2494 Résultats
Classification:
livres
livres
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Description:
x, 65 pages ; 18 cm
Description:
x, 65 pages ; 18 cm
Auteur:
Sujet:
- Cities and towns Philosophy.,
- Aesthetics.,
- City planning.,
- Architecture and society.,
- Villes Philosophie.,
- Architecture et société.
Publication:
Minneapolis : University of Minnesota Press, [2014]
Minneapolis : University of Minnesota Press, [2014]
Titre:
Mediators : aesthetics, politics, and the city / Reinhold Martin.
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Description:
x, 65 pages ; 18 cm
Mediators : aesthetics, politics, and the city / Reinhold Martin.
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Exemplaires:
Description:
x, 65 pages ; 18 cm
Classification:
livres
livres
Publication:
Minneapolis : University of Minnesota Press, [2014]
Minneapolis : University of Minnesota Press, [2014]
Auteur:
Sujet:
- Cities and towns Philosophy.,
- Aesthetics.,
- City planning.,
- Architecture and society.,
- Villes Philosophie.,
- Architecture et société.
Classification:
livres
livres
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Exemplaires:
Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Auteur:
- Ketcham, Diana.,
- Kenna, Michael.,
- Hoyem, Andrew.,
- Arion Press,,
- M & H Type (Firm),
- Phelps-Schaefer Lithographics.,
- Cardoza-James Binding Company.,
- Press Collection (Library of Congress),
- Jardins anglo-chinois.
Sujet:
- Monville, François Nicolas Henri Racine de, 1734-1797 Homes and haunts France Chambourcy.,
- Monville, François Nicolas Henri Racine de, 1734-1797,
- Gardens, English France Chambourcy History 18th century.,
- Jardins anglais France Chambourcy Histoire 18e siècle.,
- Gardens, English,
- Homes,
- Désert de Retz (Chambourcy, France),
- France Chambourcy,
- France Chambourcy Désert de Retz,
- History,
- Typefaces (Type evidence) Cochin (Monotype)
Publication:
San Francisco : Arion Press, 1990.
San Francisco : Arion Press, 1990.
Titre:
Le Désert de Retz : le jardin pittoresque de Monsieur de Monville = a late eighteenth-century French folly garden / by Diana Ketcham.
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Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Le Désert de Retz : le jardin pittoresque de Monsieur de Monville = a late eighteenth-century French folly garden / by Diana Ketcham.
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Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Classification:
livres
livres
Publication:
San Francisco : Arion Press, 1990.
San Francisco : Arion Press, 1990.
Auteur:
- Ketcham, Diana.,
- Kenna, Michael.,
- Hoyem, Andrew.,
- Arion Press,,
- M & H Type (Firm),
- Phelps-Schaefer Lithographics.,
- Cardoza-James Binding Company.,
- Press Collection (Library of Congress),
- Jardins anglo-chinois.
Sujet:
- Monville, François Nicolas Henri Racine de, 1734-1797 Homes and haunts France Chambourcy.,
- Monville, François Nicolas Henri Racine de, 1734-1797,
- Gardens, English France Chambourcy History 18th century.,
- Jardins anglais France Chambourcy Histoire 18e siècle.,
- Gardens, English,
- Homes,
- Désert de Retz (Chambourcy, France),
- France Chambourcy,
- France Chambourcy Désert de Retz,
- History,
- Typefaces (Type evidence) Cochin (Monotype)
Classification:
livres
livres
Titre:
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
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Description:
xx, 343 pages : illustrations ; 28 cm
Description:
xx, 343 pages : illustrations ; 28 cm
Auteur:
Sujet:
- Asian Development Bank,
- Architecture, Modern.,
- Architecture History.,
- Architecture Histoire.,
- Architecture,
- Architektur,
- Gaststätte,
- Geschäftshaus,
- Industriebau,
- Kulturgebäude,
- Sozialeinrichtung,
- Typologie,
- Bouwkunst.,
- Machtsvertoon.,
- Bautypus Geschichte Neuzeit,
- Architektursemiotik,
- Gesellschaft,
- Arquitetura moderna.,
- Historia.,
- Architecture, Modern History.,
- Architecture moderne Histoire.,
- Fonctionnalisme (architecture),
- 18e siècle-19e siècle,
- Sociologie,
- fonctionnalisme (art),
- History,
- Books.
Publication:
London ; New York : Routledge, 1993.
London ; New York : Routledge, 1993.
