3069 Résultats
Classification:
livres
livres
Titre:
The Remembered film
The Remembered film
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Prix:
$24.95
(disponible sur commande)
Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
$24.95
(disponible sur commande)
Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
Titre:
The Remembered film
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$24.95
(disponible sur commande)
Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
The Remembered film
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Prix:
$24.95
(disponible sur commande)
Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
Classification:
livres
livres
Publication:
octobre 2004, London
octobre 2004, London
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Architecture and film
Architecture and film
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$32.50
(disponible sur commande)
Résumé:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the (...)
$32.50
(disponible sur commande)
Résumé:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the (...)
Publication:
février 2000, New York
février 2000, New York
Titre:
Architecture and film
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$32.50
(disponible sur commande)
Résumé:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson writes on how films from "The Fountainhead" to "Jungle Fever" have depicted architects. Eric Rosenberg looks at how architecture and spatial relations shape the Beatles films "A Hard Day's Night", "Help!", and "Let It Be". Joseph Rosa discusses why modern domestic architecture in recent Hollywood films such as "The Ice Storm", "L.A. Confidential", and "The Big Lebowski" has become synonymous with unstable inhabitants. Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of "Concert of Wills", a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for "Seven" and "Mission Impossible"; and motion picture art director Jan Roelfs, whose credits include "Gattaca", "Orlando", and "Little Women". Previously priced at $41.50.
Architecture and film
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Prix:
$32.50
(disponible sur commande)
Résumé:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson writes on how films from "The Fountainhead" to "Jungle Fever" have depicted architects. Eric Rosenberg looks at how architecture and spatial relations shape the Beatles films "A Hard Day's Night", "Help!", and "Let It Be". Joseph Rosa discusses why modern domestic architecture in recent Hollywood films such as "The Ice Storm", "L.A. Confidential", and "The Big Lebowski" has become synonymous with unstable inhabitants. Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of "Concert of Wills", a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for "Seven" and "Mission Impossible"; and motion picture art director Jan Roelfs, whose credits include "Gattaca", "Orlando", and "Little Women". Previously priced at $41.50.
Classification:
livres
livres
Publication:
février 2000, New York
février 2000, New York
Classification:
livres
livres
Titre:
Paul Graham: films
Paul Graham: films
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$45.00
(disponible sur commande)
Résumé:
Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
$45.00
(disponible sur commande)
Résumé:
Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Titre:
Paul Graham: films
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Prix:
$45.00
(disponible sur commande)
Résumé:
Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Paul Graham: films
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Prix:
$45.00
(disponible sur commande)
Résumé:
Graham presents us a timely tribute to the passing of film. The grains, color dye clouds, the black and white silver crystals, make images of stunning beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photography in the 20th century.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
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livres
livres
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Description:
48 pages, [1] folded leaf of plates : illustrations, plans ; 24 cm + 1 sheet
Description:
48 pages, [1] folded leaf of plates : illustrations, plans ; 24 cm + 1 sheet
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Publication:
Boulogne-Sur-Seine [France] : Architecture d'Aujourd'hui, [1946]
Boulogne-Sur-Seine [France] : Architecture d'Aujourd'hui, [1946]
Titre:
Exposition des techniques américaines de l'habitation et de l'urbanisme, 1939-194X.
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Description:
48 pages, [1] folded leaf of plates : illustrations, plans ; 24 cm + 1 sheet
Exposition des techniques américaines de l'habitation et de l'urbanisme, 1939-194X.
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Description:
48 pages, [1] folded leaf of plates : illustrations, plans ; 24 cm + 1 sheet
Classification:
livres
livres
Publication:
Boulogne-Sur-Seine [France] : Architecture d'Aujourd'hui, [1946]
Boulogne-Sur-Seine [France] : Architecture d'Aujourd'hui, [1946]
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Classification:
livres
livres
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Description:
382 pages : illustrations ; 24 cm.
Description:
382 pages : illustrations ; 24 cm.
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Publication:
Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, ©2011.
Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, ©2011.
Titre:
Cinema, architecture, dispositif / sous la direction de Elena Biserna, Precious Brown.
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Description:
382 pages : illustrations ; 24 cm.
Cinema, architecture, dispositif / sous la direction de Elena Biserna, Precious Brown.
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Description:
382 pages : illustrations ; 24 cm.
Classification:
livres
livres
Publication:
Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, ©2011.
Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, ©2011.
