L’idée du pénitencier
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
Vitrines
8 novembre 1995 au 31 mai 1996
L’idée du pénitencier
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Description:
Cette exposition explore l’idée du pénitencier qui, au XIXe siècle, s’est frayée un chemin dans les consciences et les territoires d’Europe et d’Amérique du Nord. S’inspirant de la tendance rationaliste en architecture et des principes sociaux posés au XVIIIe siècle, les partisans de la prison se sont attachés à une claire géométrie de l’isolement, de la surveillance et(...)
Vitrines
Projet
AP178.S1.1973.PR04
Description:
This project series documents the Palácio de Jústiça in Montemor-o-Velho, Portugal. While the records were held in the office’s archives this project was assigned the number 21/70. The office assigned the date 1973-1974 for this project. This project was not in the initial project list provided by the office. The office assembled documentation and added it to the list of projects. The project was not realized. Documenting this project are sketches and project documentation.
1973-1974
Palácio de Jústiça [Courthouse], Montemor-o-Velho, Portugal (1973-1974)
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AP178.S1.1973.PR04
Description:
This project series documents the Palácio de Jústiça in Montemor-o-Velho, Portugal. While the records were held in the office’s archives this project was assigned the number 21/70. The office assigned the date 1973-1974 for this project. This project was not in the initial project list provided by the office. The office assembled documentation and added it to the list of projects. The project was not realized. Documenting this project are sketches and project documentation.
Project
1973-1974
Projet
AP178.S1.1994.PR07
Description:
This project series documents the design for the Complexo desportivo para as Universiades '97 in Palermo, Italy. While the records were held in the office’s archives this project was assigned the number 52/90. The office assigned the dates 1994-1995 to this project. The project was a proposal for the sports complex, which included a multiuse stadium. The project was a collaboration with Roberto Collovà. The project was not realized. Documenting this project are sketches and correspondence.
1994-1995
Complexo desportivo para as Universiades '97 [Universiade '97 sports complex], Palermo, Italy (1994-1995)
Actions:
AP178.S1.1994.PR07
Description:
This project series documents the design for the Complexo desportivo para as Universiades '97 in Palermo, Italy. While the records were held in the office’s archives this project was assigned the number 52/90. The office assigned the dates 1994-1995 to this project. The project was a proposal for the sports complex, which included a multiuse stadium. The project was a collaboration with Roberto Collovà. The project was not realized. Documenting this project are sketches and correspondence.
Project
1994-1995
Projet
AP178.S1.1980.PR07
Description:
The project series documents the Cave di Cusa in Selinunte, Castelvetrano, Italy. While the records were held in the office’s archives this project was assigned the number [8]/80. The office assigned the date 1980 for this project. The Cave di Cusa is an ancient quarry and popular tourist site in Sicily. The project series is solely recorded through slides of sketches. The sketches show a cylindrical volume and two cube-shaped volumes.
circa 1980
Cave di Cusa, Selinunte, Castelvetrano, Italy (1980)
Actions:
AP178.S1.1980.PR07
Description:
The project series documents the Cave di Cusa in Selinunte, Castelvetrano, Italy. While the records were held in the office’s archives this project was assigned the number [8]/80. The office assigned the date 1980 for this project. The Cave di Cusa is an ancient quarry and popular tourist site in Sicily. The project series is solely recorded through slides of sketches. The sketches show a cylindrical volume and two cube-shaped volumes.
Project
circa 1980
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Salle octogonale
9 mars 2005 au 22 mai 2005
Dieter Appelt : Forth Bridge – cinéma. Espace métrique
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Description:
L’artiste allemand Dieter Appelt présente une œuvre majeure commandée par le CCA et inspirée du spectaculaire pont ferroviaire construit sur le Forth à la fin du XIXe siècle près d’Édimbourg, en Écosse. Dieter Appelt : Forth Bridge – cinéma. Espace métrique est la deuxième de quatre expositions composant la série Tangente, qui amène des artistes contemporains à établir un(...)
Salle octogonale
archives
Niveau de description archivistique:
Fonds
Fonds Álvaro Siza
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
1958-2002
Fonds Álvaro Siza
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
archives
Niveau de description archivistique:
Fonds
1958-2002
Projet
AP178.S1.2001.PR01
Description:
The project series documents the Plano de Recuperação e Transformação da Cidade de S. Tomé e Príncipe in the Democratic Republic of São Tomé e Principe. While the records were held in the office’s archives this project was assigned the numbers 23/00. The office assigned the date 2001 to this project. Documenting this series project are a study, a plan, and photographs of the area. Textual material includes correspondence and project documentation.
2000-2002
Plano de Recuperação e Transformação da Cidade de S. Tomé e Príncipe, Democratic Republic of São Tomé and Principe (2001)
Actions:
AP178.S1.2001.PR01
Description:
The project series documents the Plano de Recuperação e Transformação da Cidade de S. Tomé e Príncipe in the Democratic Republic of São Tomé e Principe. While the records were held in the office’s archives this project was assigned the numbers 23/00. The office assigned the date 2001 to this project. Documenting this series project are a study, a plan, and photographs of the area. Textual material includes correspondence and project documentation.
Project
2000-2002
articles
Tisser modernité et tradition
Abigail Duke présente l’architecture d’Arc Frank Mbanefo
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articles
Notes pour un itinéraire américain
Elisabetta Trincherini sur le fonds Gianni Pettena
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Projet
AP178.S1.1990.PR06
Description:
This project series documents the Remodelação da Casa de Chá da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 12/90. The office assigned the dates 1990-1999 to this project. The project files document the renovations to the Casa de Chá da Boa Nova. Documenting this project are sketches, plans, elevations, sections, details, axonometric drawings and slides showing the restaurant.
1990-1991
Remodelação da Casa de Chá da Boa Nova [Renovation of Casa de Chá da Boa Nova], Leça da Palmeira (1990-1999)
Actions:
AP178.S1.1990.PR06
Description:
This project series documents the Remodelação da Casa de Chá da Boa Nova in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 12/90. The office assigned the dates 1990-1999 to this project. The project files document the renovations to the Casa de Chá da Boa Nova. Documenting this project are sketches, plans, elevations, sections, details, axonometric drawings and slides showing the restaurant.
Project
1990-1991