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Cet ouvrage déballe l’exhaustive collection Gordon Matta-Clark au CCA (CP138), en l’ouvrant à des interprétations provisoires issues de points de vue différents. Yann Chateigné réorganise la bibliothèque de Matta-Clark pour y recueillir les traces – écrites et dessinées – de sa pensée au travers de champs d’investigation structurants, de l’alchimie à la psychanalyse.(...)
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Résumé:
Cet ouvrage déballe l’exhaustive collection Gordon Matta-Clark au CCA (CP138), en l’ouvrant à des interprétations provisoires issues de points de vue différents. Yann Chateigné réorganise la bibliothèque de Matta-Clark pour y recueillir les traces – écrites et dessinées – de sa pensée au travers de champs d’investigation structurants, de l’alchimie à la psychanalyse.(...)
Titre:
CP138 Gordon Matta-Clark : Les archives revues par Yann Chateigné, Hila Peleg et Kitty Scott
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Cet ouvrage déballe l’exhaustive collection Gordon Matta-Clark au CCA (CP138), en l’ouvrant à des interprétations provisoires issues de points de vue différents. Yann Chateigné réorganise la bibliothèque de Matta-Clark pour y recueillir les traces – écrites et dessinées – de sa pensée au travers de champs d’investigation structurants, de l’alchimie à la psychanalyse. Rassemblant des heures de séquences de film rejetées, Hila Peleg remet en question la notion de documentation et ramène à la vue les contextes physiques et sociaux – l’espace relationnel – des interventions de Matta-Clark. Et à partir de centaines de photographies de voyage, Kitty Scott dresse, en contrepoint aux oeuvres de Matta-Clark, un panorama de ses notes visuelles sur le monde qui l’entoure. En mettant au premier plan des éléments apparemment secondaires de la collection, ces études manifestent une approche exploratoire des archives, dans laquelle la sélection, la présentation et l’écriture relèvent d’un processus de recherche continue. Plus qu’une synthèse, CP138 Gordon Matta-Clark : Les archives revues par Yann Chateigné, Hila Peleg et Kitty Scott propose d’élargir la portée de ce qui constitue l’oeuvre de Matta-Clark et ainsi le terrain physique et intellectuel dans lequel elle se situe.
CP138 Gordon Matta-Clark : Les archives revues par Yann Chateigné, Hila Peleg et Kitty Scott
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Cet ouvrage déballe l’exhaustive collection Gordon Matta-Clark au CCA (CP138), en l’ouvrant à des interprétations provisoires issues de points de vue différents. Yann Chateigné réorganise la bibliothèque de Matta-Clark pour y recueillir les traces – écrites et dessinées – de sa pensée au travers de champs d’investigation structurants, de l’alchimie à la psychanalyse. Rassemblant des heures de séquences de film rejetées, Hila Peleg remet en question la notion de documentation et ramène à la vue les contextes physiques et sociaux – l’espace relationnel – des interventions de Matta-Clark. Et à partir de centaines de photographies de voyage, Kitty Scott dresse, en contrepoint aux oeuvres de Matta-Clark, un panorama de ses notes visuelles sur le monde qui l’entoure. En mettant au premier plan des éléments apparemment secondaires de la collection, ces études manifestent une approche exploratoire des archives, dans laquelle la sélection, la présentation et l’écriture relèvent d’un processus de recherche continue. Plus qu’une synthèse, CP138 Gordon Matta-Clark : Les archives revues par Yann Chateigné, Hila Peleg et Kitty Scott propose d’élargir la portée de ce qui constitue l’oeuvre de Matta-Clark et ainsi le terrain physique et intellectuel dans lequel elle se situe.
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livres
livres
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juillet 2020
juillet 2020
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Publications du CCA
Publications du CCA
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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Canadian Centre for Architecture 2017
Canadian Centre for Architecture 2017
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$27.00
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
$27.00
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Résumé:
As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
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Publications du CCA
Publications du CCA
Publication:
janvier 2022
janvier 2022
Titre:
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
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janvier 2022
janvier 2022
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
Jean-Louis Cohen fonds, 1968-2023
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143,342 digital files (517.39 GB), 24.24 linear meters of textual records, 17,086 photographic materials, 1125 drawings, 195 ephemera, 59 périodiques, 50 audio cassettes,...
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[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
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[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
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44,004 items.
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44,004 items.
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127 pages : illustrations (some color) ; 24 cm
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127 pages : illustrations (some color) ; 24 cm
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Pittsburgh ; New York City : Periscope Publishing ; New York, NY : Distributed by Prestel Publishing, [2013]
Pittsburgh ; New York City : Periscope Publishing ; New York, NY : Distributed by Prestel Publishing, [2013]
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The pragmatism in the history of art / Molly Nesbit.
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127 pages : illustrations (some color) ; 24 cm
The pragmatism in the history of art / Molly Nesbit.
