archives
Niveau de description archivistique:
Fonds
Gianni Pettena fonds
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
1960-2019
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
archives
Niveau de description archivistique:
Fonds
1960-2019
Projet
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
1994-2007
Barcelona Forum 2004, Santa Adrià de Besòs, Barcelona, Spain (2000)
Actions:
AP164.S1.2000.D9
Description:
The project series documents the competition entry and infrastructure development of the northeast coast park (Parque litoral nord-est, Barcelona Forum 2004, Sant Adrià de Besòs) and adjoining recycling plant (Edificio de oficinas y planta integral de RSU) in Santa Adriá de Besòs, Barcelona, Spain. The firm identified this project as number 133. The competition was organized by the Barcelona City Council and was part of a larger plan to develop new infrastructure for Barcelona, as the Host City for the International Forum of Cultures held in 2004. A number of architects and firms were involved in other projects related to the infrastructure plan, like the South East Coastal Park & Auditoriums by the Foreign Office Architects (See AP171.S1.2000.D6). The park included several other features, like the design of urban furniture (Pep and Xurret benches, and a fence), an artificial mountain, a youth hostel, a small security building and a pier. Only the park, the artificial mountain and the benches were built. The firm arranged work for this project with the following numbers: 133-1, 133-2, 133-6 to 133-8, and 133-10. The CCA did not receive materials classified under numbers 133-9 and 133-11. The recycling plant includes, among other things, office space, an ecomuseum, and a garden. Abalos and Herreros won the competition for design, construction and exploitation of the plant. The firm worked in collaboration with the firm Tersa, S.A. The firm assigned numbers 133-3 to 133-5 to identify this work. Documenting the project are design development and working drawings, correspondence, invoices, minutes, project descriptions, studies, budgets, contracts, reference, photographic and digital materials, and a videocassette.
Project
1994-2007
dessins
Quantité:
121 file(s)
ARCH256064
Description:
Schedules, geographic maps, building types: sections, elevations and plans. Includes tracings in ink of other architects's drawings.
Sections, elevations, and plans
Actions:
ARCH256064
Description:
Schedules, geographic maps, building types: sections, elevations and plans. Includes tracings in ink of other architects's drawings.
dessins
Quantité:
121 file(s)
Projet
AP056.S1.1990.PR02
Description:
This project series documents the Nicolas store at 86 Bloor Street West in Toronto in 1990. The office identified the project number as 9010. This project consisted of renovations to the existing 983 square foot space to accommodate the high-end menswear store. Located at ground level at the corner of Bellair Street, renovations to the interiors included mechanical and electrical upgrades, as well as new finishes and fitments. The finishes were done in wood veneer panelling and stone and polished concrete flooring. Fitments included new lighting fixtures, rack systems and other clothing display furnishings. Renovations to the exterior consisted of reglazing part of the Bellair Street facade and recladding. The project is recorded through drawings and photographs dating from 1990. Photographs show the finished store and the drawings include sketches, presentation drawings, plans, elevations, sections, details, perspectives and furnishings drawings. Many of the furnishings drawings are for the new rack system.
1990
Nicolas Store, Toronto (1990)
Actions:
AP056.S1.1990.PR02
Description:
This project series documents the Nicolas store at 86 Bloor Street West in Toronto in 1990. The office identified the project number as 9010. This project consisted of renovations to the existing 983 square foot space to accommodate the high-end menswear store. Located at ground level at the corner of Bellair Street, renovations to the interiors included mechanical and electrical upgrades, as well as new finishes and fitments. The finishes were done in wood veneer panelling and stone and polished concrete flooring. Fitments included new lighting fixtures, rack systems and other clothing display furnishings. Renovations to the exterior consisted of reglazing part of the Bellair Street facade and recladding. The project is recorded through drawings and photographs dating from 1990. Photographs show the finished store and the drawings include sketches, presentation drawings, plans, elevations, sections, details, perspectives and furnishings drawings. Many of the furnishings drawings are for the new rack system.
