164 Résultats
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livres
livres
Prix:
$25.95
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
$25.95
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
Publication:
mars 2020
mars 2020
Titre:
Spacing philosophy: Lyotard and the idea of the exhibition
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$25.95
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Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Spacing philosophy: Lyotard and the idea of the exhibition
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Prix:
$25.95
(disponible sur commande)
Résumé:
The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
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Prix:
$36.95
(disponible en magasin)
Résumé:
What does it mean to say that Native peoples exist in the present? In ''Beyond settler time'' Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the(...)
$36.95
(disponible en magasin)
Résumé:
What does it mean to say that Native peoples exist in the present? In ''Beyond settler time'' Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the(...)
Titre:
Beyond settler time: temporal sovereignty and indigenous self-determination
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$36.95
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Résumé:
What does it mean to say that Native peoples exist in the present? In ''Beyond settler time'' Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the basis for defining time itself. How, though, can Native peoples be understood as dynamic and changing while also not assuming that they belong to a present inherently shared with non-natives? Drawing on physics, phenomenology, queer studies, and postcolonial theory, Rifkin develops the concept of "settler time" to address how Native peoples are both consigned to the past and inserted into the present in ways that normalize non-native histories, geographies, and expectations. Through analysis of various kinds of texts, including government documents, film, fiction, and autobiography, he explores how Native experiences of time exceed and defy such settler impositions. In underscoring the existence of multiple temporalities, Rifkin illustrates how time plays a crucial role in Indigenous peoples' expressions of sovereignty and struggles for self-determination.
Beyond settler time: temporal sovereignty and indigenous self-determination
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Prix:
$36.95
(disponible en magasin)
Résumé:
What does it mean to say that Native peoples exist in the present? In ''Beyond settler time'' Mark Rifkin investigates the dangers of seeking to include Indigenous peoples within settler temporal frameworks. Claims that Native peoples should be recognized as coeval with Euro-Americans, Rifkin argues, implicitly treat dominant non-native ideologies and institutions as the basis for defining time itself. How, though, can Native peoples be understood as dynamic and changing while also not assuming that they belong to a present inherently shared with non-natives? Drawing on physics, phenomenology, queer studies, and postcolonial theory, Rifkin develops the concept of "settler time" to address how Native peoples are both consigned to the past and inserted into the present in ways that normalize non-native histories, geographies, and expectations. Through analysis of various kinds of texts, including government documents, film, fiction, and autobiography, he explores how Native experiences of time exceed and defy such settler impositions. In underscoring the existence of multiple temporalities, Rifkin illustrates how time plays a crucial role in Indigenous peoples' expressions of sovereignty and struggles for self-determination.
Classification:
livres
livres
Publication:
février 2017
février 2017
Classification:
livres
livres
Titre:
Chronology
Chronology
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$21.95
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Résumé:
“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the(...)
$21.95
(disponible sur commande)
Résumé:
“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the(...)
Titre:
Chronology
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Prix:
$21.95
(disponible sur commande)
Résumé:
“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Athila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, and Philippe Parreno are scrutinized as so many attempts to capture the very dialectic of time itself. As Brian Dillon writes in frieze, “Birnbaum’s notion of an art of unpredictable becoming … has its aporias too. A brief aside apropos Matthew Barney – to the effect that his art is all meaning, all of the time – is quite telling.” Daniel Birnbaum is Rector of the Städelschule in Frankfurt am Main and Director of its Portikus gallery. A contributing editor of Artforum, he is the author of a number of texts on art and philosophy.
Chronology
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$21.95
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Résumé:
“It has never been my ambition to treat artworks as illustrations of philosophical doctrines. Rather, I believe that the works explored give rise to their own set of concepts.” A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was recently reviewed in the April 2006 issue of frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Athila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, and Philippe Parreno are scrutinized as so many attempts to capture the very dialectic of time itself. As Brian Dillon writes in frieze, “Birnbaum’s notion of an art of unpredictable becoming … has its aporias too. A brief aside apropos Matthew Barney – to the effect that his art is all meaning, all of the time – is quite telling.” Daniel Birnbaum is Rector of the Städelschule in Frankfurt am Main and Director of its Portikus gallery. A contributing editor of Artforum, he is the author of a number of texts on art and philosophy.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Description:
xiv, 416 pages : illustrations ; 24 cm
Description:
xiv, 416 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Fleischmann, Monika 1950-,
- Strauß, Wolfgang 1951-,
- Werner, Anton von 1843-1915,
- Panoramas.,
- Virtual reality in art.,
- Computer art.,
- Art and electronics.,
- Panoramas (Art),
- Réalité virtuelle dans l'art.,
- Art par ordinateur.,
- Art et électronique.,
- Art numérique.,
- panoramas (visual works),
- Computerkunst,
- Geschichte,
- Kunst,
- Medienkunst,
- Multimedia,
- Netzkunst,
- Panorama,
- Quadraturmalerei,
- Virtuelle Realität,
- Kunstbeschouwing.,
- Illusies.,
- Virtuele werkelijkheid.,
- Arte tecnológica.,
- Arte computador.,
- Realidade virtual.,
- Art du virtuel.,
- Réalité virtuelle.,
- digital art (visual works),
- Digital art.,
- Arts numériques.
Publication:
Cambridge, Mass. : MIT Press, ©2003.
Cambridge, Mass. : MIT Press, ©2003.
Titre:
Virtual art : from illusion to immersion / Oliver Grau ; translated by Gloria Custance.
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Description:
xiv, 416 pages : illustrations ; 24 cm
Virtual art : from illusion to immersion / Oliver Grau ; translated by Gloria Custance.
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Exemplaires:
Description:
xiv, 416 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2003.
Cambridge, Mass. : MIT Press, ©2003.
Auteur:
Sujet:
- Fleischmann, Monika 1950-,
- Strauß, Wolfgang 1951-,
- Werner, Anton von 1843-1915,
- Panoramas.,
- Virtual reality in art.,
- Computer art.,
- Art and electronics.,
- Panoramas (Art),
- Réalité virtuelle dans l'art.,
- Art par ordinateur.,
- Art et électronique.,
- Art numérique.,
- panoramas (visual works),
- Computerkunst,
- Geschichte,
- Kunst,
- Medienkunst,
- Multimedia,
- Netzkunst,
- Panorama,
- Quadraturmalerei,
- Virtuelle Realität,
- Kunstbeschouwing.,
- Illusies.,
- Virtuele werkelijkheid.,
- Arte tecnológica.,
- Arte computador.,
- Realidade virtual.,
- Art du virtuel.,
- Réalité virtuelle.,
- digital art (visual works),
- Digital art.,
- Arts numériques.
