43717 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D5
Description:
The project series documents the demolition, design, and reconstruction of the Francisco González and Carmen Ordoñez house, in the Colina de los Chopos, Madrid, Spain. Abalos & Herreros worked with the firm Obiol & Moya. The firm identified this project as number 104. Documenting the project are conceptual, design development and working drawings, correspondence, project descriptions, budgets, specifications, notes, estimates, invoices, business agreements, proposals, quantity reports, models, reference, photographic, graphic and digital materials.
AP164.S1.1997.D5
Description:
The project series documents the demolition, design, and reconstruction of the Francisco González and Carmen Ordoñez house, in the Colina de los Chopos, Madrid, Spain. Abalos & Herreros worked with the firm Obiol & Moya. The firm identified this project as number 104. Documenting the project are conceptual, design development and working drawings, correspondence, project descriptions, budgets, specifications, notes, estimates, invoices, business agreements, proposals, quantity reports, models, reference, photographic, graphic and digital materials.
Personnes et institutions:
Date:
1976, 1991-2000, predominant 1997-1999
1976, 1991-2000, predominant 1997-1999
Titre:
Casa González, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D5
Description:
The project series documents the demolition, design, and reconstruction of the Francisco González and Carmen Ordoñez house, in the Colina de los Chopos, Madrid, Spain. Abalos & Herreros worked with the firm Obiol & Moya. The firm identified this project as number 104. Documenting the project are conceptual, design development and working drawings, correspondence, project descriptions, budgets, specifications, notes, estimates, invoices, business agreements, proposals, quantity reports, models, reference, photographic, graphic and digital materials.
Casa González, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D5
Description:
The project series documents the demolition, design, and reconstruction of the Francisco González and Carmen Ordoñez house, in the Colina de los Chopos, Madrid, Spain. Abalos & Herreros worked with the firm Obiol & Moya. The firm identified this project as number 104. Documenting the project are conceptual, design development and working drawings, correspondence, project descriptions, budgets, specifications, notes, estimates, invoices, business agreements, proposals, quantity reports, models, reference, photographic, graphic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1976, 1991-2000, predominant 1997-1999
1976, 1991-2000, predominant 1997-1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Personnes et institutions:
Date:
2002
2002
Titre:
Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria-Gasteiz, Spain (2002-2006)
Actions:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria-Gasteiz, Spain (2002-2006)
Actions:
AP164.S1.2002.D2
Description:
The project series documents the Bioclimatic mixed-use towers in the Salburúa fens, Vitoria, Spain. The four “passive” towers include residential units, offices, and commercial space. The firm identified the project as number 146. In 2001, Abalos & Herreros was invited to the competition held by the Sociedad Urbanística Ensanche-21 and Jaureguizahar, where the firm's entry won first place. The firm worked with Renata Sentkiewicz, David Sobrino, and Obiol y Moya. Documenting the project is a model.
Niveau de description archivistique:
Project
Project
Date:
2002
2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1998.PR01
Description:
This project series documents the replanning of the Piazzale della Farnesina, the access avenue to the Foreign Ministry's office in Rome, Italy. This project was realized. Riva worked on this project from 1996-1999. The project was done in collaboration with Paolo Ricatti, P. Conviti, Giovanni Drugman, Monica Manfredi, Alessandro Scandurra, Paolo Bonvini, and Maddalena Ferrara. The project is recorded through studies and design development drawings, including plans, sections, elevations, and details for the outdoor furnishings, such as street lamps.
AP180.S1.1998.PR01
Description:
This project series documents the replanning of the Piazzale della Farnesina, the access avenue to the Foreign Ministry's office in Rome, Italy. This project was realized. Riva worked on this project from 1996-1999. The project was done in collaboration with Paolo Ricatti, P. Conviti, Giovanni Drugman, Monica Manfredi, Alessandro Scandurra, Paolo Bonvini, and Maddalena Ferrara. The project is recorded through studies and design development drawings, including plans, sections, elevations, and details for the outdoor furnishings, such as street lamps.
Personnes et institutions:
Date:
1998
1998
Titre:
Piazzale della Farnesina, Rome, Italy (1998)
Actions:
AP180.S1.1998.PR01
Description:
This project series documents the replanning of the Piazzale della Farnesina, the access avenue to the Foreign Ministry's office in Rome, Italy. This project was realized. Riva worked on this project from 1996-1999. The project was done in collaboration with Paolo Ricatti, P. Conviti, Giovanni Drugman, Monica Manfredi, Alessandro Scandurra, Paolo Bonvini, and Maddalena Ferrara. The project is recorded through studies and design development drawings, including plans, sections, elevations, and details for the outdoor furnishings, such as street lamps.
