2348 Résultats
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
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Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
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livres
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Publication:
mars 2016
mars 2016
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Photographie- collections
Photographie- collections
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$100.00
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'Bauhaus and Photography' brings together a range of contemporary works that reflect the enduring vision of Bauhaus practitioners such as Laszlo Moholy-Nagy, Erich Consemuller, Walter Peterhans, Marianne Brandt and Lucia Moholy, juxtaposing them with contemporary artists.
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'Bauhaus and Photography' brings together a range of contemporary works that reflect the enduring vision of Bauhaus practitioners such as Laszlo Moholy-Nagy, Erich Consemuller, Walter Peterhans, Marianne Brandt and Lucia Moholy, juxtaposing them with contemporary artists.
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Photographie- collections
Photographie- collections
Publication:
mars 2019
mars 2019
Titre:
Bauhaus and photography: on new visions in contemporary art
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'Bauhaus and Photography' brings together a range of contemporary works that reflect the enduring vision of Bauhaus practitioners such as Laszlo Moholy-Nagy, Erich Consemuller, Walter Peterhans, Marianne Brandt and Lucia Moholy, juxtaposing them with contemporary artists.
Bauhaus and photography: on new visions in contemporary art
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'Bauhaus and Photography' brings together a range of contemporary works that reflect the enduring vision of Bauhaus practitioners such as Laszlo Moholy-Nagy, Erich Consemuller, Walter Peterhans, Marianne Brandt and Lucia Moholy, juxtaposing them with contemporary artists.
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mars 2019
mars 2019
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Photographie- collections
Photographie- collections
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61 p. ; 28 cm.
Description:
61 p. ; 28 cm.
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Halifax : Nova Scotia Museum, 1999.
Halifax : Nova Scotia Museum, 1999.
Titre:
1999 photosource : where to find historic photographs in Nova Scotia.
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61 p. ; 28 cm.
1999 photosource : where to find historic photographs in Nova Scotia.
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61 p. ; 28 cm.
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Halifax : Nova Scotia Museum, 1999.
Halifax : Nova Scotia Museum, 1999.
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$77.00
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
$77.00
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
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A new view: Architecture photography from the National Museums in Berlin
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
A new view: Architecture photography from the National Museums in Berlin
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$77.00
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
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livres
livres
Publication:
mars 2011
mars 2011
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Photographie- collections
Photographie- collections
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1 volume (unpaged) : illustrations (chiefly color) ; 26 cm
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1 volume (unpaged) : illustrations (chiefly color) ; 26 cm
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Kyōto-shi : Kabushiki Kaisha Seigensha, 2017.
Kyōto-shi : Kabushiki Kaisha Seigensha, 2017.
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東京の家 / Jérémie Souteyrat. Tōkyō no ie / Jérémie Souteyrat.
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1 volume (unpaged) : illustrations (chiefly color) ; 26 cm
東京の家 / Jérémie Souteyrat. Tōkyō no ie / Jérémie Souteyrat.
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1 volume (unpaged) : illustrations (chiefly color) ; 26 cm
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Kyōto-shi : Kabushiki Kaisha Seigensha, 2017.
Kyōto-shi : Kabushiki Kaisha Seigensha, 2017.
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224 pages : illustrations ; 23 cm
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224 pages : illustrations ; 23 cm
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New Haven : Yale University Press, [2014]
New Haven : Yale University Press, [2014]
Titre:
Frank Browne : a life through the lens / David and Edwin Davison, with contributions by Colin Ford and E.E. O'Donnell, SJ.
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224 pages : illustrations ; 23 cm
Frank Browne : a life through the lens / David and Edwin Davison, with contributions by Colin Ford and E.E. O'Donnell, SJ.
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224 pages : illustrations ; 23 cm
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New Haven : Yale University Press, [2014]
New Haven : Yale University Press, [2014]
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179 pages : chiefly illustrations ; 26 x 27 cm
Description:
179 pages : chiefly illustrations ; 26 x 27 cm
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New York : H.N. Abrams, 1997.
New York : H.N. Abrams, 1997.
Titre:
Early days in the Adirondacks : the photographs of Seneca Ray Stoddard / [edited] by Jeanne Winston Adler ; foreword by John Wilmerding.
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179 pages : chiefly illustrations ; 26 x 27 cm
Early days in the Adirondacks : the photographs of Seneca Ray Stoddard / [edited] by Jeanne Winston Adler ; foreword by John Wilmerding.
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179 pages : chiefly illustrations ; 26 x 27 cm
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New York : H.N. Abrams, 1997.
New York : H.N. Abrams, 1997.
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$63.00
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
Titre:
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
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livres
livres
Publication:
avril 2021
avril 2021
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Photographie- collections
Photographie- collections
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$65.95
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth(...)
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth(...)
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Photographie- collections
Photographie- collections
Publication:
novembre 2021
novembre 2021
Titre:
As we rise: Photography from the Black Atlantic
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth Montague’s Wedge Collection in Toronto—a Black-owned collection dedicated to artists of African descent—this book looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.
As we rise: Photography from the Black Atlantic
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth Montague’s Wedge Collection in Toronto—a Black-owned collection dedicated to artists of African descent—this book looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.
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livres
livres
Publication:
novembre 2021
novembre 2021
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Photographie- collections
Photographie- collections
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livres
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$24.00
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the(...)
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the(...)
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Inside the photograph, writing on twentieth-century photography
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the field that he has helped to establish. In each of the 34 essays, which are devoted to individual (predominantly American) photographers and three galleries that played a key role in the recognition and marketing of Modern photography, Bunnell brings to bear his distinctive sensibility and insight. While encouraging the reader to see previously overlooked aspects of the images he discusses so eloquently, he also provides an invaluable historical context for the photographers and their work.
Inside the photograph, writing on twentieth-century photography
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$24.00
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Peter C. Bunnell has been a major force in shaping the discourse about photography. During his 30-some years as an influential professor and curator at Princeton University, he has written extensively. This classic collection of texts, available for the first time in paperback and selected from work published throughout his career, makes a significant contribution to the field that he has helped to establish. In each of the 34 essays, which are devoted to individual (predominantly American) photographers and three galleries that played a key role in the recognition and marketing of Modern photography, Bunnell brings to bear his distinctive sensibility and insight. While encouraging the reader to see previously overlooked aspects of the images he discusses so eloquently, he also provides an invaluable historical context for the photographers and their work.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Monographies photo
Monographies photo
