5986 Résultats
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Description:
223 pages : illustrations ; 24 cm.
Description:
223 pages : illustrations ; 24 cm.
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Sujet:
- History Methodology.,
- History Sources Evaluation.,
- Event history analysis.,
- Motion pictures and history.,
- Histoire Méthodologie.,
- Histoire Sources Évaluation.,
- Événement.,
- Cinéma et histoire.,
- History.,
- Bildbetrachtung,
- Geschichtswissenschaft,
- Bild,
- Geschichtsschreibung,
- Geschichtstheorie,
- Ikonographie,
- Interpretation,
- Afbeeldingen (algemeen),
- Beeldvorming.,
- Geschiedbronnen.,
- Bildbetrachtung Geschichtswissenschaft.,
- Bildbetrachtung Gesellschaft.,
- Bild Geschichtsschreibung.,
- Geschichtstheorie Ikonographie.,
- Bild Interpretation Gesellschaft,
- Sources.
Publication:
Ithaca, N.Y. : Cornell University Press, ©2001.
Ithaca, N.Y. : Cornell University Press, ©2001.
Titre:
Eyewitnessing : the uses of images as historical evidence / Peter Burke.
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223 pages : illustrations ; 24 cm.
Eyewitnessing : the uses of images as historical evidence / Peter Burke.
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Description:
223 pages : illustrations ; 24 cm.
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Publication:
Ithaca, N.Y. : Cornell University Press, ©2001.
Ithaca, N.Y. : Cornell University Press, ©2001.
Auteur:
Sujet:
- History Methodology.,
- History Sources Evaluation.,
- Event history analysis.,
- Motion pictures and history.,
- Histoire Méthodologie.,
- Histoire Sources Évaluation.,
- Événement.,
- Cinéma et histoire.,
- History.,
- Bildbetrachtung,
- Geschichtswissenschaft,
- Bild,
- Geschichtsschreibung,
- Geschichtstheorie,
- Ikonographie,
- Interpretation,
- Afbeeldingen (algemeen),
- Beeldvorming.,
- Geschiedbronnen.,
- Bildbetrachtung Geschichtswissenschaft.,
- Bildbetrachtung Gesellschaft.,
- Bild Geschichtsschreibung.,
- Geschichtstheorie Ikonographie.,
- Bild Interpretation Gesellschaft,
- Sources.
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
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Publication:
avril 2000, Cambridge
avril 2000, Cambridge
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livres
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$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Prix:
$39.95
(disponible sur commande)
Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
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Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
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Description:
128 pages : illustrations (some color) ; 28 cm
Description:
128 pages : illustrations (some color) ; 28 cm
Auteur:
- Rogers-Lafferty, Sarah.,
- Welling, James.,
- Fried, Michael.,
- Wexner Center for the Arts.,
- Baltimore Museum of Art.,
- Museum of Contemporary Art (Los Angeles, Calif.)
Sujet:
- Welling, James Exhibitions.,
- Welling, James,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Titre:
James Welling : photographs, 1974-1999 / Sarah J. Rogers with an essay by Michael Fried.
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Description:
128 pages : illustrations (some color) ; 28 cm
James Welling : photographs, 1974-1999 / Sarah J. Rogers with an essay by Michael Fried.
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128 pages : illustrations (some color) ; 28 cm
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livres
livres
Publication:
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Columbus, Ohio : Wexner Center for the Arts, Ohio State University, 2000.
Auteur:
- Rogers-Lafferty, Sarah.,
- Welling, James.,
- Fried, Michael.,
- Wexner Center for the Arts.,
- Baltimore Museum of Art.,
- Museum of Contemporary Art (Los Angeles, Calif.)
Sujet:
- Welling, James Exhibitions.,
- Welling, James,
- Photography, Artistic Exhibitions.,
- Photographie artistique Expositions.,
- Photography, Artistic,
- Exhibition catalogues.,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
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livres
livres
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Description:
xviii, 227 pages : illustrations ; 24 cm
Description:
xviii, 227 pages : illustrations ; 24 cm
Auteur:
- Steve Yates -- Dore Ashton -- Rudolf Arnheim -- Gaston Bachelard -- John E. Bowlt -- Vladimir Favorsky -- Valery Stigneev -- El Lissitzky -- Rudolf Carnap -- Jonathan Crary -- Stephen C. Foster -- Edward T. Hall -- William M. Ivins, Jr. -- Jean-Claude Lemagny -- Laszlo Moholy-Nagy -- Joel Snyder -- Lucy Lippard -- Frederick Sommer and Stephen Aldrich -- Leo Steinberg -- Steve Yates.,
- Yates, Steven A.
Sujet:
- Photography, Artistic.,
- Space (Art),
- Photographie artistique.,
- Espace (Art),
- art photography.,
- Anthologies.
Publication:
Albuquerque : University of New Mexico Press, ©1995.
Albuquerque : University of New Mexico Press, ©1995.
Titre:
Poetics of space : a critical photographic anthology / edited by Steve Yates.
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Description:
xviii, 227 pages : illustrations ; 24 cm
Poetics of space : a critical photographic anthology / edited by Steve Yates.