Piazzale della Farnesina, Rome, Italy (1998)
Actions:
AP180.S1.1998.PR01
Description:
This project series documents the replanning of the Piazzale della Farnesina, the access avenue to the Foreign Ministry's office in Rome, Italy. This project was realized. Riva worked on this project from 1996-1999. The project was done in collaboration with Paolo Ricatti, P. Conviti, Giovanni Drugman, Monica Manfredi, Alessandro Scandurra, Paolo Bonvini, and Maddalena Ferrara. The project is recorded through studies and design development drawings, including plans, sections, elevations, and details for the outdoor furnishings, such as street lamps.
Niveau de description archivistique:
Project
Project
Date:
1998
1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.2006.PR01
Description:
This project series documents an unrealized design for the control centre of Centrale Termoelettrica Edison, a thermoelectric power plant in Jesi, Italy. Riva worked on this project in 2006. It consisted of an upgrade to the building in order to adhere to environmental standards. The project is recorded through design development drawings, including axonometric drawings, exterior elevations, sections, floor plans, and a general plan for the power plant. The material also includes print-outs of renderings showing the entire power plant.
AP180.S1.2006.PR01
Description:
This project series documents an unrealized design for the control centre of Centrale Termoelettrica Edison, a thermoelectric power plant in Jesi, Italy. Riva worked on this project in 2006. It consisted of an upgrade to the building in order to adhere to environmental standards. The project is recorded through design development drawings, including axonometric drawings, exterior elevations, sections, floor plans, and a general plan for the power plant. The material also includes print-outs of renderings showing the entire power plant.
Personnes et institutions:
Date:
ca. 2006
ca. 2006
Titre:
Centrale Termoelettrica Edison [Edison thermoelectric power plant], Jesi, Italy (2006)
Actions:
AP180.S1.2006.PR01
Description:
This project series documents an unrealized design for the control centre of Centrale Termoelettrica Edison, a thermoelectric power plant in Jesi, Italy. Riva worked on this project in 2006. It consisted of an upgrade to the building in order to adhere to environmental standards. The project is recorded through design development drawings, including axonometric drawings, exterior elevations, sections, floor plans, and a general plan for the power plant. The material also includes print-outs of renderings showing the entire power plant.
Centrale Termoelettrica Edison [Edison thermoelectric power plant], Jesi, Italy (2006)
Actions:
AP180.S1.2006.PR01
Description:
This project series documents an unrealized design for the control centre of Centrale Termoelettrica Edison, a thermoelectric power plant in Jesi, Italy. Riva worked on this project in 2006. It consisted of an upgrade to the building in order to adhere to environmental standards. The project is recorded through design development drawings, including axonometric drawings, exterior elevations, sections, floor plans, and a general plan for the power plant. The material also includes print-outs of renderings showing the entire power plant.
Niveau de description archivistique:
Project
Project
Date:
ca. 2006
ca. 2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1950.PR01
Description:
This project series documents Cornelia Hahn Oberlander's design for a neighbourhood playground for the Lutheran Settlement House on Frankford Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project from 1950-1954 while working for the Citizen's Council on City Planning (CCCP) as community planner. The playground includes a basketball, badminton and handball field, an area for games on earth surface, a quiet area, and a paved area for small children. The project series consists solely of a general landscape plan of the playground.
AP075.S1.1950.PR01
Description:
This project series documents Cornelia Hahn Oberlander's design for a neighbourhood playground for the Lutheran Settlement House on Frankford Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project from 1950-1954 while working for the Citizen's Council on City Planning (CCCP) as community planner. The playground includes a basketball, badminton and handball field, an area for games on earth surface, a quiet area, and a paved area for small children. The project series consists solely of a general landscape plan of the playground.
Personnes et institutions:
Date:
1950-1954
1950-1954
Titre:
Neighbourhood playground for Lutheran Settlement House, Philadelphia, Pennsylvania (1950-1954)
Actions:
AP075.S1.1950.PR01
Description:
This project series documents Cornelia Hahn Oberlander's design for a neighbourhood playground for the Lutheran Settlement House on Frankford Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project from 1950-1954 while working for the Citizen's Council on City Planning (CCCP) as community planner. The playground includes a basketball, badminton and handball field, an area for games on earth surface, a quiet area, and a paved area for small children. The project series consists solely of a general landscape plan of the playground.
Neighbourhood playground for Lutheran Settlement House, Philadelphia, Pennsylvania (1950-1954)
Actions:
AP075.S1.1950.PR01
Description:
This project series documents Cornelia Hahn Oberlander's design for a neighbourhood playground for the Lutheran Settlement House on Frankford Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project from 1950-1954 while working for the Citizen's Council on City Planning (CCCP) as community planner. The playground includes a basketball, badminton and handball field, an area for games on earth surface, a quiet area, and a paved area for small children. The project series consists solely of a general landscape plan of the playground.
Niveau de description archivistique:
Project
Project
Date:
1950-1954
1950-1954
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:002
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Eyes, 1970-1978, gelatin silver prints, 12.6 x 17.7 cm (each image), PHCON2002:0016:012:050, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:002
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Eyes, 1970-1978, gelatin silver prints, 12.6 x 17.7 cm (each image), PHCON2002:0016:012:050, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of three gelatin silver prints of eyes by Gordon Matta-Clark, 1970-1978
Actions:
PH2018:0005:002
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Eyes, 1970-1978, gelatin silver prints, 12.6 x 17.7 cm (each image), PHCON2002:0016:012:050, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of three gelatin silver prints of eyes by Gordon Matta-Clark, 1970-1978
Actions:
PH2018:0005:002
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Eyes, 1970-1978, gelatin silver prints, 12.6 x 17.7 cm (each image), PHCON2002:0016:012:050, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:004
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Stonehenge, 1973, contact sheet, 25.5 x 20.5 cm, PHCON2002:0016:012:04, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:004
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Stonehenge, 1973, contact sheet, 25.5 x 20.5 cm, PHCON2002:0016:012:04, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of gelatin silver print contact sheet of Stonehenge by Gordon Matta-Clark, 1973
Actions:
PH2018:0005:004
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Stonehenge, 1973, contact sheet, 25.5 x 20.5 cm, PHCON2002:0016:012:04, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of gelatin silver print contact sheet of Stonehenge by Gordon Matta-Clark, 1973
Actions:
PH2018:0005:004
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, Stonehenge, 1973, contact sheet, 25.5 x 20.5 cm, PHCON2002:0016:012:04, Estate of Gordon Matta-Clark on deposit at the Canadian Centre for Architecture, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:015
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the tower of the services centre of the Parco tecnologico, Verbania, 1933, 22.0 x 6.0 x 6.0 cm, AP142.S1.D228.P4, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:015
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the tower of the services centre of the Parco tecnologico, Verbania, 1933, 22.0 x 6.0 x 6.0 cm, AP142.S1.D228.P4, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of study model for the tower of the services centre of the Parco tecnologico by Aldo Rossio, 1933
Actions:
PH2018:0005:015
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the tower of the services centre of the Parco tecnologico, Verbania, 1933, 22.0 x 6.0 x 6.0 cm, AP142.S1.D228.P4, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of study model for the tower of the services centre of the Parco tecnologico by Aldo Rossio, 1933
Actions:
PH2018:0005:015
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the tower of the services centre of the Parco tecnologico, Verbania, 1933, 22.0 x 6.0 x 6.0 cm, AP142.S1.D228.P4, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:026
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, tree study, 1970-1971, blue pencil on paper, 35.6 x 43.2 cm, PHCON2002:0016:060, Gordon Matta-Clark Collection, Canadian Centre for Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:026
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, tree study, 1970-1971, blue pencil on paper, 35.6 x 43.2 cm, PHCON2002:0016:060, Gordon Matta-Clark Collection, Canadian Centre for Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Tree study, blue pencil on paper by Gordon Matta-Clark, 1970-1971
Actions:
PH2018:0005:026
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, tree study, 1970-1971, blue pencil on paper, 35.6 x 43.2 cm, PHCON2002:0016:060, Gordon Matta-Clark Collection, Canadian Centre for Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Tree study, blue pencil on paper by Gordon Matta-Clark, 1970-1971
Actions:
PH2018:0005:026
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, tree study, 1970-1971, blue pencil on paper, 35.6 x 43.2 cm, PHCON2002:0016:060, Gordon Matta-Clark Collection, Canadian Centre for Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
