7152 Résultats
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Personnes et institutions:
Date:
1930-1931
1930-1931
Titre:
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Niveau de description archivistique:
project
project
Date:
1930-1931
1930-1931
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Personnes et institutions:
Date:
1931
1931
Titre:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Niveau de description archivistique:
project
project
Date:
1931
1931
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Personnes et institutions:
Date:
1992-2000
1992-2000
Titre:
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Niveau de description archivistique:
Project
Project
Date:
1992-2000
1992-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Personnes et institutions:
Date:
1969-2010
1969-2010
Titre:
Awards and certificates to Cornelia Hahn Oberlander from architecture and landscape associations
Actions:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Awards and certificates to Cornelia Hahn Oberlander from architecture and landscape associations
Actions:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Classification:
documents textuels
documents textuels
Date:
1969-2010
1969-2010
Personnes et institutions:
Classification:
dessins
Quantité:
111 dessin(s) d'exécution
dessins
Quantité:
111 dessin(s) d'exécution
Numéro de référence:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
Personnes et institutions:
Titre:
dessins, Installation Lumière artificielle
Actions:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
dessins, Installation Lumière artificielle
Actions:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
Classification:
dessins
Quantité:
111 dessin(s) d'exécution
dessins
Quantité:
111 dessin(s) d'exécution
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Personnes et institutions:
Date:
1948-1953
1948-1953
Titre:
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Niveau de description archivistique:
project
project
Date:
1948-1953
1948-1953
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Personnes et institutions:
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Titre:
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Niveau de description archivistique:
series
series
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Titre:
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 31
File 31
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications
Publications
Numéro de référence:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Personnes et institutions:
Date:
1992-2018
1992-2018
Titre:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Niveau de description archivistique:
Series
Series
Date:
1992-2018
1992-2018
Personnes et institutions:
