7178 Résultats
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Personnes et institutions:
Date:
1942-1945
1942-1945
Titre:
Hofplein Design (City Centre), Rotterdam, Netherlands (1942-1945)
Actions:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Hofplein Design (City Centre), Rotterdam, Netherlands (1942-1945)
Actions:
CI005.S1.1942.PR2
Description:
In the early 1900s, Hofplein became problematic for its traffic gridlock. In 1942 Allied bombing demolished some of the area's surrounding buildings and paved the way for re-planning. Architect W.G. Witteveen proposed a reconstruction plan, as did J.A. Ringers, but Oud subsequently was delegated as supervisor of the Hofplein reconstruction plan with Jos Klijnen as architect. Oud's proposal was drawn up by 1943. Oud planned to divide Hofplein into three parts, including a circular traffic loop, an oval entertainment plaza, and an outdoor space with a café. He also proposed replacing an older tower building with a new town hall. Witteveen proposed an entirely different design and was unable to reconcile Oud to his plan; however, the city adopted an entirely new plan that was favoured by influential Rotterdam businessmen, one designed by Witteveen's assistant (Taverne et al. 2001, 429-432). Project series includes drawings of site plans for Hofplein as well as photographs of perspective drawings.
Niveau de description archivistique:
project
project
Date:
1942-1945
1942-1945
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Personnes et institutions:
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Titre:
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Niveau de description archivistique:
project
project
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Personnes et institutions:
Classification:
événements
événements
Titre:
Histoires de l’environnement
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Date:
15 décembre 2016, 18h
15 décembre 2016, 18h
Titre:
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Classification:
événements
événements
Date:
15 décembre 2016
18h
15 décembre 2016
18h
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Personnes et institutions:
Date:
1985-2007
1985-2007
Titre:
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
10JH, Sant Andreu viviendas para jóvenes, Barcelona, Spain (2002)
Actions:
AP164.S1.2002.D8
Description:
The project series documents the design for a residential tower for youth in the district of Sant Andreu, Barcelona. The design was for the account of the City Council and the Patronat Municipal de l'Habitatge. The promoter REGESA, Societat Urbanística Metropolitana Rehabilitació i Gestió, worked with Abalos & Herreros for this project that was never built. The project site was located between the streets Ferran Junoy, Tucuman and Borredà, nearby the shopping center La Maquinista. The firm identified this project as number 152. Records document first and second iterations of the design for the tower, primarily differentiated by the base of the building. The first design includes a rectangular base. The firm identified this iteration of the project as number 152-1. The second design of the tower includes a triangular base for the building. The firm identified this iteration as number 152-2. Documenting the project are conceptual, design development, presentation and working drawings, cartographic, digital and reference materials, project descriptions, correspondence, proposals, budgets, notes, agendas, contracts, invoices, trade catalogues, and paper models. Records predominantly date from 2001 to 2007.
Niveau de description archivistique:
Project
Project
Date:
1985-2007
1985-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Personnes et institutions:
Date:
1930-1931
1930-1931
Titre:
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Interior of M.J.I. de Jonge van Ellemeet's Study, Rotterdam, Netherlands (1930-1931)
Actions:
CI005.S1.1930.PR1
Description:
When the Rotterdam Building Inspectorate, the Buowpolitie, merged with the municipal housing authority, the Rotterdam Woningdienst, M.J.I. de Jonge van Ellemeet was appointed as head in 1923. Van Ellemeet commissioned Oud to decorate his study in the Rotterdam town hall. The study was part of the director's suite, which consisted of one large room, divided into separate parts. Oud contributed designs for a desk, an office chair, a conference table and six chairs, although the conference chairs were presumably never built. The desk includes a heavy wooden top and metal frame; the office chair has a rounded back and armrests of red leather and a seat of rounded back and straight front. Researchers have noted the similarities between Oud's chair and an earlier design of Le Corbusier and Charlotte Perriand in 1929. The chair is covered in leather, has chromium legs and a rounded back (Taverne et al. 2001, 380). Project series includes drawings of designs for plans and one photograph of office furniture for M.J.I de Jonge van Ellemeet.
Niveau de description archivistique:
project
project
Date:
1930-1931
1930-1931
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Personnes et institutions:
Date:
1931
1931
Titre:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Niveau de description archivistique:
project
project
Date:
1931
1931
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Personnes et institutions:
Date:
1992-2000
1992-2000
Titre:
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Niveau de description archivistique:
Project
Project
Date:
1992-2000
1992-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Personnes et institutions:
Date:
1969-2010
1969-2010
Titre:
Awards and certificates to Cornelia Hahn Oberlander from architecture and landscape associations
Actions:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Awards and certificates to Cornelia Hahn Oberlander from architecture and landscape associations
Actions:
AP075.S3.SS3.013
Description:
Contains: . Merit in design award from the Canadian Society of Lanscape Architects (CSLA) for the North Shore Neighbourhood House Playground in 1969 . Honour award and Merit award from the Canadian Society of Lanscape Architects (CSLA) for the Canthedral Place in 1992 . Certificat of life membership to the British Columbia Society of Lanscape Architects in 2001 . Lifetime Achivement Award from the Canadian Society of Lanscape Architects (CSLA) in 2006 . Honor Award from the New York Chapter of the American Society of Lanscape Architects (ASLA) for the New York Time Building Lobby Garden in New York in 2010
Classification:
documents textuels
documents textuels
Date:
1969-2010
1969-2010
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
