryue Nishizawa (SANAA), the dossier of AV Proyectos covers the latest international projects by the Tokyo-based studio. From the polemical refurbishment of the Paris department stores La Samaritaine to the extension of the NSW Art Gallery in Sydney, via their proposals in Jerusalem and Budapest and the more recent ones developed in their(...)
AV Proyectos 077: Dossier Sanaa
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Devoted to Kazuyo Sejima and Ryue Nishizawa (SANAA), the dossier of AV Proyectos covers the latest international projects by the Tokyo-based studio. From the polemical refurbishment of the Paris department stores La Samaritaine to the extension of the NSW Art Gallery in Sydney, via their proposals in Jerusalem and Budapest and the more recent ones developed in their country, all their designs maintain the subtle and immaterial character that defines their oeuvre. The competitions section features the projects shortlisted in the call to design the new MALI (Museo de Arte de Lima), won by the Spanish team Burgos & Garrido with the local firm Llama Urban Design.
Revues
périodiques
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, (...)
El Croquis
janvier 1900, Madrid
El croquis 88/89 : worlds one ...towards the end of the 20th century
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This issue looks at the following recent buildings: Frank O. Gehry Guggenheim Museum, Bilbao, Spain; OMA / Rem Koolhaas Educatorium in Utrecht, Holland; Jean Nouvel Euralille Centre, Lille, France, Lucerne Cultural and Congress Centre, Switzerland, Andel Project, Prague, Czech Republic; Architekturbüro Bolles-Wilson WLV Office Building, Munster, Germany, New Luxor Theater, Rotterdam, Holland; Toyo Ito Nagaoka Lyric Hall, Nigata, Japan, Sendai Mediatheque, Miyagi, Japan; Steven Holl Chapel of St. Ignatius Seattle University, Washington, U.S.A., Knut Hamsun Museum , Hamarøy, Norway; Kazuyo Sejima & Ryue Nishizawa Multi-Media Studio in Oogaki, Gifu, Japan, S-House, Okayama, Japan; and Peter Zumthor Thermal Bath at Vals, Vals, Switzerland, Art Museum in Bregenz, Austria.
périodiques
janvier 1900, Madrid
El Croquis
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Since Osaka World Expo ’70 highlighted contemporary forms, Japan has been a key player in global architecture. Tadao Ando's geometry put Japanese building on the map, bridging East and West. After his concrete buildings, figures like Kengo Kuma, Shigeru Ban, and Kazuyo Sejima pioneered a more sustainable approach. Younger generations have taken new directions, in harmony(...)
Contemporary Japanese architecture
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Since Osaka World Expo ’70 highlighted contemporary forms, Japan has been a key player in global architecture. Tadao Ando's geometry put Japanese building on the map, bridging East and West. After his concrete buildings, figures like Kengo Kuma, Shigeru Ban, and Kazuyo Sejima pioneered a more sustainable approach. Younger generations have taken new directions, in harmony with nature, traditional building, and an endless search for forms. Presenting the latest in Japanese building, this book links this unique creativity to Japan's high population density, modern economy, long history, and continual disasters in the form of earthquakes. Accepting ambiguity, constant change, and catastrophe is a key to understanding how Japanese architecture differs from that of Europe or America.