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In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass(...)
Bauhaus culture : from Weimar to the Cold War
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In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.
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juillet 2006, Minneapolis
Modernisme
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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions(...)
The architecture of Novosibirsk
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This book by Dr. Ivan Nevzgodin devoted to the architecture of Novosibirsk considers in detail the first large buildings of Novonikolaevsk, revolutionary romanticism, rationalism, functionalism, constructivism, transition architecture, Khrushchev modernism and international style of the Brezhnev period. This book is illustrated with modern and old photos, reproductions and graphic reconstruction of project drawings.
Modernisme
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world.(...)
Modern architecture, 4th edition
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This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever.
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septembre 2007
Modernisme
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first(...)
Sozgorod, faksimile der erstausgabe von 1930
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In 1930, Nikolai A. Milyutin presented his structural-engineering vision of the Marxist-stamped form of city and lifestyle with this book. The orientation towards Western ideas of design, but especially his demand for decentralised metropolises made him a reluctant enemy of the state, and Sozgorod immediately became forbidden literature. This facsimile edition, the first direct German translation of the original Russian, makes Milyutin’s legacy available again.
Modernisme
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
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décembre 1998, Cambridge, Mass.
Modernisme
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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janvier 2001, Los Angeles
Modernisme
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Modernisme
juillet 2003, Cambridge / London
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Modernisme
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Modernisme
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Step into the world of mid-century modern design with ''Modernist Icons'', a stunning exploration of the era's groundbreaking architecture and interiors from around the world. Discover how this design movement evolved from organic forms and functionality to sleek lines and refined elegance, and how it has remained a timeless classic. Delving deep into the interiors and(...)
Modernist icons: Mid-century houses and interiors
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Step into the world of mid-century modern design with ''Modernist Icons'', a stunning exploration of the era's groundbreaking architecture and interiors from around the world. Discover how this design movement evolved from organic forms and functionality to sleek lines and refined elegance, and how it has remained a timeless classic. Delving deep into the interiors and furniture that define this iconic aesthetic, ''Modernist Icons'' showcases the evolution of midcentury modernism over time. Learn how this design philosophy has influenced and informed other creative expressions and explore stunning examples from leading designers in this space. Featuring expert essays and striking imagery, this beautifully curated compilation is a true celebration and overview of the mid-century modern style.
Modernisme
Paris Moderne 1914-1945
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En paix ou en guerre, le Paris de la première moitié du XX? siècle vibre d’énergie fébrile. Les imaginations les plus débridées s’expriment dans des formes nouvelles dont les créateurs viennent de l’Europe entière. Le défi de l’industrie et les attentes du marché nourrissent l’architecture et l’ ensemble des disciplines artistiques, qui donnent son visage quotidien à une(...)
Paris Moderne 1914-1945
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En paix ou en guerre, le Paris de la première moitié du XX? siècle vibre d’énergie fébrile. Les imaginations les plus débridées s’expriment dans des formes nouvelles dont les créateurs viennent de l’Europe entière. Le défi de l’industrie et les attentes du marché nourrissent l’architecture et l’ ensemble des disciplines artistiques, qui donnent son visage quotidien à une ville délibérément moderne. Ce foisonnement est retracé selon le principe d’un dictionnaire, de la lettre « A », comme la photographe Laure Albin-Guillot, à la lettre « Z », comme le critique d’art Christian Zervos, en passant par Josephine Baker, Marcel Carné, Coco Chanel, Le Corbusier, Fernand Léger, Adolf Loos, Charlotte Perriand, Helena Rubinstein ou Tristan Tzara. Près de cent entrées composent un portrait sous forme de kaléidoscope amplement illustré. Un reportage photographique d’Antonio Martinelli donne à voir ce que le paysage architectural et urbain d’aujourd’hui révèle du Paris d’il y a cent ans.
Modernisme