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Description:
xviii, 227 pages : illustrations ; 24 cm
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livres
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Publication:
Albuquerque : University of New Mexico Press, ©1995.
Albuquerque : University of New Mexico Press, ©1995.
Auteur:
- Steve Yates -- Dore Ashton -- Rudolf Arnheim -- Gaston Bachelard -- John E. Bowlt -- Vladimir Favorsky -- Valery Stigneev -- El Lissitzky -- Rudolf Carnap -- Jonathan Crary -- Stephen C. Foster -- Edward T. Hall -- William M. Ivins, Jr. -- Jean-Claude Lemagny -- Laszlo Moholy-Nagy -- Joel Snyder -- Lucy Lippard -- Frederick Sommer and Stephen Aldrich -- Leo Steinberg -- Steve Yates.,
- Yates, Steven A.
Sujet:
- Photography, Artistic.,
- Space (Art),
- Photographie artistique.,
- Espace (Art),
- art photography.,
- Anthologies.
Classification:
livres
livres
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Description:
55, 55 pages : illustrations (some color) ; 17 cm.
Description:
55, 55 pages : illustrations (some color) ; 17 cm.
Auteur:
- López Rivera, Francisco Javier, 1966-,
- Mateus, Francisco Aires, 1964-,
- Malhão, Daniel, 1971-
Sujet:
Publication:
Málaga : Recolectores Urbanos Editorial, enero 2016.
Málaga : Recolectores Urbanos Editorial, enero 2016.
Titre:
Ideas e imágenes : diálogo entre arquitectura y fotografía Manuel Aires y Daniel Malhão / Javier López Rivera, ed.
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55, 55 pages : illustrations (some color) ; 17 cm.
Ideas e imágenes : diálogo entre arquitectura y fotografía Manuel Aires y Daniel Malhão / Javier López Rivera, ed.
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Description:
55, 55 pages : illustrations (some color) ; 17 cm.
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livres
livres
Publication:
Málaga : Recolectores Urbanos Editorial, enero 2016.
Málaga : Recolectores Urbanos Editorial, enero 2016.
Auteur:
- López Rivera, Francisco Javier, 1966-,
- Mateus, Francisco Aires, 1964-,
- Malhão, Daniel, 1971-
Sujet:
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livres
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Description:
xxv, 301 pages : illustrations (some colour), maps ; 26 cm
Description:
xxv, 301 pages : illustrations (some colour), maps ; 26 cm
Auteur:
- Place matters (Montréal, Québec),
- Bordo, Jonathan,,
- Fitzpatrick, Blake, 1955-
Sujet:
- Place (Philosophy) in art.,
- Place (Philosophy) in literature.,
- Landscapes in art.,
- Geocriticism.,
- Symbolism.,
- Lieu (Philosophie) dans l'art.,
- Lieu (Philosophie) dans la littérature.,
- Paysages dans l'art.,
- Géocritique.,
- Symbolisme.,
- symbolism (artistic concept)
Publication:
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022], ©2022
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022], ©2022
Titre:
Place matters : critical topographies in word and image / edited by Jonathan Bordo and Blake Fitzpatrick.
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Description:
xxv, 301 pages : illustrations (some colour), maps ; 26 cm
Place matters : critical topographies in word and image / edited by Jonathan Bordo and Blake Fitzpatrick.
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Description:
xxv, 301 pages : illustrations (some colour), maps ; 26 cm
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livres
livres
Publication:
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022], ©2022
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2022], ©2022
Auteur:
- Place matters (Montréal, Québec),
- Bordo, Jonathan,,
- Fitzpatrick, Blake, 1955-
Sujet:
- Place (Philosophy) in art.,
- Place (Philosophy) in literature.,
- Landscapes in art.,
- Geocriticism.,
- Symbolism.,
- Lieu (Philosophie) dans l'art.,
- Lieu (Philosophie) dans la littérature.,
- Paysages dans l'art.,
- Géocritique.,
- Symbolisme.,
- symbolism (artistic concept)
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Description:
262 pages : illustrations, maps ; 24 cm
Description:
262 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- Arts, Renaissance Themes, motives.,
- Arts de la Renaissance Thèmes, motifs.,
- Geography in art.,
- 23/28 -- Christianity.,
- 39(091) -- Ethnohistory.,
- 5(091) -- History of science.,
- 528.9(091) -- History of cartography.,
- 76 -- Engravings and prints.,
- 91(08)[1576 Frobisher] -- Expeditions: 1576 Frobisher.,
- 91(08)[1577 Frobisher] -- Expeditions: 1577 Frobisher.,
- 91(08)[1578 Frobisher] -- Expeditions: 1578 Frobisher.,
- 91(08)[1596-97 Barents] -- Expeditions: 1596-97 Barents.,
- 91(091) -- Exploration, history.,
- 93 -- History.,
- 93"15" -- Sixteenth century.,
- Arctic regions In art.,
- Arctic Regions.,
- 1500-1699,
- works of art.,
- Art.,
- Œuvres d'art.
