33057 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Personnes et institutions:
Date:
1994-2005
1994-2005
Titre:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1994-2005
1994-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974
circa 1974
Titre:
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974
circa 1974
Personnes et institutions:
Classification:
photographies
Quantité:
22 photograph(s)
photographies
Quantité:
22 photograph(s)
Numéro de référence:
ARCH268912
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, predominantly taken during the project of Chandigarh. The group includes photographs of Le Corbusier, Jacqueline Jeanneret, Jeet Malhotra, Prem Nath Thapar, Parmeshwari Lal Varma and his wife and Jawaharlal Nehru. There is a photograph of Pierre Jeanneret, Le Corbusier and Parmeshwari Lal Varma standing in front of a model of the master plan of Chandigarh. The group also includes a photograph of Pierre Jeanneret with a group of architects of the architect's office at Chandigarh.
ARCH268912
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, predominantly taken during the project of Chandigarh. The group includes photographs of Le Corbusier, Jacqueline Jeanneret, Jeet Malhotra, Prem Nath Thapar, Parmeshwari Lal Varma and his wife and Jawaharlal Nehru. There is a photograph of Pierre Jeanneret, Le Corbusier and Parmeshwari Lal Varma standing in front of a model of the master plan of Chandigarh. The group also includes a photograph of Pierre Jeanneret with a group of architects of the architect's office at Chandigarh.
Personnes et institutions:
Titre:
Photographs of Pierre Jeanneret and others at Chandigarh, India
Actions:
ARCH268912
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, predominantly taken during the project of Chandigarh. The group includes photographs of Le Corbusier, Jacqueline Jeanneret, Jeet Malhotra, Prem Nath Thapar, Parmeshwari Lal Varma and his wife and Jawaharlal Nehru. There is a photograph of Pierre Jeanneret, Le Corbusier and Parmeshwari Lal Varma standing in front of a model of the master plan of Chandigarh. The group also includes a photograph of Pierre Jeanneret with a group of architects of the architect's office at Chandigarh.
Photographs of Pierre Jeanneret and others at Chandigarh, India
Actions:
ARCH268912
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, predominantly taken during the project of Chandigarh. The group includes photographs of Le Corbusier, Jacqueline Jeanneret, Jeet Malhotra, Prem Nath Thapar, Parmeshwari Lal Varma and his wife and Jawaharlal Nehru. There is a photograph of Pierre Jeanneret, Le Corbusier and Parmeshwari Lal Varma standing in front of a model of the master plan of Chandigarh. The group also includes a photograph of Pierre Jeanneret with a group of architects of the architect's office at Chandigarh.
Classification:
photographies
Quantité:
22 photograph(s)
photographies
Quantité:
22 photograph(s)
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Personnes et institutions:
Date:
circa 1966-1982
circa 1966-1982
Titre:
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Classification:
documents textuels
documents textuels
Date:
circa 1966-1982
circa 1966-1982
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Personnes et institutions:
Date:
1977-2016
1977-2016
Titre:
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Classification:
documents textuels
documents textuels
Date:
1977-2016
1977-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Classification:
événements
événements
Titre:
L’enseignement de… Bombay
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
9 avril 2009
9 avril 2009
Titre:
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
L’enseignement de… Bombay
Actions:
Description:
Rahul Mehrotra livre son interprétation de la situation propre à la ville de Bombay et de son statut de symbole de la culture urbaine émergente en Inde. La conférence fait le point sur Bombay, mégalopole de plus de13 millions d’habitants et s’attarde sur les deux entités distinctes occupant le même espace physique qui la caractérisent : d’une part, la ville dans ce(...)
Classification:
événements
événements
Date:
9 avril 2009
9 avril 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Stelco
Fonds Stelco
Numéro de référence:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Personnes et institutions:
Date:
1902-1982
1902-1982
Titre:
Fonds Stelco
Actions:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Fonds Stelco
Actions:
AP017
Résumé:
The Stelco fonds, 1902-1982, documents the buildings of the Steel Company of Canada’s two Montréal sites, located on Notre-Dame street in Little Burgundy and in Saint-Henri. The fond is composed of drawings showing site plans and elevations.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1902-1982
1902-1982
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP058.S2.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement, participation, and attendance in various conferences and lectures, like the XIII World Congress of International Union of Architects in Mexico City, Mexico (1978), the National Endowment for the Arts, an urban design educators retreat in San Juan, Porto Rico (1981), the Colloquy on Rural Development and Design, in Washington, D.C. (1987), and the Construct Canada Conference, in Toronto, Ontario (1988). The subseries contains correspondence, brochures, agendas, reports, lists of participants, papers, programmes and scheduled activities, and notes, dating from 1977 to 1990. Among the papers, there are draughts and final versions of text entitled ‘An Education in architecture’ and ‘To Critical Risk-Quality Care’.
AP058.S2.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement, participation, and attendance in various conferences and lectures, like the XIII World Congress of International Union of Architects in Mexico City, Mexico (1978), the National Endowment for the Arts, an urban design educators retreat in San Juan, Porto Rico (1981), the Colloquy on Rural Development and Design, in Washington, D.C. (1987), and the Construct Canada Conference, in Toronto, Ontario (1988). The subseries contains correspondence, brochures, agendas, reports, lists of participants, papers, programmes and scheduled activities, and notes, dating from 1977 to 1990. Among the papers, there are draughts and final versions of text entitled ‘An Education in architecture’ and ‘To Critical Risk-Quality Care’.
Personnes et institutions:
Date:
1977-1990
1977-1990
Titre:
Other conferences and lectures
Actions:
AP058.S2.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement, participation, and attendance in various conferences and lectures, like the XIII World Congress of International Union of Architects in Mexico City, Mexico (1978), the National Endowment for the Arts, an urban design educators retreat in San Juan, Porto Rico (1981), the Colloquy on Rural Development and Design, in Washington, D.C. (1987), and the Construct Canada Conference, in Toronto, Ontario (1988). The subseries contains correspondence, brochures, agendas, reports, lists of participants, papers, programmes and scheduled activities, and notes, dating from 1977 to 1990. Among the papers, there are draughts and final versions of text entitled ‘An Education in architecture’ and ‘To Critical Risk-Quality Care’.
Other conferences and lectures
Actions:
AP058.S2.SS2
Description:
This subseries documents Blanche Lemco van Ginkel’s involvement, participation, and attendance in various conferences and lectures, like the XIII World Congress of International Union of Architects in Mexico City, Mexico (1978), the National Endowment for the Arts, an urban design educators retreat in San Juan, Porto Rico (1981), the Colloquy on Rural Development and Design, in Washington, D.C. (1987), and the Construct Canada Conference, in Toronto, Ontario (1988). The subseries contains correspondence, brochures, agendas, reports, lists of participants, papers, programmes and scheduled activities, and notes, dating from 1977 to 1990. Among the papers, there are draughts and final versions of text entitled ‘An Education in architecture’ and ‘To Critical Risk-Quality Care’.
Niveau de description archivistique:
Subseries
Subseries
Date:
1977-1990
1977-1990
Personnes et institutions:
