14785 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH276962
Description:
Group includes correspondence, photographs possibly of Arthur Erickson office staff and unidentified project models, an information kit for Robson Square, Concept Design booklet for International Glass Museum and Simon Fraser University Master Plan, Update 1990.
ARCH276962
Description:
Group includes correspondence, photographs possibly of Arthur Erickson office staff and unidentified project models, an information kit for Robson Square, Concept Design booklet for International Glass Museum and Simon Fraser University Master Plan, Update 1990.
Personnes et institutions:
Date:
circa 1980s-1990s
circa 1980s-1990s
Titre:
Correspondence, photographs and unidentified project models for various projects
Actions:
ARCH276962
Description:
Group includes correspondence, photographs possibly of Arthur Erickson office staff and unidentified project models, an information kit for Robson Square, Concept Design booklet for International Glass Museum and Simon Fraser University Master Plan, Update 1990.
Correspondence, photographs and unidentified project models for various projects
Actions:
ARCH276962
Description:
Group includes correspondence, photographs possibly of Arthur Erickson office staff and unidentified project models, an information kit for Robson Square, Concept Design booklet for International Glass Museum and Simon Fraser University Master Plan, Update 1990.
Classification:
documents textuels
documents textuels
Date:
circa 1980s-1990s
circa 1980s-1990s
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
Personnes et institutions:
Date:
October-November 1998
October-November 1998
Titre:
Sketchbook 453: BBI I - Valencia - Amsterdam - Brasil Ibere
Actions:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
Sketchbook 453: BBI I - Valencia - Amsterdam - Brasil Ibere
Actions:
AP178.S2.1998.010
Description:
This sketchbook includes sketches for the Ibere Camargo Foundation Museum in Porto Alegre, Brazil. It also contains notes for a public lecture about the architecture of the 21sh century, as well as sketches and notes for the Quinta da Malagueira housing.
Classification:
dessins
dessins
Date:
October-November 1998
October-November 1998
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Personnes et institutions:
Date:
1945-1975
1945-1975
Titre:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Niveau de description archivistique:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
Personnes et institutions:
Classification:
périodiques
périodiques
Numéro de référence:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Personnes et institutions:
Date:
June 2007
June 2007
Titre:
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Classification:
périodiques
périodiques
Date:
June 2007
June 2007
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
Personnes et institutions:
Date:
1900 - 1980
1900 - 1980
Titre:
Reproduction de l'artiste James W. Bessey
Actions:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
Reproduction de l'artiste James W. Bessey
Actions:
ARCH276631
Description:
La première est une reproduction de l'artiste James W. Bessey pour promouvoir les produits de la compagnie Lennox et la seconde est produite par le Royal Ontario Museum de l'Université de Toronto. Reproduction des œuvres First Light et An Old Western Village.
Classification:
graphique
graphique
Date:
1900 - 1980
1900 - 1980
Personnes et institutions:
Classification:
né numérique
Quantité:
4025 digital file(s)
né numérique
Quantité:
4025 digital file(s)
Numéro de référence:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Photographs of 3D Systems models and exhibits
Actions:
AP174.S1.2001.D1.009
Description:
Contains photographs of an early Carbon Tower study model, 2002; the Extreme Textiles exhibit at the Cooper-Hewitt National Design Museum, New York, 2005; the 1:125 scale 3D Systems model on display at the Museum of Contemporary Art, Los Angeles, 2006-2007; and the 1:50 and 1:125 scale 3D Systems Carbon Tower models, 2013-2014. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Tagged Image File Format, Adobe Photoshop
Classification:
né numérique
Quantité:
4025 digital file(s)
né numérique
Quantité:
4025 digital file(s)
Date:
2002-2014
2002-2014
Personnes et institutions:
Numéro de référence:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
Personnes et institutions:
Date:
1989
1989
Titre:
16mm film print of Matta-Clark retrospective at MAC in Montreal
Actions:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
16mm film print of Matta-Clark retrospective at MAC in Montreal
Actions:
PHCON2003:0005:130
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. inscription: ABC News 20/20.
Date:
1989
1989
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Personnes et institutions:
Date:
ca. 1985
ca. 1985
Titre:
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Slides documenting a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona
Actions:
ARCH274384
Description:
Slides document a competition entry for the Fine Arts Center, Arizona State University in Tempe, Arizona. Includes site photographs, concept diagrams, elevations, section drawings and plans with views and models of the Museum, Theatre, Dance Building and Performance Plaza.
Classification:
photographies
photographies
Date:
ca. 1985
ca. 1985
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Personnes et institutions:
Date:
1985
1985
Titre:
Views of models displayed at the exhibition "Arthur Erickson - Selected Projects 1971-1985"
Actions:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Views of models displayed at the exhibition "Arthur Erickson - Selected Projects 1971-1985"
Actions:
ARCH255662
Description:
Views of models displayed at the exhibition - Datuk Dr. Chen House working model of house and site; Museum of Anthropology presentation model of building and site; California Plaza original competition model (detail): 60 Wall St. presentation model Tower A
Classification:
photographies
photographies
Date:
1985
1985
Personnes et institutions:
