7154 Résultats
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications
Publications
Numéro de référence:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Personnes et institutions:
Date:
1992-2018
1992-2018
Titre:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Niveau de description archivistique:
Series
Series
Date:
1992-2018
1992-2018
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Personnes et institutions:
Date:
1956-2001
1956-2001
Titre:
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Classification:
photographies
photographies
Date:
1956-2001
1956-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Un dictionnaire
Un dictionnaire
Numéro de référence:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Personnes et institutions:
Date:
1970-2001
1970-2001
Titre:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Niveau de description archivistique:
Project
Project
Date:
1970-2001
1970-2001
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
MarkeTrac and OrderTrac
MarkeTrac and OrderTrac
Numéro de référence:
AP184.S2
Description:
Series 2, MarkeTrac and OrderTrac, 1998-2007, chiefly documents Asymptote’s work bringing 3DTF online through the development and implementation of two web applications. This series includes textual and born-digital components, and chiefly dates from 2000 to 2001. MarkeTrac represents the most significant expansion on 3DTF. Running as a subdomain of the NYSE website for much of the early 2000s, it allowed users to monitor data from a personal computer using the 3DTF interface. Though there were other efforts bringing real-time stock data online at this time, MarkeTrac is significant in that it was the first to include a major data visualization component. Later additions to this project include OrderTrac, a component of MarkeTrac allowing users to buy and sell stocks online. Other unrealized projects related to 3DTF and data visualization were conceptualized during this time. The digital files in this series are chiefly raster images and video of renderings, in addition to a body of handout materials for project presentations. There is also a small body of CAD material in Maya. The textual records are largely handouts for presentation meetings, overlapping significantly with the digital files. There is also a small body of chiefly textual material documenting the conceptualization of other data visualization products.
AP184.S2
Description:
Series 2, MarkeTrac and OrderTrac, 1998-2007, chiefly documents Asymptote’s work bringing 3DTF online through the development and implementation of two web applications. This series includes textual and born-digital components, and chiefly dates from 2000 to 2001. MarkeTrac represents the most significant expansion on 3DTF. Running as a subdomain of the NYSE website for much of the early 2000s, it allowed users to monitor data from a personal computer using the 3DTF interface. Though there were other efforts bringing real-time stock data online at this time, MarkeTrac is significant in that it was the first to include a major data visualization component. Later additions to this project include OrderTrac, a component of MarkeTrac allowing users to buy and sell stocks online. Other unrealized projects related to 3DTF and data visualization were conceptualized during this time. The digital files in this series are chiefly raster images and video of renderings, in addition to a body of handout materials for project presentations. There is also a small body of CAD material in Maya. The textual records are largely handouts for presentation meetings, overlapping significantly with the digital files. There is also a small body of chiefly textual material documenting the conceptualization of other data visualization products.
Personnes et institutions:
Date:
1991 - 2007
1991 - 2007
Titre:
MarkeTrac and OrderTrac
Actions:
AP184.S2
Description:
Series 2, MarkeTrac and OrderTrac, 1998-2007, chiefly documents Asymptote’s work bringing 3DTF online through the development and implementation of two web applications. This series includes textual and born-digital components, and chiefly dates from 2000 to 2001. MarkeTrac represents the most significant expansion on 3DTF. Running as a subdomain of the NYSE website for much of the early 2000s, it allowed users to monitor data from a personal computer using the 3DTF interface. Though there were other efforts bringing real-time stock data online at this time, MarkeTrac is significant in that it was the first to include a major data visualization component. Later additions to this project include OrderTrac, a component of MarkeTrac allowing users to buy and sell stocks online. Other unrealized projects related to 3DTF and data visualization were conceptualized during this time. The digital files in this series are chiefly raster images and video of renderings, in addition to a body of handout materials for project presentations. There is also a small body of CAD material in Maya. The textual records are largely handouts for presentation meetings, overlapping significantly with the digital files. There is also a small body of chiefly textual material documenting the conceptualization of other data visualization products.
MarkeTrac and OrderTrac
Actions:
AP184.S2
Description:
Series 2, MarkeTrac and OrderTrac, 1998-2007, chiefly documents Asymptote’s work bringing 3DTF online through the development and implementation of two web applications. This series includes textual and born-digital components, and chiefly dates from 2000 to 2001. MarkeTrac represents the most significant expansion on 3DTF. Running as a subdomain of the NYSE website for much of the early 2000s, it allowed users to monitor data from a personal computer using the 3DTF interface. Though there were other efforts bringing real-time stock data online at this time, MarkeTrac is significant in that it was the first to include a major data visualization component. Later additions to this project include OrderTrac, a component of MarkeTrac allowing users to buy and sell stocks online. Other unrealized projects related to 3DTF and data visualization were conceptualized during this time. The digital files in this series are chiefly raster images and video of renderings, in addition to a body of handout materials for project presentations. There is also a small body of CAD material in Maya. The textual records are largely handouts for presentation meetings, overlapping significantly with the digital files. There is also a small body of chiefly textual material documenting the conceptualization of other data visualization products.
Niveau de description archivistique:
Series
Series
Date:
1991 - 2007
1991 - 2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Rose
Fonds Peter Rose
Numéro de référence:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds John Hejduk
Fonds John Hejduk
Numéro de référence:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Personnes et institutions:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Titre:
Fonds John Hejduk
Actions:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Fonds John Hejduk
Actions:
AP145
Résumé:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
Personnes et institutions:
Date:
1991-1997
1991-1997
Titre:
The Westnor Development Project, North York, Ontario (1991-1997)
Actions:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
The Westnor Development Project, North York, Ontario (1991-1997)
Actions:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
Niveau de description archivistique:
Project
Project
Date:
1991-1997
1991-1997
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Arthur Erickson
Fonds Arthur Erickson
Numéro de référence:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Personnes et institutions:
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Titre:
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Fonds Arthur Erickson
Actions:
AP022
Résumé:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2002 (predominant 1963-2000)
1947-2002 (predominant 1963-2000)
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Personnes et institutions:
Date:
1978-2002
1978-2002
Titre:
Photographs of Melvin Charney's exhibitions
Actions:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Photographs of Melvin Charney's exhibitions
Actions:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Classification:
photographies
photographies
Date:
1978-2002
1978-2002
Personnes et institutions:
