33366 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Material from Bruno Taut mostly for Die gläserne Kette
Actions:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
Material from Bruno Taut mostly for Die gläserne Kette
Actions:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1919-1920
1919-1920
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Personnes et institutions:
Date:
1960s
1960s
Titre:
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Classification:
photographies
photographies
Date:
1960s
1960s
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Personnes et institutions:
Date:
circa 1962-2016
circa 1962-2016
Titre:
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Classification:
documents textuels
documents textuels
Date:
circa 1962-2016
circa 1962-2016
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Beyrouth
L’enseignement de… Beyrouth
Actions:
Description:
Hashim Sarkis, titulaire de la chaire de l’Aga Khan à l’Université Harvard et directeur du programme de l’Aga Khan à la Harvard Graduate School of Design (GSD), propose une lecture alternative des questions urbaines à Beyrouth, lecture qui prend en compte des éléments allant au-delà de la reconstruction de la ville après la guerre et des politiques identitaires. Au fil(...)
Hashim Sarkis, titulaire de la chaire de l’Aga Khan à l’Université Harvard et directeur du programme de l’Aga Khan à la Harvard Graduate School of Design (GSD), propose une lecture alternative des questions urbaines à Beyrouth, lecture qui prend en compte des éléments allant au-delà de la reconstruction de la ville après la guerre et des politiques identitaires. Au fil(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
11 mars 2010 , 19h
11 mars 2010 , 19h
Titre:
L’enseignement de… Beyrouth
Actions:
Description:
Hashim Sarkis, titulaire de la chaire de l’Aga Khan à l’Université Harvard et directeur du programme de l’Aga Khan à la Harvard Graduate School of Design (GSD), propose une lecture alternative des questions urbaines à Beyrouth, lecture qui prend en compte des éléments allant au-delà de la reconstruction de la ville après la guerre et des politiques identitaires. Au fil(...)
L’enseignement de… Beyrouth
Actions:
Description:
Hashim Sarkis, titulaire de la chaire de l’Aga Khan à l’Université Harvard et directeur du programme de l’Aga Khan à la Harvard Graduate School of Design (GSD), propose une lecture alternative des questions urbaines à Beyrouth, lecture qui prend en compte des éléments allant au-delà de la reconstruction de la ville après la guerre et des politiques identitaires. Au fil(...)
Classification:
événements
événements
Date:
11 mars 2010
19h
11 mars 2010
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2009
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Date:
23 mars 2009 au 30 octobre 2009
23 mars 2009 au 30 octobre 2009
Titre:
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Classification:
recherche
recherche
Date:
23 mars 2009 au
30 octobre 2009
23 mars 2009 au
30 octobre 2009
Classification:
expositions
expositions
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Localisation:
salle octogonale
salle octogonale
Date:
21 septembre 2018 au 19 mai 2019
21 septembre 2018 au 19 mai 2019
Titre:
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Récits pour un monde nouveau
Actions:
Description:
Alors que le cinéma décentralisé, expérimental et subversif gagne en importance à la fin des années 1960 et au début des années 1970, de nombreux groupes opérant dans le domaine de l’architecture, tels que Superstudio, Studio 9999 et Ant Farm explorent le médium du court métrage comme moyen d’élargir le discours architectural, d’intégrer à leurs projets des réflexions(...)
Classification:
expositions
expositions
Date:
21 septembre 2018 au
19 mai 2019
21 septembre 2018 au
19 mai 2019
Localisation:
salle octogonale
salle octogonale
Classification:
expositions
expositions
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Localisation:
Salles principales
Salles principales
Date:
18 mars 1998 au 24 mai 1998
18 mars 1998 au 24 mai 1998
Titre:
Montréal métropole, 1880-1930
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Montréal métropole, 1880-1930
Actions:
Description:
L’exposition se penche sur la période durant laquelle Montréal, cité marchande du XIXe siècle, se transforme et devient métropole du Canada. Y sont mis en lumière les éléments qui ont fait de Montréal une ville de grande influence aux plans politique, social et économique ainsi que le caractère unique de son architecture. Parmi les quelque 350 pièces regroupées, on(...)
Classification:
expositions
expositions
Date:
18 mars 1998 au
24 mai 1998
18 mars 1998 au
24 mai 1998
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Personnes et institutions:
Date:
1926
1926
Titre:
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Niveau de description archivistique:
project
project
Date:
1926
1926
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Personnes et institutions:
Date:
1954-2004
1954-2004
Titre:
Senneville Barn Dome, Senneville, Québec
Actions:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Senneville Barn Dome, Senneville, Québec
Actions:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Niveau de description archivistique:
Série
Série
Date:
1954-2004
1954-2004
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Personnes et institutions:
Date:
1988-2005
1988-2005
Titre:
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Niveau de description archivistique:
Subseries
Subseries
Date:
1988-2005
1988-2005
Personnes et institutions:
