documents textuels
ARCH267428
Description:
This group consists of documents from the Canadian Corporation for the 1967 World Exhibition for the Expo'67 Stadium in Montréal, Québec.
1965
6407 / 5.1 / Expo'67 / Design Guides
Actions:
ARCH267428
Description:
This group consists of documents from the Canadian Corporation for the 1967 World Exhibition for the Expo'67 Stadium in Montréal, Québec.
documents textuels
1965
ARCH286633
1955
Projet
CI007.S2.1925.PR01
Description:
This project series documents Mies van der Rohe design of a Model House and Model Apartment for the Die Wohnung unsere Zeit [Dwelling of Our Time] Exhibit at the Berlin Building Exhibition, Germany, in 1931. The material in this series was produced between 1931 and 1969. The series contains predominantly views of the interior and the exterior of the model house and apartment at the exhibition, including some photographs by Hedrich-Blessing.
1931-1969
Erdgeschosswohnhaus und Ledigenwohnung [Apartment and House Model] for the Berlin Building Exhibition (1925-1931)
Actions:
CI007.S2.1925.PR01
Description:
This project series documents Mies van der Rohe design of a Model House and Model Apartment for the Die Wohnung unsere Zeit [Dwelling of Our Time] Exhibit at the Berlin Building Exhibition, Germany, in 1931. The material in this series was produced between 1931 and 1969. The series contains predominantly views of the interior and the exterior of the model house and apartment at the exhibition, including some photographs by Hedrich-Blessing.
project
1931-1969
ARCH288674
1994
Sous-série
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
1992-2010
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Subseries
1992-2010
documents textuels
AP207.S2.SS09.003
Description:
Includes predominantly correspondence related to the planning of the exhibition, correspondence with architects presented in the exhibition, and correspondence with Hans Hollein.
1995-1997
Correspondence, Radicals. Architettura e Design 1960-1975
Actions:
AP207.S2.SS09.003
Description:
Includes predominantly correspondence related to the planning of the exhibition, correspondence with architects presented in the exhibition, and correspondence with Hans Hollein.
documents textuels
1995-1997
PH1988:0099
architecture, architecture temporaire, design d'exposition
1930
architecture, architecture temporaire, design d'exposition
PH1988:0145
architecture, architecture temporaire, design d'exposition
1930
architecture, architecture temporaire, design d'exposition
né numérique
AP167.S1.SS3.006
Description:
This directory chiefly contains Photoshop files related to the NSA Muscle computer interface design. This includes a rendering of an aerial view of the Muscle. Original directory name: "77 exhibition interface design". Most common file formats: Adobe Photoshop, Graphics Interchange Format.
30 September 2003
Computer interface design for the NSA Muscle (1 of 2)
Actions:
AP167.S1.SS3.006
Description:
This directory chiefly contains Photoshop files related to the NSA Muscle computer interface design. This includes a rendering of an aerial view of the Muscle. Original directory name: "77 exhibition interface design". Most common file formats: Adobe Photoshop, Graphics Interchange Format.
né numérique
30 September 2003
Série(s)
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
circa 1980--2019
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Series
circa 1980--2019