Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
Revues
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One of the first built projects of Eduardo Souto Moura, Casa das Artes was designed in the early 1980s and completed construction in 1991. The building is located in the gardens of a neoclassical mansion in Porto, dating from the beginning of the 20th century. The competition programme proposed a cinema, auditorium, an exhibition gallery, and required that the(...)
Eduardo Souto Moura: Casa das Artes
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One of the first built projects of Eduardo Souto Moura, Casa das Artes was designed in the early 1980s and completed construction in 1991. The building is located in the gardens of a neoclassical mansion in Porto, dating from the beginning of the 20th century. The competition programme proposed a cinema, auditorium, an exhibition gallery, and required that the surroundings be preserved as they were. According to the architect, ''Work was not allowed to interfere with the garden. Omitting was more important than proposing, deleting was more important than designing, and simplicity more important than composition'' This monograph reflects his very minimalistic approach.
Architecture, monographies
Alexandra Leykauf
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Alexandra Leykauf studied audio-visual media and photography, and is based in Berlin. In her work, she appropriates the gender-oriented or feminine cultural gaze via the medium of photography, playing with varying degrees of appropriation in order to reveal the superficiality of images. Leykauf often deconstructs various features of photography and cinema, thereby(...)
Alexandra Leykauf
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Alexandra Leykauf studied audio-visual media and photography, and is based in Berlin. In her work, she appropriates the gender-oriented or feminine cultural gaze via the medium of photography, playing with varying degrees of appropriation in order to reveal the superficiality of images. Leykauf often deconstructs various features of photography and cinema, thereby revealing the complexity inherent to the construction of images. This substantial artist’s book presents numerous of these appropriations and deconstructions, along with critical texts by Dominikus Müller, Jonathan Pouthier, Robert Barry, and Maria Barnas. A conversation with Leykauf completes this in-depth analysis.
Monographies photo
Hollis Frampton (nostalgia)
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Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new(...)
Hollis Frampton (nostalgia)
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Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history—when (nostalgia) confirmed both the essence and fragility of cinema itself. Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London.
Théorie de l’art
Bollywood posters
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On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of colour. It is an invitation to the pleasures of Bollywood, the world's largest film industry. This most democratic of art forms meets one of the world's most exciting cinema industries and the result is an explosion of colour, form and typography. Bollywood's film posters(...)
avril 2008, London, New York
Bollywood posters
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On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of colour. It is an invitation to the pleasures of Bollywood, the world's largest film industry. This most democratic of art forms meets one of the world's most exciting cinema industries and the result is an explosion of colour, form and typography. Bollywood's film posters have had a long and glorious history that is only now being recognized and noted, and is brilliantly celebrated here in this lavish volume. "Bollywood Posters" is a must-have for film buffs, graphic designers and art-lovers.
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For almost two decades, Stephan Zaubitzer has travelled the world in search of cinemas, both operative and inoperative, to capture them with a large-format camera. "Cinés Méditerranée" presents a photographic journey through five countries on the southern coast of the Mediterranean sea – Morocco, Algeria, Tunisia, Egypt, and Lebanon – each of which holds an exceptional(...)
Stefan Zaubitzer: Cines Mediterranee
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For almost two decades, Stephan Zaubitzer has travelled the world in search of cinemas, both operative and inoperative, to capture them with a large-format camera. "Cinés Méditerranée" presents a photographic journey through five countries on the southern coast of the Mediterranean sea – Morocco, Algeria, Tunisia, Egypt, and Lebanon – each of which holds an exceptional architectural heritage. From the pristine to the dilapidated and even ruined, this extensive collection of images features numerous examples of classic 20th-century cinema architecture, design, and ornamentation. It also includes cartographic documentation and a preface by French film critic Alain Bergala.
Monographies photo
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''Reverse perspective'' revolves around practice-based architectural, art historical, and philosophical research on presence via images, buildings, and texts. In the book, Belgian architect Wim Goes explores three of his main projects: Yohji Yamamoto Boutique Antwerp, Royal Belgian Sailing Club, and Refuge II. Crucial to the book’s introspection is the conversation(...)
Reverse perspective: Wim Goes & Volkmar Mühleis
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''Reverse perspective'' revolves around practice-based architectural, art historical, and philosophical research on presence via images, buildings, and texts. In the book, Belgian architect Wim Goes explores three of his main projects: Yohji Yamamoto Boutique Antwerp, Royal Belgian Sailing Club, and Refuge II. Crucial to the book’s introspection is the conversation between Volkmar Mühleis, professor of philosophy and aesthetics at LUCA School of Arts in Brussels and Ghent, and Bulgarian art historian Clemena Antonova, who discuss the concept of reverse perspective in relation to Orthodox icons, cubism, the cinema of Andrei Tarkovsky, and paintings by David Hockney.
Architecture, monographies
Italy of the Cities
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's(...)
Italy of the Cities
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's composite structure. The reader is encouraged to take part in this pleasure trip along the book's pages, amongst signs and colours, words and images, yielding in to curiosity and a visual feast as well as to a refined narration.
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In this special issue, famed Dutch architects Winy Maas, Jacob van Rijs and Nathalie de Vries, collectively known as MVRDV, take centre stage. Based in Rotterdam, the office has had its fingers on the pulse of global solutions to contemporary issues in architecture and urbanism for two decades and counting. Featuring detailed profiles of more than 20 top projects,(...)
El Croquis 173: MVRDV (2003-2014)
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In this special issue, famed Dutch architects Winy Maas, Jacob van Rijs and Nathalie de Vries, collectively known as MVRDV, take centre stage. Based in Rotterdam, the office has had its fingers on the pulse of global solutions to contemporary issues in architecture and urbanism for two decades and counting. Featuring detailed profiles of more than 20 top projects, including Copenhagen’s Gemini Residences, Busan Cinema Complex, Gangnam Shopping Centre, the new Market Hall in Rotterdam and Parkrand Apartments in Amsterdam, plus an essay by Aaron Betsky and a conversation with MVRDV and Charles Bessard and Nanne de Ru of Powerhouse Company.
El Croquis
Walking in Berlin
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In 'Walking in Berlin', Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. 'Walking in Berlin' was a central model for Benjamin’s Arcades Project and remains a classic of(...)
Walking in Berlin
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In 'Walking in Berlin', Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. 'Walking in Berlin' was a central model for Benjamin’s Arcades Project and remains a classic of “walking literature” that ranges from Surrealist perambulation to Situationist “psychogeography.” This MIT Press edition includes the complete text in translation as well as Benjamin’s essay on 'Walking in Berlin', originally written as a review of the book’s original edition.
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