Publication:
Brooklyn, NY : Zone Books, 2019., ©2019
Brooklyn, NY : Zone Books, 2019., ©2019
Titre:
Into the white : the Renaissance Arctic and the end of the image / Christopher P. Heuer.
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Description:
262 pages : illustrations, maps ; 24 cm
Into the white : the Renaissance Arctic and the end of the image / Christopher P. Heuer.
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Description:
262 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Brooklyn, NY : Zone Books, 2019., ©2019
Brooklyn, NY : Zone Books, 2019., ©2019
Auteur:
Sujet:
- Arts, Renaissance Themes, motives.,
- Arts de la Renaissance Thèmes, motifs.,
- Geography in art.,
- 23/28 -- Christianity.,
- 39(091) -- Ethnohistory.,
- 5(091) -- History of science.,
- 528.9(091) -- History of cartography.,
- 76 -- Engravings and prints.,
- 91(08)[1576 Frobisher] -- Expeditions: 1576 Frobisher.,
- 91(08)[1577 Frobisher] -- Expeditions: 1577 Frobisher.,
- 91(08)[1578 Frobisher] -- Expeditions: 1578 Frobisher.,
- 91(08)[1596-97 Barents] -- Expeditions: 1596-97 Barents.,
- 91(091) -- Exploration, history.,
- 93 -- History.,
- 93"15" -- Sixteenth century.,
- Arctic regions In art.,
- Arctic Regions.,
- 1500-1699,
- works of art.,
- Art.,
- Œuvres d'art.
Classification:
livres
livres
Actions:
Description:
1 online resource (153 pages : illustrations)
Auteur:
Sujet:
- Art Political aspects.,
- Decolonization in art.,
- Art and society.,
- Black people in art.,
- Race in art.,
- Black people Race identity In art.,
- Art Aspect politique.,
- Décolonisation dans l'art.,
- Art et société.,
- Personnes noires dans l'art.,
- Race dans l'art.,
- Personnes noires Identité ethnique Dans l'art.,
- political art.,
- Black people Race identity,
- Entkolonialisierung,
- Kunstsoziologie,
- Art
Publication:
San Francisco : Art Practical Books, [2017], ©2017
San Francisco : Art Practical Books, [2017], ©2017
Titre:
Decolonizing culture : essays on the intersection of art and politics / Anuradha Vikram.
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1 online resource (153 pages : illustrations)
Decolonizing culture : essays on the intersection of art and politics / Anuradha Vikram.
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Description:
1 online resource (153 pages : illustrations)
Classification:
livres
livres
Publication:
San Francisco : Art Practical Books, [2017], ©2017
San Francisco : Art Practical Books, [2017], ©2017
Auteur:
Sujet:
- Art Political aspects.,
- Decolonization in art.,
- Art and society.,
- Black people in art.,
- Race in art.,
- Black people Race identity In art.,
- Art Aspect politique.,
- Décolonisation dans l'art.,
- Art et société.,
- Personnes noires dans l'art.,
- Race dans l'art.,
- Personnes noires Identité ethnique Dans l'art.,
- political art.,
- Black people Race identity,
- Entkolonialisierung,
- Kunstsoziologie,
- Art
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livres
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Description:
255 pages : illustrations ; 20 cm.
Description:
255 pages : illustrations ; 20 cm.
Auteur:
Sujet:
- Muybridge, Eadweard, 1830-1904.,
- Muybridge, Eadweard 1830-1904,
- Muybridge, Eadweard Biographie.,
- Muybridge, Eadweard.,
- Cinematographers Great Britain Biography.,
- Cinematographers United States Biography.,
- Photographers Great Britain Biography.,
- Photographers United States Biography.,
- Directeurs de la photographie Grande-Bretagne Biographies.,
- Directeurs de la photographie États-Unis Biographies.,
- Photographes Grande-Bretagne Biographies.,
- Photographes États-Unis Biographies.,
- Biography.,
- Cinematographers,
- Photographers,
- Photographie.,
- Great Britain,
- United States,
- Biographies
Publication:
London, UK : Reaktion Books, 2010.
London, UK : Reaktion Books, 2010.
Titre:
Eadweard Muybridge / Marta Braun.
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Description:
255 pages : illustrations ; 20 cm.
Eadweard Muybridge / Marta Braun.
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Description:
255 pages : illustrations ; 20 cm.
Classification:
livres
livres
Publication:
London, UK : Reaktion Books, 2010.
London, UK : Reaktion Books, 2010.
Auteur:
Sujet:
- Muybridge, Eadweard, 1830-1904.,
- Muybridge, Eadweard 1830-1904,
- Muybridge, Eadweard Biographie.,
- Muybridge, Eadweard.,
- Cinematographers Great Britain Biography.,
- Cinematographers United States Biography.,
- Photographers Great Britain Biography.,
- Photographers United States Biography.,
- Directeurs de la photographie Grande-Bretagne Biographies.,
- Directeurs de la photographie États-Unis Biographies.,
- Photographes Grande-Bretagne Biographies.,
- Photographes États-Unis Biographies.,
- Biography.,
- Cinematographers,
- Photographers,
- Photographie.,
- Great Britain,
- United States,
- Biographies