Titre:
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
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Description:
xx, 343 pages : illustrations ; 28 cm
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
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Exemplaires:
Description:
xx, 343 pages : illustrations ; 28 cm
Classification:
livres
livres
Publication:
London ; New York : Routledge, 1993.
London ; New York : Routledge, 1993.
Auteur:
Sujet:
- Asian Development Bank,
- Architecture, Modern.,
- Architecture History.,
- Architecture Histoire.,
- Architecture,
- Architektur,
- Gaststätte,
- Geschäftshaus,
- Industriebau,
- Kulturgebäude,
- Sozialeinrichtung,
- Typologie,
- Bouwkunst.,
- Machtsvertoon.,
- Bautypus Geschichte Neuzeit,
- Architektursemiotik,
- Gesellschaft,
- Arquitetura moderna.,
- Historia.,
- Architecture, Modern History.,
- Architecture moderne Histoire.,
- Fonctionnalisme (architecture),
- 18e siècle-19e siècle,
- Sociologie,
- fonctionnalisme (art),
- History,
- Books.
Classification:
livres
livres
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Description:
xiii, 249 pages : illustrations ; 25 cm
Description:
xiii, 249 pages : illustrations ; 25 cm
Auteur:
Sujet:
- Working class Pennsylvania Philadelphia History 18th century.,
- Travailleurs Pennsylvanie Philadelphie Histoire 18e siècle.,
- 15.85 history of America.,
- Working class.,
- Unterschicht,
- Arbeiders.,
- Dagelijks leven.,
- Pennsylvania Philadelphia.,
- Philadelphia, Pa.,
- History.
Publication:
Ithaca, N.Y. : Cornell University Press, 1990.
Ithaca, N.Y. : Cornell University Press, 1990.
Titre:
The "lower sort" : Philadelphia's laboring people, 1750-1800 / Billy G. Smith.
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Description:
xiii, 249 pages : illustrations ; 25 cm
The "lower sort" : Philadelphia's laboring people, 1750-1800 / Billy G. Smith.
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Description:
xiii, 249 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
Ithaca, N.Y. : Cornell University Press, 1990.
Ithaca, N.Y. : Cornell University Press, 1990.
Auteur:
Sujet:
- Working class Pennsylvania Philadelphia History 18th century.,
- Travailleurs Pennsylvanie Philadelphie Histoire 18e siècle.,
- 15.85 history of America.,
- Working class.,
- Unterschicht,
- Arbeiders.,
- Dagelijks leven.,
- Pennsylvania Philadelphia.,
- Philadelphia, Pa.,
- History.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Auteur:
Sujet:
- Commercial art Cuba.,
- Graphic arts Cuba.,
- Design Cuba History 20th century.,
- Art publicitaire Cuba.,
- Arts graphiques Cuba.,
- Design Cuba Histoire 20e siècle.,
- Commercial art,
- Design,
- Graphic arts,
- Grafikdesign,
- Werbung,
- Cuba History 1933-1959.,
- Cuba Histoire 1933-1959.,
- Cuba,
- Kuba,
- Cuba 1933-1959.,
- History,
- Books.
Publication:
New York City : Princeton Architectural Press, ©2002.
New York City : Princeton Architectural Press, ©2002.
Titre:
Cuba style : graphics from the golden age of design / Vicki Gold Levi & Steven Heller.
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Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Cuba style : graphics from the golden age of design / Vicki Gold Levi & Steven Heller.
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Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Classification:
livres
livres
Publication:
New York City : Princeton Architectural Press, ©2002.
New York City : Princeton Architectural Press, ©2002.
Auteur:
Sujet:
- Commercial art Cuba.,
- Graphic arts Cuba.,
- Design Cuba History 20th century.,
- Art publicitaire Cuba.,
- Arts graphiques Cuba.,
- Design Cuba Histoire 20e siècle.,
- Commercial art,
- Design,
- Graphic arts,
- Grafikdesign,
- Werbung,
- Cuba History 1933-1959.,
- Cuba Histoire 1933-1959.,
- Cuba,
- Kuba,
- Cuba 1933-1959.,
- History,
- Books.
Classification:
livres
livres
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Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Auteur:
Sujet:
- Sainte-Chapelle (Paris, France),
- Religious architecture France Paris.,
- Architecture religieuse France Paris.,
- Religious architecture,
- France Paris
Publication:
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
Titre:
La Sainte-Chapelle / par Louis Grodecki ... [publié par la] Caisse nationale des monuments historiques et des sites.
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Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
La Sainte-Chapelle / par Louis Grodecki ... [publié par la] Caisse nationale des monuments historiques et des sites.