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127 pages : illustrations (some color) ; 24 cm
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Pittsburgh ; New York City : Periscope Publishing ; New York, NY : Distributed by Prestel Publishing, [2013]
Pittsburgh ; New York City : Periscope Publishing ; New York, NY : Distributed by Prestel Publishing, [2013]
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429 pages : illustrations (some color) ; 27 cm
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429 pages : illustrations (some color) ; 27 cm
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Barcelona : Polı́grafa ; New York : D.A.P./Distributed Art Pub., ©2006.
Barcelona : Polı́grafa ; New York : D.A.P./Distributed Art Pub., ©2006.
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Gordon Matta-Clark : works and collected writings / [Gordon Matta-Clark ; concept and edition by] Gloria Moure ; [translation: Selma Margaretten].
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429 pages : illustrations (some color) ; 27 cm
Gordon Matta-Clark : works and collected writings / [Gordon Matta-Clark ; concept and edition by] Gloria Moure ; [translation: Selma Margaretten].
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429 pages : illustrations (some color) ; 27 cm
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Barcelona : Polı́grafa ; New York : D.A.P./Distributed Art Pub., ©2006.
Barcelona : Polı́grafa ; New York : D.A.P./Distributed Art Pub., ©2006.
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$29.00
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Exclusively available in single volumes at the CCA Bookstore. This volume documents the film installation withing the exhibition, which features film excerpts of "Metropolis" by Fritz Lang, "La cité des enfants perdus" by Marc Caro and Jean-Pierre Jeunet, "Waterworld" by Kevin Reynolds, "The Lord of the Rings" by Peter Jackson, "The Truman Show" by Peter Weir, and many more.
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Exclusively available in single volumes at the CCA Bookstore. This volume documents the film installation withing the exhibition, which features film excerpts of "Metropolis" by Fritz Lang, "La cité des enfants perdus" by Marc Caro and Jean-Pierre Jeunet, "Waterworld" by Kevin Reynolds, "The Lord of the Rings" by Peter Jackson, "The Truman Show" by Peter Weir, and many more.
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septembre 2008, Venice
septembre 2008, Venice
Titre:
Out there: architecture beyond building, volume 2: hall of fragments. La Biennale di Venezia, 11. Mostra Internazionale die Architettura
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Exclusively available in single volumes at the CCA Bookstore. This volume documents the film installation withing the exhibition, which features film excerpts of "Metropolis" by Fritz Lang, "La cité des enfants perdus" by Marc Caro and Jean-Pierre Jeunet, "Waterworld" by Kevin Reynolds, "The Lord of the Rings" by Peter Jackson, "The Truman Show" by Peter Weir, and many more.
Out there: architecture beyond building, volume 2: hall of fragments. La Biennale di Venezia, 11. Mostra Internazionale die Architettura
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$29.00
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Exclusively available in single volumes at the CCA Bookstore. This volume documents the film installation withing the exhibition, which features film excerpts of "Metropolis" by Fritz Lang, "La cité des enfants perdus" by Marc Caro and Jean-Pierre Jeunet, "Waterworld" by Kevin Reynolds, "The Lord of the Rings" by Peter Jackson, "The Truman Show" by Peter Weir, and many more.
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septembre 2008, Venice
septembre 2008, Venice
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$20.00
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The storyboard of the animation film 'Flagrant Délit' by Madelon Vriesendorp (drawings) and Teri Wehn-Damisch (script) originated from Vriesendorp's painting of the same name (in the CCA collection). It later became famous as cover illustration for 'Delirious New York' by Rem Koolhaas, an icon of modern architectural history and a product of their collaboration during the(...)
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The storyboard of the animation film 'Flagrant Délit' by Madelon Vriesendorp (drawings) and Teri Wehn-Damisch (script) originated from Vriesendorp's painting of the same name (in the CCA collection). It later became famous as cover illustration for 'Delirious New York' by Rem Koolhaas, an icon of modern architectural history and a product of their collaboration during the(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mars 2008, Berlin (Aedes)
mars 2008, Berlin (Aedes)
Titre:
Madelon Vriesendorp. FLAGRANT DÉLIT or dream of liberty
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The storyboard of the animation film 'Flagrant Délit' by Madelon Vriesendorp (drawings) and Teri Wehn-Damisch (script) originated from Vriesendorp's painting of the same name (in the CCA collection). It later became famous as cover illustration for 'Delirious New York' by Rem Koolhaas, an icon of modern architectural history and a product of their collaboration during the seventies in New York.
Madelon Vriesendorp. FLAGRANT DÉLIT or dream of liberty
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The storyboard of the animation film 'Flagrant Délit' by Madelon Vriesendorp (drawings) and Teri Wehn-Damisch (script) originated from Vriesendorp's painting of the same name (in the CCA collection). It later became famous as cover illustration for 'Delirious New York' by Rem Koolhaas, an icon of modern architectural history and a product of their collaboration during the seventies in New York.
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livres
Publication:
mars 2008, Berlin (Aedes)
mars 2008, Berlin (Aedes)
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Architecture, monographies
Architecture, monographies