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Classification:
livres
livres
Titre:
Cyanotype : the history, science and art of photographic printing in Prussian blue / Mike Ware.
Cyanotype : the history, science and art of photographic printing in Prussian blue / Mike Ware.
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Description:
177 pages : illustrations ; 25 cm
Description:
177 pages : illustrations ; 25 cm
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Publication:
London : Science Museum ; Bradford [England] : National Museum of Photography, Film & Television, 1999.
London : Science Museum ; Bradford [England] : National Museum of Photography, Film & Television, 1999.
Titre:
Cyanotype : the history, science and art of photographic printing in Prussian blue / Mike Ware.
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Description:
177 pages : illustrations ; 25 cm
Cyanotype : the history, science and art of photographic printing in Prussian blue / Mike Ware.
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Description:
177 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
London : Science Museum ; Bradford [England] : National Museum of Photography, Film & Television, 1999.
London : Science Museum ; Bradford [England] : National Museum of Photography, Film & Television, 1999.
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Classification:
vidéo
vidéo
Titre:
Cities from zero.
Cities from zero.
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Description:
2 videocassettes (Mini-DV) : sound, color ; 1/4 in. master
Description:
2 videocassettes (Mini-DV) : sound, color ; 1/4 in. master
Auteur:
Sujet:
Publication:
[2008]
[2008]
Titre:
Cities from zero.
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Description:
2 videocassettes (Mini-DV) : sound, color ; 1/4 in. master
Cities from zero.
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Description:
2 videocassettes (Mini-DV) : sound, color ; 1/4 in. master
Classification:
vidéo
vidéo
Publication:
[2008]
[2008]
Auteur:
Sujet:
Classification:
vidéo
vidéo
Titre:
Quebec workers and the Industrial Revolution in the late nineteenth century / Fernand Harvey.
Quebec workers and the Industrial Revolution in the late nineteenth century / Fernand Harvey.
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Description:
30 slides (some color) + 1 guide (18, 20 pages ; 28 cm).
Description:
30 slides (some color) + 1 guide (18, 20 pages ; 28 cm).
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Sujet:
Publication:
[Ottawa] : National Film Board of Canada : National Museum of Man, National Museums of Canada, 1984.
[Ottawa] : National Film Board of Canada : National Museum of Man, National Museums of Canada, 1984.
Titre:
Quebec workers and the Industrial Revolution in the late nineteenth century / Fernand Harvey.
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Description:
30 slides (some color) + 1 guide (18, 20 pages ; 28 cm).
Quebec workers and the Industrial Revolution in the late nineteenth century / Fernand Harvey.
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Description:
30 slides (some color) + 1 guide (18, 20 pages ; 28 cm).
Classification:
vidéo
vidéo
Publication:
[Ottawa] : National Film Board of Canada : National Museum of Man, National Museums of Canada, 1984.
[Ottawa] : National Film Board of Canada : National Museum of Man, National Museums of Canada, 1984.
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Classification:
graphique
graphique
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Description:
1 print (poster) : col. ; 60 x 42 cm.
Description:
1 print (poster) : col. ; 60 x 42 cm.
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Publication:
[Berlin : Berlinische Galerie, 1996]
[Berlin : Berlinische Galerie, 1996]
Titre:
Berlin, Mockba 1900-1950 = Berlin, Moskau 1900-1950.
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Description:
1 print (poster) : col. ; 60 x 42 cm.
Berlin, Mockba 1900-1950 = Berlin, Moskau 1900-1950.
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Description:
1 print (poster) : col. ; 60 x 42 cm.
Classification:
graphique
graphique
Publication:
[Berlin : Berlinische Galerie, 1996]
[Berlin : Berlinische Galerie, 1996]
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Classification:
livres
livres
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Description:
ix, 261 pages : illustrations ; 24 cm
Description:
ix, 261 pages : illustrations ; 24 cm
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Publication:
Cambridge, UK : Polity ; Malden, MA : Blackwell, 2001.
Cambridge, UK : Polity ; Malden, MA : Blackwell, 2001.
Titre:
Understanding Disney : the manufacture of fantasy / Janet Wasko.
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Description:
ix, 261 pages : illustrations ; 24 cm
Understanding Disney : the manufacture of fantasy / Janet Wasko.
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Description:
ix, 261 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, UK : Polity ; Malden, MA : Blackwell, 2001.
Cambridge, UK : Polity ; Malden, MA : Blackwell, 2001.
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Sujet:
