Projet
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
circa 2003-2004
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Project
circa 2003-2004
Projet
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
1970
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Project
1970
Projet
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
2005-2007
Harry & Jeanette Weinberg Jewish Community Campus, Vancouver, British Columbia (2005)
Actions:
AP075.S1.2005.PR05
Description:
Project series documents Cornelia Hahn Oberlander's project for the Harry & Jeanette Weinberg Jewish Community Campus, a high school and community facility on Willow Street, at the corne of 41st Avenue, in Vancouver, British Columbia. Oberlander worked on this project from 2005-2007 with architectural firm Acton Ostry Architects. The landscape project comprises the addition of trees along 41st Avenue and Willow Street, while preserving existing ones, and the design of three paved terraces along the north side of the building and creating the planting plant, that included a rainwater garden next to the east terrace. The project series contains solely four site and planting plans with plants list, and a detail section plan for the terraces.
Project
2005-2007
Série(s)
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
2003-2004
Project files for competition
Actions:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Series
2003-2004
Série(s)
Audio-Visual Materials
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
1966-1987
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Series
1966-1987
Projet
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
1958-1964
Place Ville Marie
Actions:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
File 2
1958-1964
Projet
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
1987
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Project
1987
Série(s)
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
1960-2018
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Series
1960-2018
Sous-série
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
1992-2018
Casa Malaparte
Actions:
AP207.S2.SS08
Description:
The sub-series documents the exhibition "Casa Malaparte", curated by Pettena and presented at the Centro d'Arte Spazio Tempo in Florence, in 1992. The exhibition focuses on the history and the design of Casa Malaparte, the private residence of Curzio Malaparte on Capo Massullo in Capri, Italy. The sub-series contains research material, including photocopies of plans and drawings of Casa Malaparte, photocopies of publications, and a promotional 1995 agenda from A4 architects and designers with introduction pages on Casa Malaparte. The sub-series also contains two notebooks on the house and the exhibition, photographs of Casa Malaparte, correspondence related to the planning of the exhibition and the production of the exhibition catalogue, and texts for the catalogue.
Subseries
1992-2018
Projet
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
1942-1957
The Spaarbank (Central Savings Bank), Rotterdam, Netherlands (1942-1957)
Actions:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
project
1942-1957