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Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Classification:
livres
livres
Publication:
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
Auteur:
Sujet:
- Sainte-Chapelle (Paris, France),
- Religious architecture France Paris.,
- Architecture religieuse France Paris.,
- Religious architecture,
- France Paris
Classification:
livres
livres
Exemplaires:
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Auteur:
Sujet:
- Yale Center for British Art Exhibitions.,
- Yale Center for British Art,
- Landscape prints, British Exhibitions.,
- Prints Connecticut New Haven Exhibitions.,
- Romanticism in art Exhibitions.,
- Estampe de paysages britannique Expositions.,
- Estampe Connecticut New Haven Expositions.,
- Romantisme dans l'art Expositions.,
- Landscape prints, British,
- Prints,
- Romanticism in art,
- Connecticut New Haven,
- Exhibition catalogs
Publication:
[New Haven, Conn.] : [Yale Center for British Art], [2002]
[New Haven, Conn.] : [Yale Center for British Art], [2002]
Titre:
The romantic landscape print: "the chiaroscuro of nature."
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Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
The romantic landscape print: "the chiaroscuro of nature."
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Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Classification:
livres
livres
Publication:
[New Haven, Conn.] : [Yale Center for British Art], [2002]
[New Haven, Conn.] : [Yale Center for British Art], [2002]
Auteur:
Sujet:
- Yale Center for British Art Exhibitions.,
- Yale Center for British Art,
- Landscape prints, British Exhibitions.,
- Prints Connecticut New Haven Exhibitions.,
- Romanticism in art Exhibitions.,
- Estampe de paysages britannique Expositions.,
- Estampe Connecticut New Haven Expositions.,
- Romantisme dans l'art Expositions.,
- Landscape prints, British,
- Prints,
- Romanticism in art,
- Connecticut New Haven,
- Exhibition catalogs
Classification:
livres
livres
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Description:
159 pages : illustrations ; 18 cm
Description:
159 pages : illustrations ; 18 cm
Auteur:
Sujet:
- McLuhan, Marshall 1911-1980,
- Mass media History.,
- Technology and civilization.,
- Médias Histoire.,
- Technologie et civilisation.,
- 05.30 mass communication and mass media: general.,
- Mass media,
- Kommunikation,
- Medien,
- Massenmedien,
- Information,
- Wahrnehmung,
- Gesellschaft,
- Beeinflussung,
- Massamedia.,
- History
Publication:
Berkeley, CA : Gingko Press, 2001., ©1967
Berkeley, CA : Gingko Press, 2001., ©1967
Titre:
The medium is the massage : an inventory of effects / Marshall McLuhan, Quentin Fiore ; produced by Jerome Agel.
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Description:
159 pages : illustrations ; 18 cm
The medium is the massage : an inventory of effects / Marshall McLuhan, Quentin Fiore ; produced by Jerome Agel.
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Description:
159 pages : illustrations ; 18 cm
Classification:
livres
livres
Publication:
Berkeley, CA : Gingko Press, 2001., ©1967
Berkeley, CA : Gingko Press, 2001., ©1967
Auteur:
Sujet:
- McLuhan, Marshall 1911-1980,
- Mass media History.,
- Technology and civilization.,
- Médias Histoire.,
- Technologie et civilisation.,
- 05.30 mass communication and mass media: general.,
- Mass media,
- Kommunikation,
- Medien,
- Massenmedien,
- Information,
- Wahrnehmung,
- Gesellschaft,
- Beeinflussung,
- Massamedia.,
- History
Classification:
livres
livres
Prix:
$59.95
(disponible sur commande)
Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
$59.95
(disponible sur commande)
Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
Titre:
The artist as producer : Russian Constructivism in revolution
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Prix:
$59.95
(disponible sur commande)
Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
The artist as producer : Russian Constructivism in revolution
Actions:
Prix:
$59.95
(disponible sur commande)
Résumé:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Classification:
livres
livres
Publication:
janvier 1900, Berkeley
janvier 1900, Berkeley
Classification:
livres
livres
Prix:
$82.50
(disponible sur commande)
Résumé:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
$82.50
(disponible sur commande)
Résumé:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
Titre:
Shock of the old : Christopher Dresser's design revolution
Actions:
Prix:
$82.50
(disponible sur commande)
Résumé:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
Shock of the old : Christopher Dresser's design revolution
Actions:
Prix:
$82.50
(disponible sur commande)
Résumé:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
Classification:
livres
livres
Publication:
mars 2004, New York
mars 2004, New York
Sujet:
Design, monographies
Design, monographies