Project
1990
archives
Niveau de description archivistique:
Fonds
Fonds Roland Dumais
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
1930-1975
Fonds Roland Dumais
Actions:
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
archives
Niveau de description archivistique:
Fonds
1930-1975
Projet
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
1973-2018
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Project
1973-2018
Sous-série
AP156.S4.SS3.D2
Description:
Le dossier documente la fête d'adieu à Chandigarh, en Inde, de Pierre Jeanneret en avril 1965. Le dossier contient des photographies de Pierre Jeanneret, en compagnie de sa nièce Jacqueline Jeanneret, des officiels de Chandigarh et du gouvernement indien ou d'autres architectes qui ont collaboré au projet de Chandigarh, dont Jeet Malhotra. File documents Pierre Jeanneret's Farewell Party to Chandigarh, in India, in April 1965. The file contains photographs of Pierre Jeanneret, with his niece Jacqueline Jeanneret, Chandigarh or Indian government officials or others architects who colloborated to the Chandigarh project, including Jeet Malhotra.
April 1965
Fête d’adieu à Chandigarh, Inde = Farewell Party to Chandigarh, India
Actions:
AP156.S4.SS3.D2
Description:
Le dossier documente la fête d'adieu à Chandigarh, en Inde, de Pierre Jeanneret en avril 1965. Le dossier contient des photographies de Pierre Jeanneret, en compagnie de sa nièce Jacqueline Jeanneret, des officiels de Chandigarh et du gouvernement indien ou d'autres architectes qui ont collaboré au projet de Chandigarh, dont Jeet Malhotra. File documents Pierre Jeanneret's Farewell Party to Chandigarh, in India, in April 1965. The file contains photographs of Pierre Jeanneret, with his niece Jacqueline Jeanneret, Chandigarh or Indian government officials or others architects who colloborated to the Chandigarh project, including Jeet Malhotra.
Dossier 2
April 1965
archives
Niveau de description archivistique:
Collection
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
1925-1932, 1972
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
archives
Niveau de description archivistique:
Collection institutionnelle
1925-1932, 1972
Projet
AP114.S1.SS1.D1
Description:
Sub-series documents Gene Summers’ time working in the office of architect Mies van der Rohe, 1957 – 1959. It includes sketches, plans, elevations, and other drawings for various projects, such as the Ron Bacardi y Compañia Administration Building in Mexico City (1958-61) and the New National Gallery in Berlin (1962-68). The sub-series also contains notes on van der Rohe’s teachings recorded by Summers as well as supplementary notes added to the records by Phyllis Lambert in 2000.
1957 - 1959
Sketches and notes from the period when Gene Summers worked in the Office of Mies van der Rohe
Actions:
AP114.S1.SS1.D1
Description:
Sub-series documents Gene Summers’ time working in the office of architect Mies van der Rohe, 1957 – 1959. It includes sketches, plans, elevations, and other drawings for various projects, such as the Ron Bacardi y Compañia Administration Building in Mexico City (1958-61) and the New National Gallery in Berlin (1962-68). The sub-series also contains notes on van der Rohe’s teachings recorded by Summers as well as supplementary notes added to the records by Phyllis Lambert in 2000.
Subseries
1957 - 1959
Projet
AP142.S1.D151
Description:
File documents an executed project for the remodelling of a private house for Stefano and Andrea Alessi in Suna di Verbania, Italy. Material in this file was produced between 1989 and 1995. File contains design development drawings, presentation drawings, and a presentation model. File also contains textual records, including correspondence, drawings, sketches, architect's statements with drafts, photographs, and negatives, and other records.
1989-1995
Ristrutturazione Casa Alessi, Verbania, Italy
Actions:
AP142.S1.D151
Description:
File documents an executed project for the remodelling of a private house for Stefano and Andrea Alessi in Suna di Verbania, Italy. Material in this file was produced between 1989 and 1995. File contains design development drawings, presentation drawings, and a presentation model. File also contains textual records, including correspondence, drawings, sketches, architect's statements with drafts, photographs, and negatives, and other records.
File 151
1989-1995