33212 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Personnes et institutions:
Date:
circa 1962-2016
circa 1962-2016
Titre:
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Classification:
documents textuels
documents textuels
Date:
circa 1962-2016
circa 1962-2016
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Personnes et institutions:
Date:
1960s
1960s
Titre:
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1960s
1960s
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Jean-Louis Cohen fonds
Jean-Louis Cohen fonds
Numéro de référence:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Personnes et institutions:
Date:
1968 - 2023
1968 - 2023
Titre:
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1968 - 2023
1968 - 2023
Personnes et institutions:
Classification:
expositions
expositions
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Localisation:
salle octogonale
salle octogonale
Date:
21 septembre 2018 au 19 mai 2019
21 septembre 2018 au 19 mai 2019
Titre:
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Classification:
expositions
expositions
Date:
21 septembre 2018 au
19 mai 2019
21 septembre 2018 au
19 mai 2019
Localisation:
salle octogonale
salle octogonale
Classification:
expositions
expositions
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Localisation:
Salles principales
Salles principales
Date:
18 mars 1998 au 24 mai 1998
18 mars 1998 au 24 mai 1998
Titre:
Montréal métropole, 1880-1930
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Montréal métropole, 1880-1930
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Classification:
expositions
expositions
Date:
18 mars 1998 au
24 mai 1998
18 mars 1998 au
24 mai 1998
Localisation:
Salles principales
Salles principales
Classification:
photographies
Niveau de description archivistique:
Projet
photographies
Niveau de description archivistique:
Projet
Actions:
Numéro de référence:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
Personnes et institutions:
Date:
1915 or later
1915 or later
Titre:
Competition Design for a Military Hospital, Den Helder, Netherlands (1915)
Actions:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
Competition Design for a Military Hospital, Den Helder, Netherlands (1915)
Actions:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
Classification:
photographies
Niveau de description archivistique:
project
photographies
Niveau de description archivistique:
project
Date:
1915 or later
1915 or later
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Personnes et institutions:
Date:
1990
1990
Titre:
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
1990
1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
Personnes et institutions:
Date:
1967
1967
Titre:
Canadian government pavilion, Japan world exposition, Osaka, Japan
Actions:
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
Canadian government pavilion, Japan world exposition, Osaka, Japan
Actions:
AP041.S1.1967.D2
Description:
This project series documents a submission for a design competition commissioned by the Government of Canada for its pavilion at the 1970 World Exposition in Osaka, Japan. Fashioned from construction cranes and scaffolding, Melvin Charney's submission (in collaboration with Harry Parnass and Janos Barancs) garnered significant interest and media coverage, and served as a turning point away from traditional architecture practice towards public art. The competition was won by architect Arthur Erickson. Material includes presentation drawings, a photograph of the no longer existant model, and competition documents including correspondence and a copy of the competition programme.
Niveau de description archivistique:
Project
Project
Date:
1967
1967
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
Personnes et institutions:
Date:
1957-1983
1957-1983
Titre:
Research and Documentation Files
Actions:
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
Research and Documentation Files
Actions:
AP032.S2.SS2.D1.SD3
Description:
A collection of alphabetically - arranged files containing research information and documentation on a wide range of subjects: construction materials and techniques, building types, architects, engineering, art and sculpture, institutions, cities, machines, World Fairs, etc. A number of files, such as artists, bridges and stadiums, are exceptionally large. Some material is related to office projects, including colour samples for certain SOM buildings, and there are personal documents concerning Goldsmith's speech requests, RIBA lecture, and a number of business trips. The Files contain clippings, printed and published material, journals, correspondence and memos, notes and sketches, photographs and diazos, and 2 samples of building materials (stone).
Niveau de description archivistique:
Sub-file 3
Sub-file 3
Date:
1957-1983
1957-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Personnes et institutions:
Date:
1926
1926
Titre:
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Niveau de description archivistique:
project
project
Date:
1926
1926
Personnes et institutions:
